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Jazz Education: The Next Generation, Part 2
by Karl Ackermann
Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...
Howard Johnson Celebrates His 75th With New CD And Concert At The Jazz Museum In Harlem on Sunday, January 29th at 2:30pm
Sun, January 29, 2017 2:30 PM- 5:00 PM EST The National Jazz Museum in Harlem 58 West 129th Street New York, NY 10027 Featuring: Howard Johnson: baritone saxophone, tuba, penny whistle; Yayoi Ikawa: piano; Melissa Slocum: bass; Newman Taylor Baker: drums. Testimony includes eight tunes ranging from soulful to funky ...
2016: The Year in Jazz
by Ken Franckling
The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...
Jack Wilkins: Playing What He's Preaching
by Rob Rosenblum
Some time in 1975 a box of records from the Mainstream label was dropped by my front door. I picked it up and began to open it with a mix of excitement and dread of having to face writing more record reviews. I saw an LP titled Windows with an unfamiliar cast of characters and put ...
Wayne Shorter: Speak No Evil – 1964
by Marc Davis
It's hard to imagine a jazz musician who has had more success with more bands than Wayne Shorter. His tenor sax was an essential part of three landmark combos: Art Blakey and the Jazz Messengers (1959-1964), Miles Davis' classic quintet (1964-70) and Weather Report (1971-86)--27 consecutive years of uninterrupted magnificence. In other words, if ...
Jerome Jennings: The Beast
by Dan Bilawsky
Jerome Jennings has occupied the drum throne on plenty of high profile gigs since arriving in New York just over a decade ago, working with everybody from vocalist Paula West to bassist Christian McBride and trumpeter Bria Skonberg to saxophonist Craig Handy. But his is a name that still may not be familiar to many jazz ...
Pat Martino Quintet at Chris’ Jazz Café
by Victor L. Schermer
Pat Martino Quintet Chris' Jazz Cafe Philadelphia, PA November 25, 2016 Guitar legend Pat Martino periodically supplements his working trio--consisting of himself, organist Pat Bianchi, and drummer Carmen Intorre--with a horn section of Alex Norris on trumpet and Adam Niewood on tenor saxophone. This post-Thanksgiving set at Chris' Jazz Café demonstrated ...
Dai Liang, aka A Bu: Beijing Prodigy
by Karl Ackermann
In 1950, in the wake of World War II and the early years of the Cold War, the Chinese Communist Party under Mao Zedong founded the Central Conservatory of Music as a consolidation of several musical institutions. Located in Beijing, the school resides on the former site of the seventeenth century residence of one Prince Yixuan. ...
A New Duet Release By Dan Dean And George Duke
Internationally recognized bassist Dan Dean has performed with the some of the finest musicians of our time, including B.B. King, Buddy DeFranco, Donny Hathaway, Tom Scott, Dave Grusin, Don Grusin, Ernie Watts, Freddie Hubbard and many others. One of his favorite collaborations of all was with the legendary pianist George Duke, and Seattle-based label Arena Jazz ...
Recent Reading: Books About Jazz In Four US Regions
After jazz emerged—or coalesced—as a distinct form of music in New Orleans in the early twentieth century, it quickly took hold throughout the world. Jazz musicians developed on every continent, even in countries where the spirit of jazz goes against the grain of politics and culture; a jazz community is emerging in China, not an eventuality ...
