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Results for "Extended Analysis"
Sonzeira: Brasil Bam Bam Bam
by Phil Barnes
While roots linked to a sense of place are important, for music lovers the tunes that we first fell in love with, that formed our early tastes, can be just as potent. The late Laura Nyro called this “primal teenage heartbeat songs" and this superlative collection is Gilles Peterson's way of paying tribute to the Brazilian ...
Max Johnson: Big Eyed Rabbit
by Karl Ackermann
Bassist Max Johnson is one of the most prolific and versatile musician/composers in music today and likely on the verge of a major breakthrough. Barely past the year's mid-point Johnson has offered three fine releases with different groups and distinctly different styles. Recording with Kirk Knuffke on cornet on Johnson's namesake trio release The Invisible Trio ...
Jeff Cosgrove: Alternating Current
by Ian Patterson
"Playing music is like doing heart surgery," bassist William Parker told interviewer Radhika Philiip in Being Here: Conversations on Creating Music (Radio.org, 2013). “Every time you hit a note, someone's life is on the line, and so you can't fool around." Serious intent and intense focus are the cornerstones of these playful dialogues between ...
Miroslav Tadic: Mirina
by Nenad Georgievski
In the hands of guitarist Miroslav Tadic the guitar sounds like a band in a box as he explores different strands of music on his records. This versatile California-based classically trained musician has a wide range of experiences under his belt which in turn has informed and enriched his guitar approach. It is an impresive technique ...
Subtext
by John Kelman
Change is a fact of life, and it's something that's better to be embraced than challenged; as inevitable as death and taxes, it's one of those things that you may as well accept, because there are few, if any, options to do otherwise. That said, while the then-aptly titled Parting Shot (Tone Center, 2011) suggested that ...
Mehmet Sanlikol: What's Next?
by Jack Bowers
After listing the personnel (which varies on every track) for Turkish-born composer Mehmet Ali Sanlikol's new CD, What's Next?, there's scarcely room for a review. Well, perhaps a small one, starting with the fact that Sanlikol, a graduate of the Berklee School of Music and New England Conservatory, first studied classical piano with his mother, Fethiye ...
Free Range Music
by Jack Bowers
Hazel Leach has had quite a musical career. After college, where she studied classical flute as well as jazz / pop saxophone, the Englishwoman spent a number of years as a freelance musician / arranger before moving to Holland in 1979. Six years later she was named lecturer in music at the Arnheim Conservatoire, and in ...
Dino Saluzzi Group: El Valle de la Infancia
by John Kelman
In his 32-year relationship with ECM Records, Argentinean bandoneonist Dino Saluzzi has explored many paths--paths upon which he has rarely traveled more than once, even if there were certain road marks common to them all. A pair of trio recordings with his son, guitarist José Maria Saluzzi, employed two different bassists--Marc Johnson on 1997's Cité de ...
Tim Bowness: Abandoned Dancehall Dreams
by John Kelman
In some ways, Abandoned Dancehall Dreams was inevitable. Just as Steven Wilson, his partner in No-Man, ultimately took what is, at the very least, a hiatus from, in addition to No-Man and other projects, his primary gig with Porcupine Tree--pursuing a solo career that's led to increasing success, most recently with the studio recording The Raven ...
Wolfgang Muthspiel: Driftwood
by John Kelman
Since studying at Berklee College of Music and returning to his home in Austria--though not before releasing a number of American-based recordings either on his own or as a member of bands led by people like Gary Burton, Marc Johnson and Patricia Barber--guitarist Wolfgang Muthspiel has largely been focusing on his career through Material Records, the ...
