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Unreleased Art: Volume 9 - Art Pepper & Warne Marsh At Donte's, April 26, 1974
by C. Michael Bailey
When any previously unheard Art Pepper is released, the event bears a bit of context. Laurie Pepper's Volume 9 addition to her Unreleased Art series is the 3-CD box Art Pepper & Warne Marsh at Donte's April 26, 1974. It contains music from late in Pepper's fallow period between the releases of Intensity (Contemporary, 1960) and ...
Jimmy Scott: I Go Back Home
by Victor L. Schermer
Jimmy Scott: I Go Back Home Kemper Music, Sine Qua Non Music 2016 “Little" Jimmy Scott (1925-2014) was for a long time the world's greatest jazz singer nobody ever heard of. Enormously talented, with an intuitive grasp of the jazz idiom and the blues, he began his ascendance as a singer with ...
Christian Winther: Refuge In Sound
by Edward Blanco
Danish-born saxophonist and composer Christian Winther moved to the New Orleans area in 1997, attended the University of New Orleans and performed regularly with some of the legends of jazz including pianist Ellis Marsalis and the late saxophonist great, Frank Morgan among many others becoming a much in-demand fixture in the city's rich and vibrant jazz ...
James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Joe Albany and Low Down
by C. Michael Bailey
Joseph Albani (1924-1988), better known as Joe Albany, is a footnote in jazz history. A monumentally talented pianist with an exceptionally fragile constitution, Albany, like the late Chet Baker pianist Dick Twardzik, was hampered by a self-doubt relieved by heroin. Albany differed from Twardzik in that, like Baker, he lived well beyond the average junkie lifespan ...
Jason Stillman: Prelude
by Jack Bowers
Alto saxophonist Jason Stillman's Montreal-based quartet makes its recorded debut on Prelude, a sunny and engaging blend of Stillman originals and jazz standards whose spacious boundaries provide ample room for ardent blowing, especially by Stillman and pianist Josh Rager. Although the group has been a working unit for more than five years, Stillman waited until the ...
Top Ten Jazz Songs of My Childhood
by Richard J Salvucci
For some reason, listening to the Great American Songbook was a big part of my Italian immigrant-boomer generation's experience. We learned the values, the rules, the moves and the customs of the folks we wanted to be like. And added a couple of distinctive touches of our own. We liked big bands too. But it wasn't ...
Ben Sidran: The First Existential Jazz Rapper
by Joan Gannij
Ben Sidran is an old school hipster in the authentic sense of the word. He's a no frills, musician's musician who's got the heart, got the chops. He's been there, done that, and ready to do more. Sidran has never been interested in following trends or squeezing into categories and is not about to start now. ...
C. Michael Bailey's Best Recordings of 2013
by C. Michael Bailey
For the last number of years I have been devoting myself almost exclusively to jazz vocals. This will be reflected this year as I will provide two best-of-2013 lists: one for (primarily) jazz vocals and one for everything else. Each year, there is more of both released than can be listened to. Vocal ...
Ed Reed: Ed Reed - I'm A Shy Guy: A Tribute to the King Cole Trio & Their Music
by C. Michael Bailey
San Francisco vocalist Ed Reed is a bona fide contemporary of West Coast jazz luminaries: Art Pepper, Frank Morgan, Dexter Gordon, Wardell Gray and Hampton Hawes. Unlike that august group, Reed remains to tell his story, and by proxy, theirs' in the bargain. Like this same group, drugs (and in the case of Gray, murder) suspended ...
