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Agogic with Cuong Vu, Andrew D'Angelo: Something Good Going On in Seattle
Things have been happening for Cuong Vu since he moved out to Seattle. One of them is Agogic (T & C 001). Maestro Vu's trumpet locks in with Andrew D'Angelo's serpentine alto and bass clarinet, and they are held buoyant by the boldly blistering bass and drums of Luke Bergman and Evan Woodle, respectively. Add some ...
Brain Landrus Wields the Baritone with Dexterity on "Traverse"

Brian Landrus is a new-ish voice on the baritone. He has one album out on Cadence Jazz. The new one Traverse is on his own BlueLand Records (2011A). It's a quartet date with the potent lineup of Lonnie Plaxico on bass, Michael Cain, piano, and the always swinging Billy Hart on the drums. It's a contemporary ...
Drummer-Composer Harris Eisenstadt and His "Canada Day II"

Drummers aren't usually jazz composers. It has to do with devoting a lifetime to the drums. It can take you away from the rest of the notes that are possible, horizontally and vertically. There have been exceptions. Denzil Best wrote or co-wrote a classic bop tune. Help me out here. I forget what it was. Tony ...
David Lopato, Solo Piano, "Many Moons"
When you do a disk of solo piano improvisations, the spirits of Keith Jarrett and Cecil Taylor loom over your shoulder. They have been so influential that virtually all who have followed after have felt the pull of their respective magnetic zones. David Lopato comes into the fray with Many Moons (Global Coolant 01) and perforce ...
Avram Fefer's Trio Blows up a Storm on "Eliyahu"

There's more than one way to structure a free date. Stick to a mode or tonality, of course, or have some changes involved that allow latitude, or build numbers around ostinatos, repeating riffs, and center the improvisations around that. There are lots of other ways too, but you get the idea. Avram Fefer's new trio recording ...
Daniel Levin, New Jazz Cellist, and His Adventurous Chamber Outing "Organic Modernism"

Organic Modernism (Clean Feed 212). I think I get it. It's a modernism that flows naturally out of the non-pretentious music-making of this chamber quartet, namely Daniel Levin, leader and cello, Nate Wooley, trumpet, Matt Moran on vibes, and Peter Bitenc on doublebass. This is music that may have a walking bass underneath it now and ...
Eddie Mendenhall Makes a Splash with His "Cosine Meets Tangent"
Any jazz ensemble with a lineup of piano-vibes-bass and drums invites com- parisons and gets a sound right off the bat that reverberates with the history of the music. Of course there was the MJQ, the Bobby Hutcherson Blue Notes with that configuration, and a number of others. The instrumentation lends itself to harmonically intricate voicings, ...
"Jazz Notes" by Sanford Josephson
The 197 pages of Sanford Josephson's Jazz Notes: Interviews Across the Generations (Praeger) go quickly when you are reading. Admittedly it is a short book. It consists of twenty principal interviews conducted years ago by the author, then supplementary follow-up interviews of artists who either played with the person originally interviewed, or who are admirers of ...
Tim Berne Comes Back Strong with "Insomnia"

Anybody who follows the avant jazz scene knows that Tim Berne was a major force in the music a while ago. I guess the '90s were the most visible years for him. I don't know that he's been anywhere other than around after that, but it seems that his presence has been somewhat less. It could ...
Nicholas Urie's "My Garden:" Composer's Big Band Music Based on Charles Bukowski

Without a great deal of build up and/or suspense I'll say right off the bat that I like what Nicholas Urie is up to on My Garden (Red Piano Records [RPR] 14599-4405-2). It's very modern big-band music, well played, with the moderately acerbic and melancholic poetry of Charles Bukowski as the unifying theme. Christine Correa handles ...