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281

Article: Extended Analysis

Billy Jenkins: Jazz Gives Me The Blues

Read "Billy Jenkins: Jazz Gives Me The Blues" reviewed by Chris May


Billy JenkinsJazz Gives Me The BluesVOTP Records2011 If the title Jazz Gives Me The Blues suggests that London guitarist/vocalist Billy Jenkins is hacked off with jazz, you would be right. Kind of. What Jenkins objects to is the gentrification and institutionalization of jazz, once--a quantum leap from ...

134

Article: Extended Analysis

Rachel Musson's Skein: Flight Line

Read "Rachel Musson's Skein: Flight Line" reviewed by Chris May


Rachel Musson's SkeinFlight LineF-IRE2011 The London musicians' collective/record label F-IRE can take much of the credit for the emergence of some singular saxophonists during the early to mid-2000s: Peter Wareham (Acoustic Ladyland and Polar Bear), Mark Lockheart (Polar Bear), Finn Peters and Ingrid Laubrock being foremost among ...

Album

Music Of The Mind

Label: Babel
Released: 2010

Album

Butterflies EP

Label: Babel
Released: 2009

Album

Butterflies

Label: Accidental Records
Released: 2008
Track listing: Fax; The Nightingale; Butterfly; Mayday; Pterodactyl; Octet; Atlas; Moyse; Ottanta.

530

Article: Album Review

Finn Peters: Butterflies

Read "Butterflies" reviewed by Chris May


After the best part of a decade immersed in dance, hip hop, Afro-Cuban, electronica and contemporary classical musics, flautist and saxophonist Finn Peters returned to his jazz roots with Su-Ling (Babel, 2006). An album made instantly engaging by its lyricism and rainbow of non-European musical influences, but which revealed its full beauty only after repeated listenings, ...

Album

Su-Ling

Label: Babel Label
Released: 2006
Track listing: Al Dar Gazelli; Gato; Red Fish; Ballad Boy; Su-Ling; N.R. Shackleton Goes To The Circus; Nelson's Blood; Fast Fish, Loose Fish; Machine Gun.

301

Article: Album Review

Finn Peters: Su-Ling

Read "Su-Ling" reviewed by Chris May


On Su-Ling, his acoustic band's debut album, F-IRE Collective founding member Finn Peters is thinking big. The scope of stylistic influences is broad, and his arrangements are nuanced to suggest a considerably larger lineup than a quintet. At its most immediate, the album is reminiscent of the orchestrated tracks on Wayne Shorter's Alegria (Verve, 2003). Gorgeous ...


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