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Nouveau Stride: Fourteen by Nouveau Stride

by C. Michael Bailey
Composing lyrics to established jazz standards--those jazz instrumental compositions that have become established in the canon, Thelonious Monk's 'Round Midnight" is the most famous example--is an artform all it own. Classic composers/interpreters include Eddie Jefferson, Babs Gonzales, King Pleasure (Clarence Beeks) and Jon Hendricks. There have been recent vocalese contributions made by a new generation that ...
The Dave Lalama Big Band: The Hofstra Project

by Dan Bilawsky
Pianist Dave Lalama is living proof that the divide between real-world practitioner and first-class educator is often imaginary. Lalama's résumé includes time spent with super singers like Eddie Jefferson and Anita O'Day, and big band icons like Road Father Woody Herman and super drummer Buddy Rich, but these performance credits don't tell the whole story about ...
Dorian Devins: The Procrastinator

by C. Michael Bailey
Ginny Carr and the Uptown Vocal Jazz Quartet recently paid proper homage to vocalese master Eddie Jefferson with the song He Was the Cat," from Hustlin' For A Gig (HouseKat Records, 2012). Jefferson, along with Clarence Beeks (King Pleasure), specialized in writing lyrics for and singing the more notable jazz compositions, like Moody's Mood for Love" ...
Uptown Vocal Jazz Quartet: Hustlin’ For A Gig

by C. Michael Bailey
The Uptown Vocal Jazz Quartet performs in the same stylistic arena of the Manhattan Transfer and Lambert, Hendricks & Ross. There. It has been said; and now we have that out of the way. The UVJQ has been active for the past two decades under the direction of Ginny Carr. They are based in the Washington ...
Michael Hanna: Detroit, Michigan, November 9, 2012

by Steve Bryant
Michael Hanna & FriendsBaker's Keyboard LoungeDetroit, MichiganNovember 9, 2012In jazz circles, as within most artistic idioms, talent can be generational. The most apparent example of this is the Marsalis clan. Other notable father-son duos include John and Ravi Coltrane, Chico and Arturo O'Farrill, as well as Dewey and Joshua Redman. The ...
Cynthia Felton: Freedom Jazz Dance

by C. Michael Bailey
Cynthia Felton has released two exceptionally well-conceived concept recordings in Afro Blue: The Music of Oscar Brown (Self Produced, 2009) and Come Sunday: The Music of Duke Ellington (Self Produced, 2010). She makes a partial break with this refined focus to release a collection of personal favorite standards on Freedom Jazz Dance. Like her two previous ...
A New Message From The Tribe ...Jazz Great Wendell Harrison Is Back With A New Release, "It’s About Damn Time," His First As A Leader In Seven Years

Co-founder of the legendary Tribe record label and collective in the 1970's, Jazz saxophonist Wendell Harrison has long been known for creating exciting projects, having played with important jazz artists such as Eddie Harris, Grant Green, Eddie Jefferson and Sun Ra, as well as Motown artists Marvin Gaye and Aretha Franklin. Hot on the heels of ...
John MacLeod & His Rex Hotel Orchestra / Tim Davies Big Band / New England Jazz Ensemble

by Jack Bowers
John MacLeod & His Rex Hotel OrchestraOur First SetSelf Published2010 Those who mourn the passing of the great trombonists Rob McConnell and Dave McMurdo and, with them, two of the most renowned big bands Canada has ever produced, should take substantial comfort from this superlative debut recording ...
Eddie Jefferson: The Scientist of Vocalese

by Ed Hamilton
Detroit once had a reputation as the Killer Kapital," but things have changed--Dave Bing, basketball Hall of Famer is Mayor and is striving to clean up the city. But 32 years ago, actress Brenda Vaccarro and altoist Richie Cole witnessed the drive-by shotgun slaying of the architect of Vocalese, Eddie Jefferson, at Bakers' Lounge. Jefferson was ...
Jen Shyu and Theo Bleckmann: Breaking the Song Barrier

by Daniel Lehner
Before Robert Moog came out with the first synthesizer, before Adolphe Sax invented his famous reed instrument, before the trumpets sounded at Jericho, even before the world's ancient tribes tightened their animal skins to make drums, humanity's first instrument was the voice. Not that this is of particular consequence to Theo Bleckmann. To me, that argument ...