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Tarbaby: The End Of Fear
by Dan Bilawsky
Virtually every musician deals with fear at one time or another. Perhaps it comes with a first opportunity to perform in an ensemble, or maybe it arrives when first taking flight and leaving the relative comforts of written music, searching for an elusive sound through an improvised medium. Regardless of when it happens, performers have to ...
Tarbaby: The End Of Fear
by Bruce Lindsay
A band name that some might see as confrontational--although the band denies this--an album title that could be wildly optimistic, a statement of faith or simply ironic; some of the fieriest jazz players on the scene and a scary Hieronymus Bosch-style cover design. What kind of music might emanate from such a combination? Free form, loud, ...
DownBeat: The Great Jazz Interviews - A 75th Anniversary Anthology
by Florence Wetzel
DownBeat: The Great Jazz Interviews: A 75th Anniversary AnthologyFrank Alkyer and Ed Enright, EditorsSoftcover; 352 pagesISBN: 9781423463849Hal Leonard2009 In a 1988 interview, trombonist J.J. Johnson declared: “Jazz is restless. It won't stay put and it never will." There's no better proof than this remarkable ...
Riverwalk Jazz Presents "A Night at Bricktop's: Jazz in 1930s' Montmartre"
Beginning Thursday, October 7, Riverwalk Jazz, heard nationwide on Public Radio International and Sirius/XM, will present a special broadcast on Ada 'Bricktop' Smith, who played barkeep to the “Lost Generation" of international ex-patriots living in Paris in the 1930s. The broadcast will feature frequent guest singer/actors Vernel Bagneris and Topsy Chapman, who offer narratives drawn from ...
John Esposito / Ira Coleman / Peter O'Brien: Orisha
by Jakob Baekgaard
No matter the musical constellations he has worked in, deconstruction and reimagining of the jazz tradition has always been a crucial part of the art of pianist John Esposito. This is especially true when considering his take on the piano trio, one of the most tried and true formats in jazz. Back in ...
Bruce Williamson Quartet featuring Art: Standard Transmission
by C. Michael Bailey
One of the early genius elements of small ensemble jazz manifested November 26, 1945, when Charlie Parker entered the studio with Miles Davis and Dizzy Gillespie, and, using the harmonic foundation of Ray Noble's “Cherokee," recorded a new melody, call “Ko-Ko." He went on to do the same with the Hamilton/Lewis composition “How High The Moon," ...
Take Five With Jerry Senfluk
by AAJ Staff
Meet Jerry Senfluk: Born in Prague, Czechoslovakia (NOT the Czech Republic), on St. Patrick's Day, 1946. As the younger son of a pianist mother and a cellist father. he enjoyed thorough musical education from his distinguished parents in playing the piano, intonation and musical theory. He received private tuition from the Principal Clarinetist of ...
The Complete Ahmad Jamal Trio Argo Sessions 1956-62
by David Rickert
Ahmad JamalThe Complete Ahmad Jamal Trio Argo Sessions 1956-62Mosaic Records2010 If you're familiar with pianist Ahmad Jamal, it's more likely through his reputation and not through his music. Trumpeter Miles Davis famously remarked that Jamal taught him to be more economical in his playing: that the notes that ...
The National Jazz Museum In Harlem
by AAJ Staff
The National Jazz Museum in Harlem is at 104, E 126th Street, a few steps from the bridge that carries the Metro North trains to and from Connecticut from the 125th Street station. Situated on the second floor, the museum is primarily a suite of offices with a large front area that presents photographs, video documentaries ...
National Jazz Museum in Harlem Aquires Long-Lost Collection: Count Basie, Louis Armstrong, Billie Holiday & More
NATIONAL JAZZ MUSEUM IN HARLEM ACQUIRES LONG-LOST COLLECTION OF RECORDINGS BY AMERICAN JAZZ ICONS Over 100 hours of live performances capture the golden age of jazz and include Count Basie, Louis Armstrong, Billie Holiday, Artie Shaw, Benny Goodman & More The National Jazz Museum in Harlem (NJMH) today announced the acquisition of a historic collection of ...
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