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Nat Adderley: A Player's Player
by Joan Gannij
This interview was originally conducted in 1997. I met Nat Adderley in San Diego, California in 1986 when I was working as a disc jockey at a jazz radio station and doing the PR for La Jolla Playhouse. We did an interview about a new production of a musical being revived at the progressive ...
Oz Noy: Twisted Blues Volume 2
by Ian Patterson
Two and a half years on from Twisted Blues Volume 1, guitar ace Oz Noy returns with another incendiary serving of jazz-inflected blues. In the intervening period Noy has hardly been idle, releasing a couple of instructional DVDs and touring regularly but his return to the recording studio with his blues bag is certainly welcome. As ...
Elias Haslanger: Live at the Gallery
by Chris M. Slawecki
Live at the Gallery boasts rollicking, soulful performances of a first-class set list recorded live and hot onstage at a packed jazz club in Austin (Texas) led by Texas native, Austin resident and tenor saxophonist Elias Haslanger and featuring soloists Dr. James Polk (another native Texan and former organist, pianist, writer, arranger and conductor for Ray ...
Musings on Jazz, Blues and the Sabbath
by Chris M. Slawecki
Margie Baker Sings With So Many Stars Consolidated Artists Productions 2014 Margie Baker didn't begin her career as a jazz and blues vocalist in the San Francisco area until she was nearly 40, but she made up for this delayed entry with endurance: She was often featured at the Monterey ...
Steve Wilson/Lewis Nash: Duologue
by Dan Bilawsky
Saxophone and drum duos aren't as rare as some might believe, but a good percentage of such encounters are challenging, left-leaning affairs. John Coltrane's edgy encounters with Rashied Ali on Interstellar Space (Impulse!, 1974) emboldened many in the so-called avant-garde to marry these instruments time and again over the ensuing decades, yet few centrists seem as ...
Horace Silver: Blue Note Records and His Lady Music
by Ed Hamilton
The Q&A portion of this article first appeared on KPFK 90.7 FM (Los Angeles) in 1974. 75 years ago Blue Note Records was started by two German immigrants who loved jazz and believed that the music should be heard and preserved. Alfred Lion and Francis Wolff collaborated and built the Blue Note vault ...
Billy Hart Quartet: One is the Other
by Vic Albani
One Is the Other è il secondo CD realizzato dal leggendario Billy Hart per la ECM di Manfred Eicher che, come sua buona abitudine, ha prodotto anche questo lavoro del batterista di Washington dopo il già fortunato All Our Reasons, uscito nel 2012 con la stessa formazione. Un quartetto di vere all stars" contemporanee quali il ...
Seamus Blake and Chris Cheek: Reeds Ramble
by Edward Blanco
As leader of the 1995 funky, alternative/electronic music group The Bloomdaddies, saxophonist Seamus Blake released the band's debut album Bloomdaddies (Criss Cross 1110, 1996) that included fellow reed man Chris Cheek among the personnel. Twenty-years later, after forging independent careers as sidemen, big band soloists and leaders of their own groups, on Reeds Ramble, Blake and ...
Eric Alexander: Chicago Fire
by Jack Bowers
When weighing the merits of tenor saxophonist Eric Alexander, two words spring readily to mind: prolific and consistent. Alexander, an implacable workhorse even in his mid-40s, has since 1992 recorded no less than thirty-seven albums as leader of his own groups and appeared on many others as a sideman. As for consistency, Alexander has been widely ...
The Ryan Oliver Quartet: Strive!
by Dan Bilawsky
When Toronto-based tenor saxophonist Ryan Oliver was living in New York and studying at Rutgers University's Mason Gross School of The Arts in New Jersey, he struck up a musical relationship with one of the teachers at that institution--drummer Victor Lewis. At that time, Lewis, a somewhat underappreciated giant of the drumming world who's worked with ...




