Results for "Eric Revis"

Eric Revis

One of the most talented and accomplished musicians of his generation, Grammy Award-winning bassist and composer Eric Revis has firmly established himself as an important voice in jazz. Branford Marsalis states, “Eric’s sound is the sound of doom; big, thick, percussive.” Scores of musicians across various disciplines agree. Revis has performed and recorded with Betty Carter, Peter Brötzmann, Jeff “Tain” Watts, Jason Moran, Kurt Rosenwinkel, Steve Coleman, Ralph Peterson, Lionel Hampton, McCoy Tyner, Andrew Cyrille, and Tarbaby, the experimental trio he tri-leads with Orrin Evans and Nasheet Waits, as well as another trio, Options, also with Waits, and Bennie Maupin. Manning the bass chair with Branford Marsalis’s powerfully flexible quartet since 1997, Revis has recorded eight albums with the ensemble in addition to touring the globe with them many times over

Slipknots Through a Looking Glass

By ERIC REVIS

Label: Pyroclastic Records
Released: 2020
Track listing: Baby Renfro; SpAE; Earl & the Three-Fifths Compromise; Slipknots Through a Looking Glass, Part 1; Shutter; ProByte; Slipknots Through a Looking Glass, Part 2; House of Leaves; When I Become Nothing; Vimen; Slipknots Through a Looking Glass, Part 3.

The Intangible Between

By ORRIN EVANS

Label: Smoke Sessions Records
Released: 2020
Track listing: Proclaim Liberty; This Little Light of Mine; A Time For Love; That Too; Off Minor; Into Dawn; Tough Love; Im So Glad I Got to Know You

Eric Revis, Art Blakey, Federico Calcagno, Charles Tolliver & More

By LUDOVICO GRANVASSU

Recently unearthed gems by Dudu Pukwana and Art Blakey, beautiful new albums by Eric Revis and Charles Tolliver, the Cuban roots of David Virelles and Aruán Ortiz, a peak in the jny: Amsterdam and jny: Berlin scenes through the music of Federico Calcagno and Reza Askari, respectively, and much more in this week's edition of Mondo ...

Eric Revis: Slipknots Through a Looking Glass

By TROY DOSTERT

Bassist Eric Revis typically has so many ideas in play that it's virtually impossible for him to limit himself to one ensemble at a time. This is one of the reasons why he's used a variety of groups over the years to deliver his music. His trio with pianist Kris Davis and drummer Andrew Cyrille released ...

Thomas Marriott: Trumpet Ship

By PAUL RAUCH

In a day and age when social and personal narratives pervade the jazz recording medium, it is a welcoming feeling to experience a recording of superb jazz musicians playing music in the moment the way it's supposed to be played—for the people. For his spring 2020 quartet release Trumpet Ship (Origin, 2020), Seattle-based trumpeter ...

Avram Fefer Quartet: Testament

By MARK CORROTO

After a blindfold listening test, maybe the greatest compliment you can give Testament is to guess the leader's name to be drummer Chad Taylor, or maybe bassist Eric Revis, guitarist Marc Ribot or saxophonist Avram Fefer himself. This misapprehension is attributed to the equal footing each of the four musicians is given on the recording. Partly ...

Ken Vandermark with Kris Davis/Hamid Drake/Paul Lytton/Ikue Mori/William Parker: Momentum 4: Consequent Duos 2015>2019 (Box Set)

By KARL ACKERMANN

When reed player and composer Ken Vandermark launched his recording career in 1995, he did so with the deceptively titled Standards (Quinnah Records). Free improvisations with titles like “Rage for Speaking" and “A Sick Man's Dreams" indicated a different view of the agreed-upon definition. And so, it has been and has evolved, over nearly twenty-five years ...

Greg Ward: Nature Work

By VINCENZO ROGGERO

"Con quel sorriso può dire ciò che vuole" recitava una pubblicità di un noto dentifricio che rese celebre al grande pubblico l'attrice Virna Lisi. Parafrasando potremmo dire, riguardo Nature Work , “Con quella ritmica puoi suonare quello che vuoi" perché Eric Revis al contrabbasso e Jim Black alla batteria formano una coppia formidabile (sorprendentemente al loro ...

Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution

By PAUL RAUCH

It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...