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4

Article: Album Review

Julian Arguelles: Tonadas

Read "Tonadas" reviewed by Roger Farbey


Saxophonist supremo Julian Argüelles previously worked with the inventive pianist Ivo Neame on Escape Hatch's Roots Of Unity (Whirlwind, 2016) and with bassist Sam Lasserson and drummer James Maddren on his album Tetra (Whirlwind 2015). With over a dozen albums recorded as leader, and with his essential contribution as a member of the inimitable big band ...

4

Article: Album Review

Slowly Rolling Camera: Juniper

Read "Juniper" reviewed by Roger Farbey


It would be just too facile to contend that the music produced by Slowly Rolling Camera is in the same ball park as, say, Air, Massive Attack or Groove Armada. For while it's partially true to assign the trip hop epithet to SRC, that shorthand does this trio (comprising, Dave Stapleton, Deri Roberts and Elliot Bennett) ...

5

Article: Album Review

Slowly Rolling Camera: Juniper

Read "Juniper" reviewed by Geno Thackara


If Slowly Rolling Camera isn't already working on a film score or two, then some director somewhere is really missing out. The Welsh outfit occupies a beautifully lush spot in the music world at the intersection of jazz, trip-hop and soul-soothing electronica. It's sweeping yet intimate stuff, vivid and emotional on a widescreen scale in hi-def. ...

3

Article: Album Review

Roller Trio: New Devices

Read "New Devices" reviewed by Roger Farbey


For their third studio album, Roller Trio underwent quite a sea change with the departure of guitarist Luke Wynter, who played a key role on their eponymously titled debut release on F-IRE in 2012 and its follow-up Fracture on Lamplight Social Records in 2014. His successor is Chris Sharkey whose contributions can be heard on Acoustic ...

7

Article: Album Review

Tim Garland: Weather Walker

Read "Weather Walker" reviewed by Roger Farbey


Taking his inspiration from the scenic magic of England's Lake District, saxophonist and composer Tim Garland has translated the natural beauty of the landscape into an equally breathtaking suite. From the opening track “Rugged Land," it's clear that this is no ordinary chamber jazz. The dynamics are often forcefully percussive, but impressively so, considering the ensemble ...

5

Article: Album Review

Enemy: Enemy

Read "Enemy" reviewed by Roger Farbey


An original member of Empirical, featured on their self-titled 2007 debut album, pianist Kit Downes went on to form the left-field jazz-rock trio Troyka, but had been leading his own trio as far back as 2005, with his first recording Golden released on Basho Records in 2009. On that album, as here, he was accompanied by ...

5

Article: Album Review

Dinosaur: Wonder Trail

Read "Wonder Trail" reviewed by Roger Farbey


This is the long-awaited follow-up to Dinosaur's 2016 debut album Together, As One. But the de facto debut by this quartet actually took place on Laura Jurd's first, highly inventive, album Landing Ground released in 2012 on the Chaos Collective label, which she co-founded. In 2015 she released a second album under her own name, the ...

2

Article: Album Review

Ivo Neame: Moksha

Read "Moksha" reviewed by Roger Farbey


Making a welcome return in a leader rôle, Ivo Neame's follow-up to his excellent album Strata (Whirlwind, 2015), sees him taking a slightly different approach to his previous two quintet and octet configurated recordings. His cannily idiosyncratic music is also obviously divergent to those found on recordings with Phronesis and saxophonist Marius Neset, to which he ...

4

Article: Album Review

Ivo Neame: Moksha

Read "Moksha" reviewed by Geno Thackara


A solo album is generally a defining statement of identity, especially for musicians who juggle multiple outlets, but Ivo Neame has such a hard time sitting still that even he must have a hard time pinning down his sound for very long. His piano makes a key voice (pun unintended) in the Escape Hatch quartet and ...

5

Article: Album Review

Pablo Held Trio: Investigations

Read "Investigations" reviewed by Roger Farbey


The complex title perfectly characterises Pablo Held's compositional approach. Here he utilises light and shade to mix swathes of tranquillity with petulant stabbing phrases accompanied by equally sharp drum retorts. However, and this is crucial, the piece flows together seamlessly. The lissome nature of “Dr Freeds" betrays an influence of Bill Evans but the ...


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