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About Mario Mattia
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Mario Mattia
Mario Mattia is an improvisational pianist and graduate of the New England Conservatory whose work is rooted in spontaneity, deep listening and emotional presence. Drawing on a lifetime immersed in classical, jazz, progressive rock, non-tonal modernism and ambient traditions, his musical language reflects a wide constellation of influences - from Johann Sebastian Bach and Béla Bartók to Ella Fitzgerald and Keith Jarrett, and from King Crimson to Brian Eno. These diverse lineages converge in a practice that is entirely unplanned and shaped in real time.
For more than two decades, Mattia has devoted himself to refining a uniquely personal improvisational voice: intimate, exploratory and unconcerned with the bounds of genre. He begins each performance without predetermined themes, structures or titles. Each piece unfolds spontaneously, guided by intuition, emotional presence and attentive listening. Improvisation, for Mattia, is not simply performance. It is an active engagement with the present moment, an exercise in creating meaning, structure and expression in real time.
About Lin Hsiao-Feng
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Lin Hsiao-Feng
Lin Hsiao-Feng is a Taiwanese improvising flutist, curator, and Music Director of Lin’s Culture in Taipei. His work bridges Taiwanese and multi-ethnic flute traditions, free improvisation, and experimental sound, exploring how traditional wind instruments can enter contemporary performance through cross-cultural collaboration. He performs on dizi, xiao, the Indigenous Paiwan nose flute, and other traditional wind instruments, often combining them with piano, electronics, and real-time improvisation. His artistic practice focuses on expanding the contemporary possibilities of flute traditions while remaining attentive to their cultural histories
About Stefan Muenzer
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Stefan Muenzer
Born:
My path as a musician did not follow the conventional trajectory expected today. I do not come from a musical family, nor do I hold a prestigious degree in jazz or composition. Although I studied jazz, piano, contemporary piano music, and free improvisation at renowned conservatories in Hamburg (Germany), Vienna (Austria), and Leipzig (Germany), I ultimately discontinued those studies. Instead, I pursued an academic career in psychology; today I am a professor of psychology at the University of Mannheim. As fas as my piano music is concerned, I regard myself as a dropout from music conservatory and as an autodidact as a composer and improviser.
About Emmanuel Cremer
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Emmanuel Cremer
Born:
Emmanuel Cremer is a French cellist, composer, improviser and educator based in Brussels.
For more than two decades, he has developed a personal artistic language at the crossroads of jazz, free improvisation, contemporary music and interdisciplinary performance. His work explores the cello as a complete sound world, moving between melody, rhythm, texture and spontaneous composition.
Influenced by artists such as John Coltrane, Ornette Coleman, Jimi Hendrix, Bill Frisell, John Zorn and Barre Phillips, Cremer has shaped an approach rooted in deep listening, exploration and the dialogue between structure and improvisation.
About Haruna Fukazawa
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Haruna Fukazawa
Born:
Haruna Fukazawa is a New York-based flutist, improviser, composer and a voting member of the Recording Academy, originally from Tokyo, Japan, Haruna blends classical training with a bold, joyful improvisational style deeply inspired by her mentor, Frank Wess.
Haruna is a 2026 GRAMMY® Nominee in Best Contemporary Instrumental Album for “SHAYAN” by Charu Suri.
Haruna studied classical music at Musashino Academia Musicae before setting her sights on New York City, where she began studying with Frank Wess
About David Voelkl
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David Voelkl
Born:
Started playing el. bass in 1987. Played in rock/metal bands. Toured the U.S. several times in various bands primarily on the west coast while living in Arizona. Currently living in upstate NY and performing in NPV.
NPV formed in Dec 2006.
Jazz/Noise.
spontaneous compositions and soundscapes.
Greg Newton: alto/tenor sax, clarinet, percussion.
Larry Patti: synth, electronics.
David Voelkl: el. bass [prepared], fx.
About Irene Aranda
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Irene Aranda
Born:
IRENE ARANDA
Pianist, composer.
Born in Jaén ( Andalucía / Spain ) and Berlin-based, started to play piano at age seven. Classical trained and selftaught in jazz and free improvisation, Aranda is defined by the critics as original, astonishing and freed from stereotypes.
Irene Aranda has played with Don Malfon, Brandon López, Ami Yamasaki, Samuel Blasser, Chuck Roth, Elisabeth Coudoux, Maria Reich, Agustí Fernández, Joanna Mattrey, Ernesto Rodrigues, Johannes Nästestjö, Valentin Schuster, Markus Breuss, Germán Díaz, Lucía Martínez, Javier Carmona, Núria Andorrà, Marc Egea and so on.
About Guangye Sun
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Guangye Sun
Born:
Guangye Sun (Yantai,Shandong,CN,1999) is an improviser,poet and composer active in Europe and China.
About Mike Murray
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Mike Murray
Born:
Mike Murray is a guitarist, composer, bandleader and music educator based in Toronto, ON, Canada. Proficient in a wide variety of styles including popular styles, rock, classical, jazz, blues, musical theater, as well as international styles including latin folk, Indian music and more, he performs and records with a diverse array of artists and organizations in many different settings. He also composes and performs his own music with the Mike Murray Group, and performs solo classical guitar for events and functions. Born in Thunder Bay, Ontario, Mike did not come from a musical family and was a relative latecomer to the guitar, picking it up at age 16
About Holman Alvarez
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Holman Alvarez
Born:
Holman Álvarez is a Colombian pianist and composer known for visiting some musical territories—including Colombian and Latin American traditions, jazz, classical, contemporary music, and free improvisation. Born in Barranquilla and raised in Cali, his work reflects a deep curiosity for exploring connections across genres and disciplines.
He studied piano and composition at Universidad del Valle, earned a master’s in composition from Universidad Javeriana in Bogotá, and pursued jazz piano at the Conservatorio Manuel de Falla in Buenos Aires.


