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Chris Barber: Memories of My Trip
by Chris M. Slawecki
You will find very few jazz retrospectives more thoroughly, warmly inviting than Memories of My Trip, which celebrates six decades of recording and performing by one of Britain's most enduring traditional jazz musicians--trombonist, bassist and bandleader Chris Barber. Presented across two CDs (one subtitled Blues, Jazz & Gospel and the other subtitled Blues & Jazz), Barber's ...
From Britain to Boogaloo
by Chris M. Slawecki
Chris BarberMemories of My TripProper American Records2011 You will find very few jazz retrospectives more thoroughly, warmly inviting than Memories of My Trip, which celebrates six decades of recording and performing by one of Britain's most enduring traditional jazz musicians--trombonist, bassist and bandleader Chris Barber. ...
Eddie Durham: Genius in the Shadows
by Jim Gerard
On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...
Stan Kenton-NOVA Jazz Orchestra / Baker's Dozen Big Band / Danny D'Imperio and the Bloviators
by Jack Bowers
Stan Kenton Orchestra / NOVA Jazz OrchestraDouble Feature, Vol. 2Tantara Productions2012 One of the more difficult aspects of reviewing Tantara's series of impressive salutes to Stan Kenton and his music is knowing where to begin. As on Volume 1 of the label's Double Feature (with Volume 3 ...
Jimmie Lunceford: The Complete Jimmie Lunceford Decca Sessions
by David Rickert
When saxophonist Jimmie Lunceford signed to the Decca label in 1934 he was running one of the best orchestras in the US. He had signed a deal to appear at the Cotton Club (where bandleaders Duke Ellington and Cab Calloway had recently launched into stardom) and was frequently beating others in battles of the bands, all ...
Loren Schoenberg: From Benny Goodman to The Savory Collection
by AAJ Staff
Saxophonist, band-leader and writer Loren Schoenberg, now Executive Director of the National Jazz Museum in Harlem, spent an interesting childhood and teenager-hood growing up in New Jersey in the 1970s, meeting and befriending both Teddy Wilson and Hank Jones, and ultimately becoming employed by Wilson's famous '30s boss, Benny Goodman. Schoenberg was first an assistant to ...
The National Jazz Museum In Harlem
by AAJ Staff
The National Jazz Museum in Harlem is at 104, E 126th Street, a few steps from the bridge that carries the Metro North trains to and from Connecticut from the 125th Street station. Situated on the second floor, the museum is primarily a suite of offices with a large front area that presents photographs, video documentaries ...
The Story of Jazz Guitar
by AAJ Staff
While in its early days, jazz guitar was considered a rhythm instrument alongside the banjo of Dixieland. In 1940, Charlie Christian and his Gibson ES-150 changed that and elevated guitar to lead instrument status alongside the saxophone and trumpet--instruments that could acoustically cut through the sound of a piano-bass-drums rhythm section. Here, we encapsulate some of ...
