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94

Article: Album Review

The Geordie Approach: Why Eye

Read "Why Eye" reviewed by Eyal Hareuveni


The Geordie Approach is an experimental collaboration between Norwegian alto sax/electronics player Petter Frost Fadnes, drummer Ståle Birkeland with Geordie-born Englishman guitarist/ electronics player Chris Sharkey, all proud members of the Leeds Improvised Music Association. All have collaborated with some of the most prominent figures of the fertile music scene in Leeds, UK, including pianist/composer Matthew ...

227

Article: Album Review

Matthew Welch/Craig Colorusso: Rusted Breath Quiet Hands

Read "Rusted Breath Quiet Hands" reviewed by Eyal Hareuveni


This beautiful gem offers a surprising collaboration between multifaceted composer and alto saxophonist Matthew Welch and performance artist, sculptor, dancer and guitarist Craig Colorusso. Brooklyn-based Welch is known for blending his Scottish roots into his compositions--often by playing the bagpipes--but he is also influenced by Indonesian Gamelan music, have studied with such composers as Alvin Lucier ...

690

Article: Interview

Frank London: The Jew with the Horn

Read "Frank London: The Jew with the Horn" reviewed by Eyal Hareuveni


Frank London is one of the most interesting and colorful figures in the current revival of Jewish music--mistakenly identified only as Klezmer music--of the last two decades. London seeks consciously and constantly to expand the terminology and vocabulary of Jewish music with groups including Hasidic New Wave, Shekinah Big Band and Klezmer Brass All-Stars. The Klezmatics ...

297

Article: Album Review

Solveig Slettahjell: Domestic Songs

Read "Domestic Songs" reviewed by Eyal Hareuveni


The fifth solo release by Norwegian vocalist Solveig Slettahjell finds her in a domestic environment. This intimate album was indeed recorded at Slettahjell's home, and most of the songs feature Slettahjell's vocals with the beautiful sounding new Steinway piano that she recently purchased after winning the Norwegian Kongsberg Jazzfestival's Vital-Pris, with some spare ensemble arrangements. As ...

361

Article: Album Review

Marsh Dondurma: Te'amim Hadashim (New Tastes)

Read "Te'amim Hadashim (New Tastes)" reviewed by Eyal Hareuveni


Israeli Marsh Dondurma is a kind of New Orleans-ean/Balkan/fifteen-player jubilant marching band named after a favorite Turkish ice-cream. The combo adds Klezmer, Turkish and other Middle-Eastern and even Brazilian batucada-based spices to this percolating stew, all baked through an Ellingtonian framework. A much more sober version of Goran Bregovi”s Music for Weddings and Funerals (2002) or ...

171

Article: Album Review

Fred Katz: Folk Songs for Far Out Folks

Read "Folk Songs for Far Out Folks" reviewed by Eyal Hareuveni


Cellist and composer Fred Katz is an extraordinary character. He studied cello with Pablo Casals, introduced the cello to the jazz world as a member in the Chico Hamilton Quartet and recorded solo jazz albums. He's also inspired and influenced many musicians, such as another forward-thinking cellist, Fred Lonberg-Holm, who dedicated his A Valentine for Fred ...

268

Article: Album Review

Bruce Eisenbeil Sextet: Inner Constellation, Volume One

Read "Inner Constellation, Volume One" reviewed by Eyal Hareuveni


On Inner Constellation, his fifth release as a leader, New York-based guitarist and composer Bruce Eisenbeil attempts to link the musical worlds of John Coltrane, Cecil Taylor and Anthony Braxton with the vocabulary of contemporary classical composers such as Elliot Carter, Iannis Xenakis, György Ligeti and Karlheinz Stockhausen. Over two years, Eisenbeil composed “Inner Constellation," a ...

353

Article: Album Review

Mostly Other People Do the Killing: Shamokin!!!

Read "Shamokin!!!" reviewed by Eyal Hareuveni


New York-based quartet Mostly Other People Do the Killing sounds like an updated incarnation of Steve Bernstein's Sex Mob, more in spirit than in sound. Both quartets defy the sterile definition of jazz by neo-cons and like to play their own version of jazz--dirty, muddy and fast, and meant for the body rather than the brain. ...

533

Article: Album Review

Hakon Kornstad: Single Engine

Read "Single Engine" reviewed by Eyal Hareuveni


Norwegian saxophonist Håkon Kornstad has been one of the central figures on the new Norwegian scene that aspires to break new vistas beyond the almost codified ECM representation of the Nordic scene. Kornstad has shown, over the last decade, a wide scope of expression and mood, with his post bop Kornstad Trio [Space Available (Jazzland, 2002)], ...

240

Article: Album Review

Alex Kontorovich: Deep Minor

Read "Deep Minor" reviewed by Eyal Hareuveni


Twenty-six year-old, Russia-born/New York-based clarinetist/saxophonist Alex Kontorovich is a phenomenon. He's a martial arts black belt, math professor at Brown University, “Bird-head" by his own definition, but one that is also well versed with John Coltrane's legacy. He's also a key member of Klezmer and Ska bands including Frank London's Klezmer Brass All-Stars, The Klez Dispensers, ...


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