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416

Article: Album Review

Evan Parker: Evan Parker with Birds (for Steve Lacy)

Read "Evan Parker with Birds (for Steve Lacy)" reviewed by Rex  Butters


Someone recently told me that they didn't care for outside music, because to really hear what's going on, you have to stop everything and sit inside it. On Evan Parker with Birds, the sax sounder invites you to sit inside an interdimensional aviary while he joins the conversation around him. Indispensable to those conversations, the duo ...

275

Article: Album Review

Parker/Schlippenbach/Lytton: America 2003

Read "America 2003" reviewed by John Eyles


Evan Parker is a member of two long standing trios, the Evan Parker Trio with Barry Guy and Paul Lytton, and the Schlippenbach Trio with Alexander von Schlippenbach and Paul Lovens. On very rare occasions--such as Parker's 50th birthday--all five musicians have gotten together and have even been known to play together as a quintet. I ...

Album

Imponderable Evidence

Label: Tzadik
Released: 2004

Album

Memory/Vision

Label: ECM Records
Released: 2004
Track listing: Parts 1-7

Album

888

Label: FMR Records
Released: 2004
Track listing: Improv 1; Improv 2; Improv 4; Improv 3; Group Improv.

Album

Out Trios Volume Two

Label: Atavistic Records
Released: 2004
Track listing: 1. Lacerate, 2. Electro, 3. Onslaught, 4. Miss Big Meen

Album

America 2003

Label: Tzadik
Released: 2004

Album

Evan Parker With Birds

Label: Tzadik
Released: 2004

219

Article: Album Review

Parker/Drumm/Zerang: Out Trios Volume Two

Read "Out Trios Volume Two" reviewed by Jon Opstad


The first thing to make clear here is that this recording is not for a general jazz audience. Those readers who get more than their fair share of white noise when the TV can't get a signal are not going to find a great deal to please their ears within the three quarters of an hour ...

253

Article: Album Review

Evan Parker/Phillip Wachsmann/Hugh Davies/Eddie Provost: 888

Read "888" reviewed by Rex  Butters


These four esteemed improvisers participated with others of their kind at the New Music Days series of concerts as part of the Southend International Jazz Festival in 2003. To engender endless numerological speculation, they chose to perform at 8pm on 8/8, and from those performances come a solo piece each, plus a lengthy ensemble expedition into ...


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