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The New Black: The White Album
by Clifford Allen
Percussionist Gino Robair's Rastascan label, based in the Bay Area, has long been a sort of outpost for non-idiomatic improvisation in the US, recording groups like the Evan Parker/Barry Guy/Paul Lytton Trio, German reedman Wolfgang Fuchs, saxophonist John Butcher and guitarist Derek Bailey. Robair studied with AMM percussionist Eddie Prevost in England, as well as composition ...
Online Petition to Support Instants Chavires
On Thursday July 2nd 2009 we were shocked to learn that the balance of the operational subsidy allocated to our Association by the General Council of the Seine-Saint-Denis Department had been slashed by no less than 25,000€--a drop of more of 19%. This in addition to a 7,000€ cut in our municipal subsidy (at the beginning ...
The Paul Dunmall Trio at the Vortex, London
by John Sharpe
Paul Dunmall/Nick Stephens/Tony Marsh The Vortex London, England May 19, 2009 British reedman Paul Dunmall breaks bread with a wide range of collaborators. While the ensuing documentation is less prolific than say Anthony Braxton's or Steve Lacy's in either's heyday, there is rarely overlap in personnel on consecutive discs. Saxophone, ...
Ornette Coleman's Meltdown is the Best Ever
by John Eyles
Ornette Coleman's Meltdown London June 12-21, 2009 Ever since it was announced in late March that Ornette Coleman was to curate the 2009 Meltdown festival at the South Bank, Coleman seemed to dominate the capital. The festival's trademark image of a young Coleman soulfully eyeballing the camera was everywhere, on ...
Evan Parker Electro-Acoustic Ensemble: The Moment's Energy
by John Kelman
Over the course of a dozen years and four albums, British saxophonist Evan Parker's groundbreaking Electro-Acoustic Ensemble has grown in size and scope, from the sextet that released Toward the Margins (ECM, 1997)--and still remains at the core of the group today--to the 11-piece ensemble responsible for The Eleventh Hour (ECM, 2005). Retaining the careful balance ...
Marc Ribot / Evan Parker / Han Bennink at Queen Elizabeth Hall, London, June 14th
by Marcus O'Dair
Marc Ribot / Evan Parker / Han Bennink Queen Elizabeth Hall London, England June 14, 2009 The Moment's Energy, a new ECM release from Evan Parker, may be a slight disappointment from an artist who has been acclaimed by some as the heir apparent to John Coltrane. Yet this appearance, ...
Stefan Keune / Hans Schneider / Achim Kramer: No Comment
by Nic Jones
Improvised music is rife with precedents in these early years of the twenty-first century, both on record and otherwise. The one for the trio of saxophone, bass and drums was set under the leadership of Sonny Rollins over half a century ago and since then the line-up has been amply documented on record. Set against those ...
Alexander Hawkins Ensemble: No Now Is So
by John Eyles
Pianist Alexander Hawkins is one of the brightest rising young stars of British jazz and improvisation, amply demonstrated by his work in Barkingside, the Convergence Quartet, and the Evan Parker Quartet. Hawkins has technique in abundance and a brain quick enough to make creative use of it. With no obvious stylistic antecedents, he excels in a ...
Lawrence Casserley / Adam Linson: Integument
by John Eyles
Lawrence Casserley and Adam Linson have well-established links with Evan Parker and with each other. Both have previous releases on Psi and since 2004 both have been members of Parker's Electro-Acoustic Ensemble. That is highly relevant to the music on Integument as that ensemble features real-time processing of sound, as does this album. On his solo ...
Barry Guy: Ode to a Bassist
by Andrey Henkin
In 2007, just in time for bassist Barry Guy's 60th birthday, Intakt Records released Portrait, equal parts compilation, introduction, overview and mere glimpse into the musical world of this instrumentalist, composer and bandleader. There are tracks from several editions of Guy's colossal London Jazz Composers Orchestra (LJCO), pieces done with longstanding collaborators like Evan Parker and ...
