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Third Annual Double Bass Summit Live At Dizzy's
by Robert Bush
San Diego Double Bass Summit Dizzy's San Diego, California July 25, 2010 The greater San Diego area has long been deep in double bass talent, eight of whom were on stage at Dizzy's for the third annual bass summit. Organized and emceed by Rob Thorsen, (who had to manage on ...
Vision Festival 2010: Day 2, June 24, 2010
by John Sharpe
Prologue | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 Muhal Richard Abrams, Joseph Jarman, John TchicaiVision FestivalAbrons Arts CenterNew York CityJune 24, 2010 Never has the Vision Festival tradition of honoring the lifetime achievement ...
Jazz Meets Classical at the Miller Theater
Improvisation, a fundamental quality of jazz, is by nature a risky business. The act usually involves a confrontation between two perspectives--that of a composer and that of a performer or performers--with the goal of achieving a combination informed and enriched by both perspectives. At its idealistic peak, as in recent large-ensemble works by the composer and ...
John Zorn / George Lewis / Bill Frisell: More News For Lulu
by Glenn Astarita
More News For Lulu was this trio's second album and, despite being recorded in 1989 and originally released on hatOLOGY Records (the father label to HatHut Records) in 1992, its crisp attack and buoyant execution holds up rather immaculately with this overdue reissue. A hybrid studio/live program, the artists effortlessly work through bop, and swing motifs ...
Undead Jazz Festival: Kenny's Castaways Edition
by Daniel Lehner
Every zombie film fan knows that being bitten by a creature of the night is a fate worse than death. The only cure is to have a member of your party load up a shotgun and take you out before you turn into a limping, brain-hungry shell of a person. So giving an event a header ...
Fred Anderson: 1929-2010
by Kurt Gottschalk
There aren't many artists with so singular a vision as that of late Fred Anderson, who died June 24 at the age of 81. There are fewer to be certain if the list is restricted to members of that exalted and nebulous class called “masters." It's a word that, in jazz, gets thrown around a little ...
hatOLOGY Reissue Bonanza Continues
by Mark Corroto
Begun in 1975, Hat Hut Records was to become the model for adventurous, independent, new music labels such as Okka Disk, AUM Fidelity and Clean Feed. From the start, founder Werner X. Uehlinger sought out challenging and innovative musicians and music that might have been too risky for major labels to produce. This very small Swiss ...
Joelle Leandre: Last Seen Headed (Live at Sons D’Hiver); Trace & Duo (Heidelberg Loppem) 2007
by Wilbur MacKenzie
Joëlle Léandre/François Houle/Raymond StridLast Seen Headed (Live at Sons D'Hiver) Ayler2010 Joëlle Léandre/Maguelone Vidal/Raymond BoniTraceRed Toucan2009 Anthony Braxton/Joëlle LéandreDuo (Heidelberg Loppem) 2007 Leo2009
Muhal Richard Abrams / Roscoe Mitchell: Spectrum
by Kurt Gottschalk
Muhal Richard Abrams and Roscoe Mitchell are arguably the two figures most central to the birth and rearing of the seminal '60s collective the Association for the Advancement of Creative Musicians (AACM). The organization was borne out of Abrams' Experimental Band and the first standing group to emerge from it was the Roscoe Mitchell Art Ensemble ...
Anthony Braxton: Creative Orchestra (Koln) 1978
by Jeff Stockton
Jazz is often viewed as a progressive art form, one that by its very nature is constantly changing and reinventing itself. The paradox is that change isn't always what the audience wants to hear, so it frequently takes awhile simply to catch up. Such seems to be the case with the music of Anthony Braxton, one ...
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