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David Gibson: Boom!
by Dan Bilawsky
Trombonist David Gibson's Boom!--his sixth leader date, and third release on the Posi-Tone imprint--is something of a fresh start. His two previous releases--A Little Somethin' (Posi-Tone, 2009) and End Of The Tunnel (Posi-Tone, 2011)--were cut from the same cloth, as each largely focused on funk, soul jazz, and swing; both albums also featured the same quartet--Gibson ...
Søren Bebe / Jakob Buchanan / Kasper Tagel: Gone
by Fiona Ord-Shrimpton
It would be good if more non-jazzers under the age of 90 could also appreciate how little hardship there is in being totally absorbed by original music from a group like BeBuTa. Gone , from pianist Søren Bebe's trio plus guests is a real swell of reactions and contemplations that makes life feel a little less ...
New Zealand School of Music Big Band: Awright Awright
by Jack Bowers
It's hard to believe this is a school band, no matter what the level. Music director Rodger Fox, a seasoned trombonist who leads his own play-for-pay band, must be extremely pleased and proud of what his students at the New Zealand School of Music in Wellington have accomplished, as their third album, Awright Awright, is superlative ...
Billy Harper: A Life of Persistence and Improvisation
by R.J. DeLuke
On stage, Billy Harper puts his lips to the tenor saxophone, stands relatively erect and sings through his horn; a strong, angular, muscular sound. There little physical gesticulation, belying the effort it takes to express feelings and emotions through the instrument. But Harper's creative statements demand attention. Over the last few years, a lot ...
Steve Khan: Subtext
by Mark F. Turner
From his obscure gems on Columbia Records--Tightrope (1977), The Blue Man (1978) and Arrow (1979), or the critically acclaimed 1980s Eye Witness recordings, to 2011's Latin-tinged Parting Shot (Tone Center), jazz guitarist Steve Khan continues to deliver his unique artistry--exquisite touch, expressive solos, and warm tonality--that's made his music identifiable. Subtext finds that mastery still intact ...
Take Five with Delandria Mills
by AAJ Staff
Meet Delandria Mills: A flutist and educator, I am a native of Houston, Texas. I began playing the flute at age seven and graduated from Houston's High School for the Performing Arts. Both my Masters in Classical Flute and Graduate Performance Diploma in Jazz Studies were earned from the Peabody Conservatory of Music in Baltimore, ...
Dave's Eight Track Mind
by John Ephland
Dave Stryker Crystal Run and Luna Stage Middletown, NY and West Orange, NJ November 2, 2014 It was a tale of two cities. Or two bands, to be more specific. Or two variations on a theme, to come that much closer to describing what went down on this first Sunday in ...
Interview: J.Q. Whitcomb
Q: What do you hope to accomplish as an artist? A: I'd like to continue improving my playing and writing in general of course, but I'm especially interested in flamenco and flamenco-jazz fusion. I aspire to build more musical contacts in these musical areas, create more bands focused on flamenco-jazz, and get deeper into the rhythms ...
The Cookers at SFJazz
by Harry S. Pariser
The Cookers SF Jazz San Francisco, California September 26, 2014 When the legendary late jazz trumpeter Freddie Hubbard joined with saxophonist Lee Morgan and other musicians to perform at Brooklyn's Club La Marchal in April 1975, they produced The Night of the Cookers (Blue Note, 1965), one of history's classic ...
Brian Groder Trio: Reflexology
by Eyal Hareuveni
The cover of trumpeter Brian Groder new trio tells much about his aesthetics. He is well-versed with the compositional ideas of the great American jazz masters and their improvisation strategies--Duke Ellington, Thelonious Monk, Charles Mingus, including trumpeters as Woody Shaw and Freddie Hubbard. But in the same manner that these innovative and creative muscians marked their ...
