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Wolfgang Amadeus Mozart - Requiem
by C. Michael Bailey
Bruce Haynes, in his book The End of Early Music: A Period Performer's History of Music for the Twenty-First Century (Oxford University Press, 2007) states: “More than anything else, Authenticity seems to be a statement of intent. Totally accurate historic performance is probably impossible to achieve. To know it has been achieved is ...
Christine Jensen Jazz Orchestra: Habitat
by John Kelman
It may have been the title of her last album--Treelines, Christine Jensen's first large ensemble recording--but there was no song of that name on the 2010 Justin Time release. Instead, it's the lead-off to Habitat, Jensen's second album with her Jazz Orchestra, a commissioned work for the University of Nebraska-Lincoln Jazz Orchestra, its director, Dr. Paul ...
Barry Guy New Orchestra: Amphi - Radio Rondo
by John Sharpe
One of the most noteworthy releases of 2013 was the Barry Guy New Orchestra's Mad Dogs (Not Two), a five disc compendium which collected largely freeform meetings between various subsets of the 11-piece company during their 2010 residency in Krakow. However even that copious set offered only a partial view of the Orchestra's range, a deficiency ...
Brian Blade & The Fellowship Band: Landmarks
by John Kelman
Four records in 16 years may not be prolific, but clearly Brian Blade and his longstanding Fellowship Band aren't about quantity. While a seemingly scant two years separated the drummer's leader debut (and inspiration for the group name), Fellowship (Blue Note, 1998) from its even more impressive follow-up, Perceptual (Blue Note, 2002), the group's next record, ...
by Ian Patterson
Nine years after the Pat Metheny Group crowned its mammoth The Way Up (Nonesuch, 2005) tour before 100,000 people at the Montreal Jazz Festival, it seems increasingly unlikely that Metheny will reconvene his main vehicle, not now with a vibrant new group pushing him compositionally and slaying audiences. Or does it? In a 2012 interview with ...
Arve Henriksen: Chron | Cosmic Creation
by John Kelman
Despite the suggested evidence of 2008's Cartography (ECM) and 2013's follow-up, Places of Worship (Rune Grammofon), trumpeter Arve Henriksen's career has not only been about the intrinsic--and deeply personal--lyricism that defined those recordings, as well as the three Rune Grammofon recordings that preceded them--2007's Strjon, 2004's Chiaroscuro and 2001's Sakuteiki, those three recordings collected in the ...
David Bach: Otherworld
by Geannine Reid
Like the famous composer from whom Bach shares his last name, the Washington, D.C.--Baltimore--Michigan based pianist David Bach has a deep love for the piano and melodic music is the theme on his CD, Otherworld. “My parents never had to ask me to practice," says Bach of his formative encounters with the piano. “I just sat ...
Jaco Pastorius: Modern American Music…Period! The Criteria Sessions
by John Kelman
1976 was, for electric bassists, the year where everything changed. Jaco Pastorius hadn't quite emerged from nowhere, and the few prior recordings on which he could be found may have provided some hint of what was to come, but it was the quadruple punch of fellow legend-in-the-making Pat Metheny's leader debut Bright Size Life (ECM, 1976), ...
Emmylou Harris: Wrecking Ball
by Nenad Georgievski
Wrecking Ball seemed like a pivotal record in singer Emmylou Harris' history when it was released in 1995 and it is no less important now 20 years later. It is said that great records may go out of print but they rarely go out of style, and Wrecking Ball still radiates with its sheer beauty. Assisted ...
Alexander Hawkins: Step Wide, Step Deep
by Phil Barnes
The effortless and precocious ability shown by British pianist Alexander Hawkins to step between the jazz tradition and music more associated with free improv makes for a heady brew on this thrilling collection. While it is arguable that the genres are far from mutually exclusive the ability to make accessible music from that which is often ...
