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News: Obituary

George Duke, jazz/funk keyboardist who collaborated with Frank Zappa, Michael Jackson and Miles Davis, dead at 67

George Duke, jazz/funk keyboardist who collaborated with Frank Zappa, Michael Jackson and Miles Davis, dead at 67

Master musician bridged genres of jazz, R&B, funk and Brazilian music; Was sampled by likes of Daft Punk and Kanye West. George Duke, the master keyboardist who bridged the worlds of jazz, R&B, funk, and Brazilian music, died Monday at St John’s Hospital in Los Angeles. He was 67. No cause was given. Duke’s passing comes ...

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Article: Live Review

Festival Da Jazz: St Moritz 2013

Read "Festival Da Jazz: St Moritz 2013" reviewed by Bruce Lindsay


Festival Da JazzSt. Moritz, SwitzerlandJuly 18-22, 2013How To Run A Jazz Festival 101. Get a big hall, put on some big names: get a small room, put on some smaller names. Stars in the big spaces, up and comers in the little ones. There's a commercial and economic logic to it, maybe even ...

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Article: Live Review

Sligo Jazz Project 2013: Days 1-3

Read "Sligo Jazz Project 2013: Days 1-3" reviewed by Ian Patterson


Sligo Jazz ProjectVarious VenuesSligo, IrelandJuly 16-21, 2013 For such a small country, perched on the Western extreme of Europe, Ireland has created a disproportionate amount of history, and had more than its fair share thrust upon it. Everywhere, history informs the landscape and the collective memory. Sligo, home to the Sligo ...

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Article: Interview

Chris Schlarb: Psychic Temples

Read "Chris Schlarb: Psychic Temples" reviewed by Ian Patterson


Truck driver, husband, father, and law-abiding citizen by day, Chris Schlarb presumably dons a cape at other moments that transforms him, if not quite into the savior of creative music, at the very least into the creator of other-worldly sounds of singular vision and exceptional beauty. Guitarist, composer, and founder of independent record label Sounds Are ...

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Article: Album Review

Chris Schlarb: Psychic Temple II

Read "Psychic Temple II" reviewed by Ian Patterson


Multi-instrumentalist/composer Chris Schlarb rarely does things by halves. Psychic Temple (Sounds Are Active/Asthmatic Kitty, 2011) was the exotic fruit of over a 1000 hours of studio time and an opus that involved twenty nine of California's most progressive musicians. Wordless choir, strings, horns, acoustic and electric instruments combined with drone and subtle electronics to create an ...

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Article: Interview

WorldService Project: Articulate Arsonists

Read "WorldService Project: Articulate Arsonists" reviewed by John Kelman


It's a very different time to be a musician than it was even 20 years ago, when major record labels still existed, providing tour support and money to make recordings. It's also a very different time because, with the upsurge of DIY recordings, there's more music being released every month than ever before. Add to that ...

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Article: Album Review

WorldService Project: Fire in a Pet Shop

Read "Fire in a Pet Shop" reviewed by John Eyles


With its debut album, Relentless (Brooke Records, 2011) WorldService Project announced itself as a band to watch. Since that release, the five-piece--led by keyboardist and principal composer Dave Morecroft--has consolidated its reputation as a cooking live band, in particular in its Match & Fuse live collaborations with like-minded bands from across Europe. Now, ...

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Article: From the Inside Out

Fusion Groovin’

Read "Fusion Groovin’" reviewed by Chris M. Slawecki


Analog Players Society Hurricane Season in Brooklyn Studio Brooklyn 2012 Hurricane Season in Brooklyn marks the debut of the Analog Players Society (APS), an extension of the lifelong pursuit of the groove by the percussionist, engineer and producer known as Amon, who first discovered Turkish, West African and Middle Eastern music ...

News: Recording

The Wrong Object Returns with "After the Exhibition" (MoonJune)

The Wrong Object Returns with "After the Exhibition" (MoonJune)

Belgian prog heavyweights The Wrong Object make a spectacular return to center stage, with a studio album of brilliant original compositions — and monumental significance! After a five-year absence, After The Exhibition showcases a variety of fresh, powerful material, masterfully delivered by a capable, cohesive new lineup. With their aesthetics still rooted in an array of ...

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Article: Album Review

Diego Barber/Hugo Cipres: 411

Read "411" reviewed by Dan McClenaghan


The opening of the decidedly modern music on 411, the track entitled “Timanfaya," sounds like a spooky, welcome to a plugged-in netherworld. It begins with electric surges and wafflings, then glowing beeps punctuating electric washes before a shift into tune two, “all in," that sounds as if the late multiple reedman Eric Dolphy is hanging around ...


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