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453

Article: Multiple Reviews

British Klezmer/Jazz Fusion

Read "British Klezmer/Jazz Fusion" reviewed by Elliott Simon


The re-acquaintance of klezmer, Eastern European Jewish modes and rhythms, with American jazz is currently at its height. Initially, Jewish immigrant musicians arriving during the late 1800s and early part of the twentieth century brought with them a standard traditional repertoire. In the 1920s and 30s a symbiotic relationship began to develop with jazz due in ...

290

Article: Album Review

Ahmed Abdul-Malik: Jazz Sounds of Africa

Read "Jazz Sounds of Africa" reviewed by Elliott Simon


A top sideman with Monk and Herbie Mann, bassist Ahmed Abdul-Malik must have realized that if he remained parochial it would result in complacency. Early in his career, he chose to explore his Sudanese roots and an association with pianist Randy Weston, known for his own Afro-Jazz blending, perhaps nourished this inclination. During these inquiries, he ...

163

Article: Album Review

Aki Takase and Rudi Mahall: The Dessert

Read "The Dessert" reviewed by Elliott Simon


Previous collaborations between pianist Aki Takase and bass clarinetist Rudi Mahall have resulted in clever recapitulations of W. C. Handy and Eric Dolphy tunes. The Dessert allows both artists the freedom of a completely self-penned CD to present 17 pieces that emphasize their delectable dynamics. On the sweetest slices, piano and bass clarinet blend to create ...

167

Article: Album Review

Sheryl Bailey: The Power of 3

Read "The Power of 3" reviewed by Elliott Simon


Guitarist Sheryl Bailey is chameleon-like in her ability to bring inventive coloration to traditional forms. She has released a sizzling guitar goddess CD, Little Misunderstood; a bluesy dual guitar follow-up, Reunion of Souls; and adds highly original stylings to David Krakauer's Klezmer Madness. Her latest recording, The Power of 3, further broadens this diversity by featuring ...

374

Article: Album Review

Erik Friedlander: Quake

Read "Quake" reviewed by Elliott Simon


Cellist Erik Friedlander has reconvened his unique Topaz quartet with Quake the eclectic result. Stomu and Satoshi Takeishi on fretless electric bass and percussion, respectively, join Andy Laster on alto sax to reprise the same core lineup that has produced two previous strong efforts. Quake picks up and continues these explorations into a heady mix of ...

560

Article: Book Review

The Book Of Klezmer

Read "The Book Of Klezmer" reviewed by Elliott Simon


The Book of Klezmer: The History, The Music, The Folklore Yale Strom Chicago Review Press ISBN: 1556524455 Klezmer is a wellspring for NYC's jazz musicians and as Yale Strom points out in The Book of Klezmer ; this well runs very deep. While jazz's 'soul' is African-American spiritual ...

180

Article: Album Review

Richard Locker: Jewish Cello Masterpieces

Read "Jewish Cello Masterpieces" reviewed by Elliott Simon


The cello has an incredible range of emotional expression, with high notes that can thrill and a deep resonance capable of reaching into your gut and grabbing your attention. Given this, New York City cellist Richard Locker's Jewish Cello Masterpieces is a special delight. A mix of “classical” pieces and “popular” melodies, the recording is foremost ...

309

Article: Album Review

Hans Ulrik/Steve Swallow/Jonas Johansen: Trio

Read "Trio" reviewed by Elliott Simon


On the aptly (if unimaginatively) named Trio, American electric bassist Steve Swallow joins forces with two Danish musicians: sax player Hans Ulrik and drummer Jonas Johansen. At every turn, Swallow demonstrates why he is the premiere electric jazz bassist of the last two decades. When his trademark 5-string finds the groove that makes the trio equal ...

167

Article: Album Review

Pete Malinverni: Autumn in New York

Read "Autumn in New York" reviewed by Elliott Simon


Dedicated to two friends who heroically perished on that fatal New York autumn morning, the stark black and white “In Memoriam" look of pianist Pete Malinverni's new release belies the hope that lies within. Malinverni reprises the Vernon Duke classic title and tastefully uses his friends' courageous acts to deliver a prayer of hope to the ...

208

Article: Album Review

Simone Guidicci: Chorale

Read "Chorale" reviewed by Elliott Simon


Acoustic guitarist Simone Guiducci and his Gramelot Ensemble have defined a new musical language that combines indigenous Northern Italian folk music with modern jazz. Inspired by the invented “gramelot" language of 15th century troubadours, 16th century Monteverdian fundamental discords and the modern gramelot of playwright Dario Fo, the Ensemble's latest release, Chorale, exposes a quintet that ...


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