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273

Article: Album Review

Search: Today Is Tomorrow

Read "Today Is Tomorrow" reviewed by Eyal Hareuveni


The Brooklyn-based quartet Search is molded after Ornette Coleman's classic quartet. Reed player Matthew Maly, trumpeter RJ Avallone, bassist David Moss and drummer Bryson Kern worked on their debut, Today Is Tomorrow, for two years, with continued encouragement from Coleman himself and additional assistance from Coleman's Prime Time/current bassist Al McDowell, who beautifully captured the sonic ...

191

Article: Album Review

Frank Carlberg: The American Dream

Read "The American Dream" reviewed by Eyal Hareuveni


The poetry of Robert Creeley (1926-2005) has been arranged a few times in jazz settings and acknowledges the music's strong influence on his work. The late saxophonist Steve Lacy arranged the introspective and laconic verses of Creeley into an almost operatic setting in Futurities (Hat Hut, 1985) and later on The Beat Suite (Universal, 2003). In ...

250

Article: Album Review

Lisa Sokolov: A Quiet Thing

Read "A Quiet Thing" reviewed by Eyal Hareuveni


Singer Lisa Sokolov knows how to make songs her own. Master vocalist, renowned improviser, music therapist, and lay cantor, New York-based Sokolov reaches into the inner, quiet soul of the 12 songs, standards, and even the Jewish liturgy and a modern poem on A Quiet Thing. She rediscovers songs that become an important part of our ...

340

Article: Album Review

Ido Bukelman Trio: City Tail

Read "City Tail" reviewed by Eyal Hareuveni


City Tail the debut of Jerusalem-based Ido Bukelman--who works with local artists including The Rats, the Tal Gur Quintet and saxophonist Albert Beger--presents the full breadth of the Israeli guitarist's musical world. Influences ranging from Ornette Coleman's harmolidics to Hendrixian pyrotechnics and progressive rock, and concluding with Israeli popular songs, can all be found on this ...

660

Article: Album Review

Eldbjorg Raknes: From Frozen Feet Heat Came

Read "From Frozen Feet Heat Came" reviewed by Eyal Hareuveni


Trondheim-based voice artist Eldbjorg Raknes, like fellow Norwegian voice artist Sidsel Endresen, has developed a highly personal and non-literary vocal language over the last fifteen years. Like Endresen, with whom Raknes collaborated on Gack! (Jazzland, 1999), with the all-vocal improvisation trio ESE also featuring Elin Rosseland, Raknes is constantly pushing the musical envelope with each new ...

605

Article: Live Review

First Contempo Festival Events in Jerusalem and Tel Aviv

Read "First Contempo Festival Events in Jerusalem and Tel Aviv" reviewed by Eyal Hareuveni


Contempo Festival Events Uganda, Jerusalem, Levontin 7, Tel Aviv and The Yellow Submarine, Jerusalem February, 19, 20 and 22, 2009The first edition of The Tel Aviv International Festival of Contemporary Music and Video Art offered dozens of current musical happenings all over Tel Aviv along with some blessed excursions ...

379

Article: Album Review

Mark Zubek: twentytwodollarfishlunches

Read "twentytwodollarfishlunches" reviewed by Eyal Hareuveni


The second release of Toronto-based bassist, songwriter, and producer Mark Zubek epitomizes his many cross-genres skills in the fields of jazz, hip-hop, R&B, and pop. He is joined by a stellar cast of musicians--Israeli trumpet player Avishai Cohen, tenor saxophone players Mark Turner and Seamus Blake (both of whom played on Zubek's debut, Horse with a ...

481

Article: Multiple Reviews

Yoshie Fruchter / The Klez Dispensers / Rebecca Teplow: Third Generation Klezmer

Read "Yoshie Fruchter / The Klez Dispensers / Rebecca Teplow: Third Generation Klezmer" reviewed by Eyal Hareuveni


During the revival of klezmer music in the 1980s, Jewish musicians like The Klezmatics claimed that they were not playing their fathers' kind of klezmer. They suggested instead that their new alt-klezmer style borrowed more from their grandfathers' music, from a more troubled and politically engaged generation. The 1980s' generation developed a flexible approach to klezmer ...

221

Article: Album Review

Sebastian Hilken/Anat Cohavi/Klaus Janek: SternSchuss No. 1

Read "SternSchuss No. 1" reviewed by Eyal Hareuveni


The Berlin-based SternSchuss trio presents its own bold version of free improvisation on its self-produced debut release, SternSchuss No. 1. The trio is comprised of Israeli reed player Anat Cohavi, whose resume includes studies with Israeli saxophonist Albert Beger and composer Slava Ganelin, in Texas and in North India, where she studied the shenai, a traditional ...

400

Article: Album Review

Jim Hall / Bill Frisell: Hemispheres

Read "Hemispheres" reviewed by Eyal Hareuveni


The first and lasting impression of this full-length collaboration between master and genre-bending guitarists Jim Hall and Bill Frisell is one of relaxed intimacy and indeed, this no-frills approach is one of the strengths of this project. Great affinity between great musician focused on creating music, who have the time and space to establish such rapport, ...


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