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About The Neighborhood Quartet
Instrument: Vibraphone
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The Neighborhood Quartet

The Neighborhood Quartet’s music is as varied as its members’ résumés—as improvisers, they’re adept at navigating jazz harmony; as writers they understand the shape of folklike melodies—but, if they had to be classified, you could say they pursue a distinctly midwestern take on the tradition of R&B and pop instrumental groups. Such groups were thicker on the ground in the sixties and seventies: Booker T. & the MG’s, Young-Holt Unlimited, the Meters, and broadly kindred bands such as the more jazz-aligned Crusaders. On its self-titled debut album, the Neighborhood Quartet doesn’t explicitly sound like any of that—they aren’t retrogressive or imitative—but they tap into the tradition’s sensibility: sticky melodies laid on top of supple funk; clever, economical arrangements; tasty and succinct solos. For the group’s guitarist and lap-steel ace, Dan Schwartz, the NHQT has two principal modes, both evocative of motion: their groovy side, likened to cruising through the streets of the quartet’s native Twin Cities; and their ethereal side, likened to floating above the nearby prairie. Indeed, the album’s bright, hooky opener, “Hey Fellas,” written by the band’s vibraphonist, Steve Roehm, would sound great coming from a car stereo on one of the long commercial streets of Minneapolis (or Detroit, for that matter). Meanwhile, Schwartz’s plaintive “End of October” could soundtrack a country drive where with each second the windshield frames a new classic of landscape art.
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Fiona Joy Hawkins

Born:
Australian classically trained composer, pianist and singer inspired by her Celtic heritage. Her work crosses from Neoclassical to New Age, Celtic and Jazz.
"My wish is to open more hearts to the power of music and its ability to create change. Now more than ever we need the connection to our past to find the pathway to our future”.
Fiona's work often highlights the beauty of this planet and how we preserve this for future generations.
Living in rural Australia (Kendall NSW), Fiona has played NY Carnegie Hall, New Orleans Jazz Museum, Sydney Opera House, Echoes/PR Radio, Grammy Museum and over 30 concert halls in China.
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Shiri Zorn

Born:
Vocalist Shiri Zorn began her collaboration with the ingenious guitarist and composer George Muscatello in 2013, shortly after she relocated to Upstate New York. Performing regularly throughout the region, she co-creates original songs and innovative renditions of existing jazz repertoire. In the last two years, Zorn has been working closely with the acclaimed jazz singer, Tierney Sutton, who is the vocal producer on Zorn and Muscatello’s newest album, Into Another Land. From 2007–2011, Zorn lived and performed in Seattle, Washington, sharing the stage with some of the nation’s most renowned musicians, including Greta Matassa, Darin Clendenin, and Beth Winter
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Brandon Vetrano

Born:
Coming out of the progressive Studio Composition program at the renowned Purchase Conservatory of Music, Brandon is known for his experimental, ethereal soundscape compositions that pique the ears, mind and soul. In addition to his compositional work, Brandon leads and performs in several Jazz ensembles in the New York area. He can be seen regularly performing with his own acclaimed Gypsy Jazz group throughout the country, The Bailsmen, and leads the eclectic Atlas Duo in addition to being a regular member of Sweet Megg and the Wayfarers, Bedlam Swing, Jazzingaro, Hot Club of Flatbush and many more