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Jozef Dumoulin: A Fender Rhodes Solo
by Eyal Hareuveni
Belgian keyboards player Jozef Dumoulin describes his new solo album, his first solo album, as the the first solo album in the history of the electric piano, the Fender Rhodes. It is also a culmination of a long exploratory journey into the various, weird, eccentric sonic qualities of this vintage instrument, enhanced with electronic effects.
Momo Kodama: La Vallee Des Cloches
by Hrayr Attarian
Japan-born and France-educated pianist Momo Kodama is perfectly at home on La vallée des cloches, as she brings her signature, sublime approach to the interpretation of three introspective 20th century gems. The compositions go from impressionistic to more abstract, both within themselves and throughout the record. Maurice Ravel's five-movement suite “Miroirs," dedicated to various ...
Michel Edelin Quartet: Resurgence
by Alberto Bazzurro
Pur facendo per ovvi motivi riferimento al veterano flautista Michel Edelin, che ne è il titolare nonché l'autore di tutto il materiale tematico, questo lavoro trae i motivi della propria riuscita più che mai dalla somma delle forze in campo, anche proprio nella loro diversità. Si segnalano specificatamente le presenze di un almeno ...
Peter Orins: Empty Orchestras
by Eyal Hareuveni
The debut solo album of French, Lille-based drummer Peter Orins establishes new and bold relationships between the human musician and the musical-electronic machinery. Orins, known for his remarkable role and original compositions for the Japanese-French quartet KAZE as well as for his involvement in local outfits as Flu(o), TOC and the Circum Grand Orchestra, designed an ...
2° ‘etage: Grey Matter
by Glenn Astarita
The album liners disclose that 2° 'etage improvises with the panache of storytellers, painters and poets. Starkly expressive, the program is sculpted with a mindset that parlays the old adage, “let the chips fall where they may," largely framed on airy dialogues, minimalism and unorthodox soundscapes. They work from a platform, consisting of fractured passages and ...
John Hollenbeck / Alban Darche / Sébastien Boisseau / Samuel Blaser: J.A.S.S.
by Eyal Hareuveni
J.A.S.S. as in the first letters of the names of American drummer John hollenbeck, French saxophonist Alban Darche and double bassist Sébastien Boisseau and Swiss trombonist Samuel Blaser. But Jass also as the term used by the Original Dixieland Jass Band in March 1917 for the very first jazz-album recording or just the name of centuries-old ...
Daunik Lazro / Joelle Leandre: Hasparren
by Glenn Astarita
This outing signifies the fifth recording and sole duo pairing by these consummate improvisers, spanning several decades. Recorded at a cultural center in Hasparren, France, the musicians explore the lower register with a profusion of prismatic contrasts as they interrogate and expand upon numerous schematics that at times, seem uncannily composed or sketched out ...
Théo Ceccaldi Trio + Joëlle Léandre: Can You Smile?
by Eyal Hareuveni
Few years ago French double bass great player Joëlle Léandre recommended Ayler Records to sign the chamber string trio Théo Ceccaldi 3--Theo on violin, brother Valentin Ceccaldi on cello and Guillaume Aknine on the electric guitar. Last year, Ayler released the trio's impressive debut Carrousel. Now the trio pays its respects to Léandre, hosting her on ...
Romain Pilon: Colorfield
by Bruce Lindsay
French guitarist Romain Pilon might have been inspired in his early years by AC/DC's Angus Young, but he's clearly taking his cues from much calmer influences on Colorfield. Pilon is accompanied by tenor saxophonist Walter Smith III, double bassist (and Whirlwind Records owner) Michael Janisch and drummer Jamire Williams on this atmospheric collection. Colorfield ...
Journal Intime: Extension des feux
by Glenn Astarita
The trio's third album parallels its desire to generate music based on unorthodox group settings. Along with distinguished guest artists, avant-garde guitarist Marc Ducret and accordionist Vincent Peirani, the program is designed with numerous sound-shaping factors and incongruent angles. But these suite-like compositions are engineered on either complex or modest structural elements, tendering an abundance of ...
