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106

News: Radio

JazzWeek Radio Chart: October 19, 2009

TW LW 2W Artist TW LW Move Add Rpts Peak Wks 1 1 1 Roy Hargrove Big Band Emergence (Emarcy) 262 252 +10 1 55 1 9 2 2 2 Poncho Sanchez Psychedelic Blues (Concord) 249 232 +17 3 57 2 4 3 3 8 Gerald Wilson Orchestra Detroit (Mack Avenue) 179 190 -11 5 51 ...

74

News: Radio

JazzWeek Radio Chart: October 12, 2009

TW LW 2W Artist TW LW Move Add Rpts Peak Wks 1 1 2 Roy Hargrove Big Band Emergence (Emarcy) 252 232 +20 2 57 1 8 2 2 17 Poncho Sanchez Psychedelic Blues (Concord) 232 194 +38 9 57 2 3 3 8 14 Gerald Wilson Orchestra Detroit (Mack Avenue) 190 165 +25 5 49 ...

356

Article: Multiple Reviews

No "Vanity" Here: Jackie Ryan, Denise Donatelli, Lisa Sokolov, Kat Edmonson

Read "No "Vanity" Here: Jackie Ryan, Denise Donatelli, Lisa Sokolov, Kat Edmonson" reviewed by J Hunter


One of the whinier columns ever to appear in a major jazz publication concerned “Vanity Projects"--that is, sessions bankrolled by rich men for their marginally talented spouses/girlfriends/siblings/whatever. Unfortunately, those kind of recordings do exist, and in far greater numbers than desirable. However, the author's implication was that most female vocal projects could be categorized in this ...

120

News: Radio

JazzWeek Radio Chart: October 5, 2009

TW LW 2W Artist TW LW Move Add Rpts Peak Wks 1 2 1 Roy Hargrove Big Band Emergence (Emarcy) 232 242 -10 1 57 1 7 2 17 — Poncho Sanchez Psychedelic Blues (Concord) 194 120 +74 28 52 2 2 3 1 2 Jackie Ryan Doozy (Open Art) 191 253 -62 0 56 1 11 ...

233

Article: Take Five With...

Take Five With Benny Reid

Read "Take Five With Benny Reid" reviewed by AAJ Staff


Instrument(s):Alto saxophone.Teachers and/or influences?Starting with my alto sax teacher in high school, Andy Fusco of Buddy Rich Band fame, and throughout college at Indiana University I studied with Tom Walsh, who is a great jazz and classical player that really knows how to bring out the individualism in each student. ...

231

Article: Multiple Reviews

Jazz Legacy Productions: Sprucing up the Old School

Read "Jazz Legacy Productions: Sprucing up the Old School" reviewed by J Hunter


At a time when most entrepreneurs blanche at even a mention of the economy, bassist John Lee has damned the torpedoes and gone full speed ahead with his new label, Jazz Legacy Productions. Structured as an artists-for-artists'-sake venture, JLP gives established, non-"flavor of the month" players a place to be heard again. What's more, for every ...

554

Article: Live From New York

September 2009

Read "September 2009" reviewed by AAJ Staff


Jenny ScheinmanLe Poisson RougeNew York City August 4, 2009The chameleon-like but ever electric Nels Cline seemed at first to be an unusual partner for violinist Jenny Scheinman, but if anything the guitarist knows how to make things work and he pushed the quartet (with bassist Matt Penman and drummer Jim ...

153

Article: Album Review

Mike DiRubbo: Repercussion

Read "Repercussion" reviewed by Woodrow Wilkins


Seven originals among nine songs usually means the music will be fresh. Originality and improvisation are key ingredients to saxophonist Mike DiRubbo's Repercussion.After playing clarinet in his early years, DiRubbo, a native of New Haven, Connecticut, switched to alto saxophone and later studied under Jackie McLean. His associations include Eric Alexander, Jim Rotondi and ...

757

Article: Big Band Report

Jacksonville: Big City, Big Band, Big Plans

Read "Jacksonville: Big City, Big Band, Big Plans" reviewed by Jack Bowers


Almost everyone who's even mildly interested knows that the big band scene in the US isn't what it used to be. On the other hand, the big bands aren't yet dead, as some alarmists have claimed, or even on life support. Thanks in part to college and armed services programs, there are perhaps as many or ...

160

News: Recording

Recent Listening: Kuhn, Alexander, Griffin, Assadullahi

Recent Listening: Kuhn, Alexander, Griffin, Assadullahi

Steve Kuhn, Mostly Coltrane (ECM). Kuhn pays homage to John Coltrane, who briefly employed him in 1960 when the pianist was on the doorstep of his career. His tribute encompasses elegiac, earthy and wildly exploratory facets of the great saxophonist. It may remind listeners that, despite a relatively low profile, Kuhn is a major pianist of ...


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