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Vic Juris: Tension and Release
by Victor L. Schermer
This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...
John Kelman's Best Releases of 2019
by John Kelman
Well, Chronic Fatigue Syndrome continues to be a challenge, as it has been since mid-2014. 2019 represents, in fact, the worst year when it comes to the actual number of articles written. Still, I've been finding an increasingly satisfying niche in the arena of in-depth, detailed and extensive/exhaustive (exhausting, for you as much as I!!) articles. ...
Karl Ackermann’s Best Releases of 2019
by Karl Ackermann
2019 was the year when one couldn't turn an ear without hearing a release that featured either Kris Davis or Matthew Shipp. Between the two pianist/composer/improvisers, listeners have been treated to more than a dozen recordings, each noteworthy. Then there is Satoko Fujii. On the heels of her 2018, twelve-album birthday celebration, the pianist issued another ...
Ingrid Laubrock, Aki Takase, Alexandra Grimal and More
by Maurice Hogue
This episode acknowledges a few of the outstanding and important female jazz improvisers who are becoming more and more prominent in the 21st century. You'll hear music from the mutual admiration duo of saxophonist Ingrid Laubrock and pianist Aki Takase, French saxophonist Alexandra Grimal displaying her talents on three differently focused albums, Estonian take-no-prisoners saxophonist Maria ...
Marc Copland: And I Love Her
by Dan McClenaghan
In any discussion concerning the best of the modern piano trios in jazz, Marc Copland's name has to come up. Pianist Copland--who, oddly, began his jazz career as a saxophonist--shuffles trio mates often, having employed bassist Gary Peacock and drummer Paul Motian, and drummer Jochen Rueckert, and drummer Bill Stewart and bassist Drew Gress, in a ...
Daniel Schläppi / Marc Copland: Alice's Wonderland
by Dan McClenaghan
Alice's Wonderland is the third duo outing from bassist Daniel Schlappi and pianist Marc Copland, following Essentials (Catwalk, 2012) and More Essentials (Catwalk, 2015). Both Copland and Schlappi have carved out their spots as leaders of various sized ensembles, but the leaderless duo outing format seems to fit both instrumentalists well—Copland has teamed with bassist Gary ...
Albert Ayler: Quartets 1964: Spirits To Ghosts Revisited
by Mark Corroto
When did you first encounter saxophonist Albert Ayler's music? Not 'hear' because hearing was just part of the experience. Call it the shock of the new or just the discovery of a totally original sound, Ayler's music was a revelation. That first encounter will probably always be one of those “where were you when you first ...
Marc Copland: And I Love Her
by John Kelman
There was a time when Marc Copland was releasing multiple albums every year, sometimes as many as three or four, like in 2009, when the veteran pianist (who began his musical life as a saxophonist) released his second solo piano album, Alone (Pirouet); an intimate duo date with veteran bassist Gary Peacock, Insight (Sketch); and the ...
Matthew Shipp - Mark Helias - Gordon Grdina: Skin And Bones
by Karl Ackermann
The Skin and Bones Music Series is an ongoing succession of creative music events in various venues in and around the city of Kelowna in British Columbia. The concerts have hosted a diverse group of jazz artists from veterans such as Peter Brötzmann to rising stars The Bjorn Kriel Trio. Among the series' featured acts was ...
Paul Bley, Yazz Ahmed, Gianluigi Trovesi, Matthieu Michel and tons of great new releases
by Ludovico Granvassu
Accordion players, saxophonists, clarinet and trombone players as well as compelling singers are at the heart of this week's focus on new releases. Give a listen and then make sure to support the musicians and the labels that put out this amazing music so that the prolific jazz phase we live in can go on, and ...
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