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Emile Parisien
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A key figure in creative and inspired French jazz, Émile Parisien has travelled through the early part of this century in a singular way: a budding young musician from Marciac at the turn of the millennium, the alto and soprano saxophonist has worked hard to explore tradition and history while going far beyond them. This evolution owes much to the curiosity of Émile Parisien, whose profile as a rising jazz star has gradually been refined to reveal a complex artist with a sharp mind.
From his collaborations with Daniel Humair, Vincent Peirani, Joachim Kühn and Michel Portal to his innovations with Jeff Mills and his act quartet, Émile Parisien has established himself in France and on a European scale as a catalyst for new ideas, even on the fringes of established territories (most recently in the XXXX project, alongside Wollny, Lefebvre and Lillinger, also with act).
Roberto Negro: Kings and Bastards
by Neri Pollastri
Torinese di nascita, apolide per formazione, da anni residente in Francia, Roberto Negro è uno dei giovani musicisti più interessanti, messosi in luce per le sue collaborazioni con altri valenti giovani come Emile Parisien e Theo Ceccaldi. Perennemente in equilibrio tra la classica contemporanea, l'improvvisazione libera e il jazz, sempre pronto a esplorare ogni atmosfera timbrica, ...
Out Music from Aut Records
by Maurice Hogue
The independent record label, Aut, was started by Italian saxophonist Davide Lorenzon and when he moved to Berlin, Aut followed. This week we focus on music from some recent releases in the Aut catalogue, including Echo Chamber, a trio with Lorenzon. You'll also hear new releases from Portuguese trumpet player Gonçalo Marques, Slovenian saxophonist Cene Resnik ...
Vincent Peirani & Émile Parisien: The Art of the Duo
by Ludovico Granvassu
Vincent Peirani and Emile Parisien share the same passion for musical astonishing stunts. Still young they have rapidly established themselves as distinctive voices on their respective instruments. They are interested in musical style, share the same love of improvisation and are not bound by any technical constraints. This mixtape features highlights from their discographies as leaders ...
Mick Rossi, Le Rex, & Emile Parisien
by Maurice Hogue
Creativity must be recognized, particularly the kind endures. The AACM (Association for the Advancement of Creative Musicians) continues this day, just as it did over 50 years ago, inspiring, pushing forward, and setting the standard for creative music. Only the players change. The premier performing group of the AACM today is the AACM Great Black Music ...
David Ullmann talks Jazz Guitar
by Nick Davies
This week we talk to David Ullmann about his new album Sometime. We then mix up new releases and tracks from the archives with a special focus on the album of the week, Cycle by Rain Sultanov & Isfar Sarabski Playlist Alfredo Rodriguez & Pedrito Martinez “El Punta Cubano" from Duologue (Mack Avenue ...
James Brandon Lewis, Mick Rossi and More
by Maurice Hogue
Finding your own path is one thing, staying on it is another. This show features several musicians who are doing that today. Bassist Moppa Elliott's urge to challenge the idiom is not confined to his occasionally controversial Mostly Other People Do The Killing. His new recording, Jazz Band/Rock Band/Dance Band, presents three distinctly different bands and ...
Iro Haarla, Ulf Krokfors, Eric Dolphy and More
by Maurice Hogue
Some very important saxophonists are featured in this episode: Frenchman Emile Parisien is back with almost all of his original quartet, Gebhard Ullman shows why he's considered one of the best contemporary multi-reedists with his Basement Research band, Dave Rempis's new trio debuts The Early Bird Gets, and the great Eric Dolphy with previously-unissued music in ...
2019 Starts with a Jazz Blast!
by Ludovico Granvassu
As they say, “a good beginning makes a good ending" and, based on the extraordinary amount of sensational new releases that have come out in less than a month, it looks like we're in it for a great musical ride in 2019. Here are two hours of gems from albums that have just been, or about ...
Stéphane Kerecki e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica È molto difficile rispondere a questa domanda, ma idealmente mi piacerebbe che fosse: l'equilibrio. Tra scrittura e improvvisazione, tra sequenze con e senza tempo, tra armonia e atonalità, e infine l'equilibrio tra i diversi musicisti del gruppo. La qualità che desidero nei musicisti che suonano con ...
