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WorldService Project: Articulate Arsonists
by John Kelman
It's a very different time to be a musician than it was even 20 years ago, when major record labels still existed, providing tour support and money to make recordings. It's also a very different time because, with the upsurge of DIY recordings, there's more music being released every month than ever before. Add to that ...
Lol Coxhill & Michel Doneda: Sitting on Your Stairs
by John Eyles
In July 2012, London-based saxophonist Lol Coxhill died, aged 79, after a prolonged period of illness in a hospital. A favorite with London audiences for decades, in the months following his death Coxhill was fondly celebrated and remembered by the city's extensive improvised music community. Now, Sitting on Your Stairs is the first album of Coxhill's ...
Evan Parker/Barry Guy/ Paul Lytton: Live At Maya Recordings Festival
by John Sharpe
After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of their own making, which relies on a staggering density of ...
François Carrier/ Michel Lambert/ John Edwards/ Steve Beresford: Overground To The Vortex
by Mark Corroto
The adventures of François Carrier continue with Overground To The Vortex. The well-traveled Canadian saxophonist has recorded in Nepal--KATHMANDU (FMR, 2008), St. Petersburg, Russia with All Out (FMR, 2011) and In Motion (Leo, 2011), of course Canada Entrance 3 (Ayler, 2011), and this release in Great Britain, where he made his Shores and Ditches (FMR Records,2012).
Lotte Anker/ Rodrigo Pinhero/ Hernâni Faustino: Birthmark
by Mark Corroto
After releasing a trio of stellar recordings with pianist Craig Taborn, and drummer Gerald Cleaver, the last being Floating Islands (ILK, 2009), Danish saxophonist Lotte Anker returns with a new trio. She teams up with the Portuguese players Rodrigo Pinhero (piano) and Hernâni Faustino (double bass), best known as members of RED Trio with drummer Gabriel ...
Vole: The Hillside Mechanisms
by John Sharpe
Three stalwarts of the London Improvisers Orchestra come together on the debut outing of the genre-mashing Vole. When playing credits number saxophone iconoclasts Peter Brotzmann, Evan Parker and Ingrid Laubrock, bassist Simon Fell and pianist Alexander Hawkins, then energy and imagination can be almost guaranteed. What's fascinating is how they align improv with noise, heavy metal ...
Alexander Balanescu: The Aggressive Lyricism
by Adriana Carcu
Alexander Balanescu, the London-based violinist of Romanian origin, leads the avant- garde string quartet Balanescu Quartet, formed in 1987. Before that, Balanescu was part of the Michael Nyman Ensemble and Arditti Quartet. Ever since he has worked closely with artists of various musical orientations such as saxophonist John Lurie, singer David Byrne, pianists Keith Tippett and ...
Art Strike!
by Mark Corroto
"Would you support an art strike?" That's the question I've been asking musicians for the past few months. “Will you agree to stop writing and performing music for one year?" In 1990 the London artists Stewart Home and Mark Pawson proposed that all artists cease to “make, exhibit, distribute, sell, or discuss their work" for three ...
Boris, Wang Li, Sexmob & Colin Stetson
by Martin Longley
Boris(le) Poisson RougeMay 6, 2013 It's hard to corral Boris into a metal-generic corner. Whilst this Tokyo trio's prime reputation revolves around a spiraling psychedelic ascension, it is just as likely to get grubby and direct, or even poppy and spangled. This Poisson show was the first of two nights, ...
Evan Parker: Vaincu.Va! Live at Western Front 1978
by Mark Corroto
Love or hate it--digital technology has allowed for the reissue of long out- of-print LPs. Once only the province of collectors, Evan Parker's early solo saxophone LP recordings have been reissued as CDs on his Psi label for the past decade. The British saxophonist, a champion of the extended solo improvisation remains a vital voice today. ...
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