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Results for "Eyal Hareuveni"
le GGRIL: Combines
by Eyal Hareuveni
The 10-musician, Quebecois, Rimouski-based ensemble Grill, or in its full name--Grand Groupe Régional d'Improvisation Libérée, is an experimental, improvisation orchestra. The GGRIL has been active since 2007 and collaborated with innovative Canadian improvisers such as reed player Jean Derome (Le GRILL, Insubordinations, 2007), guitarist René Lussier, and percussionist Danielle P. Roger (Pinta, Niña & Maria, Ambiances ...
Franz Koglmann: Join!
by Eyal Hareuveni
Austrian, Vienna-based composer Franz Koglmann always used music as a means to present his ideas, often provocative perspectives, on cultural phenomena at large. He alienated the American jazz community with A White Line (hatART, 1990), where he sketched an alternative history of jazz based on white innovative musicians. Later he reconstructed the compositional ideas of Johan ...
Rodrigo Amado Motion Trio meetings with Peter Evans
by Eyal Hareuveni
Portuguese, Lisbon-based saxophonist (and photographer) Rodrigo Amado's main musical vehicle in recent years is the Motion Trio, a powerful, rhythmic unit that collaborated before with Chicagoan trombonist Jeb Bishop (The Flame Alphabet, Clean Feed, and Burning Live At Jazz Ao Centro, JACC, both released on 2012). Amado and this trio new collaborative endeavour unites these excellent ...
Circum Grand Orchestra: 12
by Eyal Hareuveni
12, the fourth album of the French, Lille-based Circum Grand Orchestra and flagship of the Muzzix musicians collective, marks a significant change in the Orchestra's history. After being led for a decade by guitarist Olivier Benoit, now new artistic director of the prestigious Orchestre National Jazz, they are guided by bassist Christophe Hache, who wrote each ...
The Void of Expansion: Ashes And Blues
by Eyal Hareuveni
Belgian guitarist and sound artist Dirk Serries and Swedish, Trondheim-based drummer Tomas Järmyr meet again after the successful recording of YODOK III--their trio with amplified tuba player Kristoffer Lo--to explore more sonic options together. Ashes and Blues was recorded live in the studio in February 2015 after two invigorating live performances in Belgium.
Joëlle Léandre & Pascal Contet: 3
by Eyal Hareuveni
Like a conversation between old comrades, not much needs to be said in order to make perfect sense. The implied, fleeting body moves, facial expressions can direct the course of the interaction and charge it with emotional depth, tension or colorful cinematic narratives. 3 the third recorded collaboration between French double bass master Joëlle Léandre and ...
Mark Alban Lotz: Solo Flutes
by Eyal Hareuveni
The eclectic, even eccentric musical tastes of German, Netherlands- based flute master Mark Alban Lotz may be attributed to his personal history. He grew up in Thailand, Germany, and Uganda, while studying jazz, contemporary music, and Indian bansuri flute playing in Amsterdam, New York, and Los Angeles. This globe-trotting biography is reflected in his flute solo ...
Jens Jefsen: Jam Me Up
by Eyal Hareuveni
Veteran Danish double bassist and educator Jens Jefsen, who performed with legendary jazz musicians as Ben Webster, Dizzy Gillespie, Dexter Gordon, and Johnny Griffin, gives a new meaning to the term “jam up." For Jensen, it does not mean malfunction or inefficiency but an opportunity to rethink his playing when guest musicians are put to the ...
Fred Lonberg-Holm / Nick Stephens: Crackle: Six improvisations for Cello and Double Bass
by Eyal Hareuveni
These improvisations between Chicago's ubiquitous cellist Fred Lonberg-Holm and veteran British double bassist Nick Stephens, known for ongoing collaborations with Norwegian reed master Frode Gjerstad and South-African drummer Louis Moholo- Moholo, were recorded in 2011 in Stephens' home-town, Northwood. The duo immediately establish a common language that encompasses organic elements of fiery ...
Odeya Nini: Vougheauxyice (Voice)
by Eyal Hareuveni
The exceptional Odeya Nini explores assorted vocal aspects on her debut album, Vougheauxyice (Voice) --as an instrument that structures textural harmony, tonal animation or illuminates minute sounds; vocals that fit into collages of musique concrete; the kinetic characteristics of vocals in space relating to the body, and obviously, her own extended techniques. For Nini, the voice--in ...
