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Results for "Ernest Barteldes"
Camerata Aberta at Americas Society, Nov. 12, 2010
by Ernest Barteldes
Camerata AbertaAmericas SocietyNew York, NYNovember 12, 2010Modern contemporary music of Brazil was on the menu for the New York debut of Camerata Aberta's at Manhattan's Americas Society. In the words of music director and composer Sergio Kafejian, the ensemble dedicates itself to the “research of the intensity, fluidity and exuberance of ...
Maruja Muci & Pamela Rodriguez at Tutuma Social Club, November 09, 2010
by Ernest Barteldes
Maruja Muci & Pamela RodriguezTutuma Social ClubNovember 09, 2010New York, NYSouth American singer-songwriters Maruja Muci (Venezuela) and Pamela Rodriguez (Peru) joined forces at the midtown Manhattan Latin club for an evening that included selection of original songs and revamped renditions of American and Latin standards. Backed by a highly ...
Scott Feiner & Pandeiro Jazz at Zinc Bar, Nov. 4 2010
by Ernest Barteldes
Scott Feiner and Pandeiro JazzZinc BarNew York, NYNovember 3, 2010 For the CD release event for his third CD Accents (Zoho, 2010), pandeiro jazz innovator Scott Feiner took the stage with the same musicians that played on the recording sessions: Freddie Bryant (acoustic and 12-string guitar), Joel Frahm(tenor and soprano saxophone) ...
Negroni's Trio: Just Three
by Ernest Barteldes
On its fifth release, the Miami-based Latin jazz trio led by Puerto Rican-born pianist Jose Negroni continues to explore its various influences, which go from straight-ahead to Caribbean beats, with classically-inspired moments. The disc opens with the rumba-inflected “Fingers," a fast-paced tune that features Negroni on electric piano. The chemistry between the bandleader and his gifted ...
Djavan at Best Buy Theater, October 26, 2010
by Ernest Barteldes
DjavanBest Buy TheaterNew York, NYOctober 26, 2010On the American leg of his 2010 tour, Brazilian-born Djavan chose two divide his live show into two distinctive parts: the first featured music from his current release, Aria (Luanda, 2010), a CD containing several covers from the likes of Antonio Carlos Jobim, Chico Buarque ...
Yeahwon Shin: Yeahwon
by Ernest Barteldes
On her debut recording, New York-based Korean singer Yeahwon Shin takes on a demanding set of tunes, mostly based on compositions by Brazilian songwriters Antonio Carlos Jobim, Dorival Caymmi, Egberto Gismonti, Milton Nascimento and Ary Barroso. She opens with “Chovendo Na Roseira" (known in English as “Double Rainbow"), singing in Portuguese with an original arrangement loosely ...
Jordan Young Group: Jordan Young Group
by Ernest Barteldes
On their self-titled debut. New York-based Jordan Young and his group go through a mix of different sounds, from a straight-ahead Hammond-based version of Cole Porter's “Every Time We Say Goodbye" to the more experimental “PinGs"--four short interludes spread throughout the disc that hint at the band's desire to tackle contemporary material while still keeping their ...
Tamia + Mario + Chrisette Michelle, Central Park Summerstage August 22, 2010
by Ernest Barteldes
Tamia + Mario + Chrisette MichelleCentral Park Summerstage New York, NYAugust 22, 2010During an afternoon dedicated to neo-soul music, Canadian-American vocalist Tamia took the stage backed by a solid five-piece band. Her set list comprised mostly of romantic-tinged tunes that explored her wide vocal range that brought to mind the early ...
The Cookers and the Vijay Iyer Trio, at Charlie Parker Jazz Festival 2010
by Ernest Barteldes
Charlie Parker Jazz FestivalTompkins Square ParkNew York, NYAugust 29, 2010After a blistering blues-based set by New York-based singer Catherine Russell, the 7-piece hard-bop ensemble The Cookers (Billy Harper: tenor sax; Eddie Henderson and David Weiss: trumpets; Craig Handy: alto sax and flute; George Cables: piano; Cecil McBee: bass and Billy Hart: ...
Cindy Blackman's Explorations, Jazz Standard August 18, 2010
by Ernest Barteldes
Cindy Blackman's ExplorationsJazz StandardNew York, NYAugust 18, 2010 Cindy Blackman's Explorations' first set on Wednesday, August 18 opened with a very experimental-sounding number dominated by keyboards and drums that switched back and forth into a more traditional format. Linking the tune's two facets was Rashaan Carter's walking bass, which stood apart ...
