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Gerry Mulligan/Thelonious Monk: Mulligan Meets Monk

by David Rickert
Mulligan Meets Monk captures one of the most improbable encounters in jazz, one artist the standard bearer for the conservative cool school, the other a peddler of a more liberal style of jazz. Both were mavericks in their own way, and there’s an interesting symmetry in their approaches: Mulligan exploring the freedom available without a piano, ...
Art Tatum: The Best of the Pablo Solo Masterpieces

by Dr. Judith Schlesinger
I have a dear friend, an accomplished jazz pianist, who used to attach the following tag to his e-mail: I believe in God and Art Tatum — not necessarily in that order." I too appreciate Tatum's peerless mastery of keys and harmonies, his signature inventiveness, impeccable inner metronome, feathery runs, and pioneering ability to bridge the ...
Vince Guaraldi: A Charlie Brown Christmas

by Florence Wetzel
Just in time for the holidays, Fantasy has released a remaster of the classic soundtrack A Charlie Brown Christmas. The cartoon follows Charlie Brown's search for the true meaning of Christmas, and Vince Guaraldi's music is an integral part of this perennial holiday favorite. Guaraldi, born in 1928 in San Francisco and died in 1976 while ...
Vince Guaraldi: A Charlie Brown Christmas

by Robert Gilbert
Only a handful of jazz albums find their way into the collections of music lovers who would never call themselves jazz fans. Miles Davis' Kind of Blue is one, Getz/Gilberto is another, and Coltrane's A Love Supreme also comes to mind. For Christmas time, though, the album is Vince Guaraldi's soundtrack to the 1965 special A ...
Billy Taylor: Billy Taylor Trio with Earl May/Percy Brice

by David Rickert
Billy Taylor has lurked behind the scenes for years, never quite achieving the fame he deserved, and his legacy will probably rest largely on his efforts as an educator to bring jazz to a wider audience. That is a shame, because Taylor was quite a accessible pianist and his extensive catalog remains largely out of print. ...
Wes Montgomery: Boss Guitar

by David Rickert
Wes Montgomery’s first recordings as a leader for Riverside featured the popular organ-guitar-drums line-up, a configuration that he later abandoned for the better part of his stint with the label. Although organ jazz was quite a cash cow at the time, Montgomery was firmly rooted in bop, more eager to see what he could do with ...
Cal Tjader: Cuban Fantasy

by Russell Moon
The brand new Cuban Fantasy is an album of previously unreleased material Cal Tjader recorded in concert in San Francisco over two nights in June, 1977. Tjader's band had the same instrumental makeup as his 1969 Plugs In band – vibes, electric piano, electric bass, trap drums, conga drums – with the addition of an electric ...
Willis Jackson with Jack McDuff: Together Again!

by David Rickert
Organ jazz from the late fifties and early sixties had a tendency to be predictable, yet it still provided a template for churning out catchy tunes, many of which became hit singles. Once again Fantasy has mined its seemingly inexhaustible supply of the stuff for this record, which once again pairs a couple of previous releases ...
Benny Carter: Jazz Giant

by David Rickert
“Jazz giant” is a term immediately greeted with skepticism, yet Benny Carter fills the role better than most. Perhaps the greatest of the big band leaders that most people have never heard of, Carter finally settled down in Hollywood in the fifties and began to record the full-length albums that eventually cemented his reputation. Jazz Giant ...
The Modern Jazz Quartet: The Complete Modern Jazz Quartet Prestige & Pablo Recordings

by David Rickert
The Modern Jazz Quartet may best be remembered for bringing a heightened sense of respectability to jazz – the coattails and gentlemanly demeanor helped bring the music from smoky clubs to concert halls and thus to a wider audience. The concept the MJQ employed – fusing a classical sense of composition to basic jazz improvisation – ...