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Instrument: Band / ensemble / orchestra
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Who Do You Think We Are?
by John Kelman
Trying to find a distinct definition of what has come to be known as The Canterbury Sound" is as elusive as attempting to describe what, in the jazz world, has become an overused epithet for the German ECM Records label and The ECM Sound." Attempts to do so usually fail short because, rather than being actual ...
Phillip Johnston Returns with Diggin' Bones and The Adventures of Prince Achmed
by John Kelman
The consequences of change in the music industry have been predicted for some time now but, with far too many blinkered deniers, it's had to begin approaching critical mass before being recognized for what it is: the commoditization and devaluation of music that has led to increasing challenges for musicians looking to maintain any kind of ...
Jeff Berlin: Joe Frazier Round 3 (CD Single)
by John Kelman
In the world of music, there are plenty of could have beens," but far fewer should have beens." Count Jeff Berlin amongst the latter. The American electric bassist first made a number of marks in the second half of the musically innovative 1970s on a series of '76 recordings by singers Patti Austin and Esther Phillips, ...
Bruford: Seems Like a Lifetime Ago 1977 - 1980
by John Kelman
With the plethora of box sets being issued these days with new masters and, perhaps even more importantly, new mixes of classic recordings, it was inevitable that the small but significant discography of drummer Bill Bruford's first steps into a solo career with his band Bruford should finally get the deluxe treatment. Seems Like a Lifetime ...
Blameful Isles: Strange But Not Entirely Unattractive
by Dave Wayne
Essentially a one-man-band based in Sweden, Blameful Isles is one of many artists who are actively rediscovering and re-processing the sounds of the early jazz-rock movement of the 1970s. Overall, the ongoing re-vitalization of jazz-rock and fusion has been a really good thing. For audiences of a certain age, the mere sound of a real Fender ...
Steven Wilson: Hand. Cannot. Erase.
by John Kelman
Sometimes you never can tell. When British singer, songwriter and multi-instrumentalist Steven Wilson released the old school progressive rock record The Raven That Refused to Sing (And Other Stories) (Kscope, 2013), who knew that it would not only turn out to be his best-selling album since walking away from Porcupine Tree to begin an increasingly successful ...
Graham Bond: Wading in Murky Waters
by Duncan Heining
Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...
Uriel and Egg: The Road to Hatfield and Beyond
By Egg
Label: Self Produced
Released: 2008
Track listing: Arzachel
Garden Of Earthly Delights; Azazoth; Soul Thing; Leg; Clean Innocent Fun;
Metempsychosis. Bonus tracks: Introducing The Bass Guitarist; Egoman; Swooping Bill; The
Salesman Song; Saturn, The Bringer Of Old Age; The Stumble.
The Metronomical Society
While Growing My Hair; Seven Is A Jolly Good Time; Germ Patrol; Enneagram; Long Piece
No. 3, Part 2; Long Piece No. 3, Part 4; There's No Business Like Show Business; Blane Over
Camden; Long Piece No. 3, Part 3; Wring Out the Ground (Loosely Now); McGillicuddie The
Pusillanimous; Do I Like To Be Beside The Seaside.
Uriel and Egg: The Road to Hatfield and Beyond
by John Kelman
In the chronicles of progressive rock history, the British Canterbury scene has been largely defined by such groups as Caravan, Gong, Hatfield And The North, National Health and Soft Machine. But Uriel and its successor, Egg, have long been considered seminal precursors. Both featured future Hatfield keyboardist Dave Stewart, bassist/vocalist Mont Campbell and drummer Clive Brooks, ...