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203

Article: Album Review

Matt Darriau Paradox Trio: Gambit: Brooklyn to Bulgaria

Read "Gambit: Brooklyn to Bulgaria" reviewed by Elliott Simon


Among multi-reedist Matt Darriau's many projects and collaborations his Paradox Trio stands out as a forum for his own creativity. Darriau is an alto man and clarinetist who has also mastered several Eastern European instruments such as the gaida (bagpipe) and Bulgarian wood flute or kaval. On this offering, he and his band are joined by ...

274

Article: Album Review

Gabriel Alegria: Nuevo Mundo

Read "Nuevo Mundo" reviewed by Elliott Simon


The latest buzz in New York City world music is jazz of the Afro-Peruvian variety. The newly opened Tutuma Social Club on 56th Street is slaking jazz's insatiable thirst for new symbiotic styles courtesy of musical director and trumpeter Gabriel Alegria. Nuevo Mundo has his sextet and an assortment of invited guests meeting the music head ...

276

Article: Multiple Reviews

Blame it on the Bossa Nova: Brazil's Other Musics

Read "Blame it on the Bossa Nova: Brazil's Other Musics" reviewed by Elliott Simon


Jovino Santos Neto & Weber IagoLive at CaramoorAdventure Music2008 Felipe SallesTimelineCurare Records2009 Yamandu CostaMafuáAcoustic Music2008 One unfortunate outcome of Brazilian bossa nova's ...

447

Article: Album Review

Daniel Sadownick: There Will Be a Day

Read "There Will Be a Day" reviewed by Elliott Simon


Granted this is an oversimplification, but modern Latin jazz was created when percussionist Chano Pozo and trumpeter Dizzy Gillespie got together in NYC in the late '40s. While percussionist Daniel Sadownick's sense of history is acute on this debut--witness his use of an excerpt from Pozo's “Rumba En Swing" on the catchy solo percussion opener “Dedication"--he ...

296

Article: Album Review

Klez-Edge: Ancestors, Mindreles, NaGila Monsters

Read "Ancestors, Mindreles, NaGila Monsters" reviewed by Elliott Simon


John Zorn once remarked to that in the '60s, “we didn't want to hear Jewish music at our Bar Mitzvahs, we wanted to hear Hendrix." Funny how a few decades and some intermarriage with post-bop jazz can change all that. However, if back then some very hip parents convinced the best free jazzers to do a ...

230

Article: Album Review

Ken Hatfield and Friends: To be Continued...

Read "To be Continued..." reviewed by Elliott Simon


Ken Hatfield is a virtuoso on his chosen instrument, the nylon-stringed classical guitar, and has showcased his abilities in environs including Appalachian, classical and jazz. Comfortable across genres, he and his instrument are well-suited for these Bill McCormick tunes born of multiple influences. This release is an outgrowth of a previous McCormick project, Music for Guitar ...

195

Article: Album Review

Bob Rodriguez: Portraits

Read "Portraits" reviewed by Elliott Simon


There are times when there's the urge to put on some solo piano music, turn down the lights and experience the intimacy that no other instrument can so perfectly create. And while the pensive Portraits that Bob Rodriguez paints on this solo effort are done up in somber tones there is an immeasurable beauty to these ...

220

Article: Album Review

Dave Pietro: The Chakra Suite

Read "The Chakra Suite" reviewed by Elliott Simon


Alto saxophonist Dave Pietro is a heck of a bop player who, with his recent projects, has integrated world music and culture into his oeuvre. The Chakra Suite is a concept album that uses the seven bodily energy centers, or chakras, that are central to Indian medicine, as an organizational framework. These move in ascending order ...

212

Article: Album Review

Mike Holober & The Gotham Jazz Orchestra: Quake

Read "Quake" reviewed by Elliott Simon


Duke Ellington's legacy is alive and well with pianist Mike Holober and The Gotham Jazz Orchestra. Holober makes use of the increased musical scope that 17 pieces give him to weave compositional strength within a sound that sways more than swings. Some of the finest jazzers New York City has to offer join ...

459

Article: Album Review

Ari Hoenig: Bert's Playground

Read "Bert's Playground" reviewed by Elliott Simon


The varied contexts in which drummers play make their own sessions as leaders either spottily uneven or dynamically diverse. For Bert's Playground, drummer Ari Hoenig has gathered a troop of six musicians that includes two bassists, guitarists and saxophonists that he mixes and matches to illuminate the fun to be had. After receiving ...


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