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About Ed Blackwell

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Musician

Edward Blackwell and his drumming skills were a prime influence on New Orleans drummers in the 1950s. He was a member of the original American Jazz Quintet, which also included Alvin Battiste, and Ellis Marsalis. Blackwell toured extensively with Ornette Coleman, Sonny Rollins, John Coltrane, Randy Weston and other jazz luminaries. Ed Blackwell was one of the greatest pioneers of free drumming whose main body of work remains within the group context in Ornette Coleman's Quartet and Don Cherry's units. Born in New Orleans, his drum concept fitted perfectly the needs of the new collective music-indeed, traditional New Orleans march rhythms combined with an African and Afro-Cuban influence in his work

Article: Jazz Raconteurs

Julius Hemphill: Marty Ehrlich and Tim Berne Remember a Musical Visionary

by Dave Kaufman
September 20, 2026

Julius Hemphill, a brilliant alto saxophonist and extraordinary composer, was a towering figure in avant-garde jazz and creative music. Yet his body of work remains surprisingly little known, even among aficionados of this sort of adventurous music. Hemphill's music demonstrated a deep feeling for the blues and other African American traditions. His creative vision extended well ...

Article: Album Review

Moon Inhabitants: Canned Luna

Read "Canned Luna" reviewed by Daniel Mège

by Daniel Mège
September 4, 2026

Is there anybody up there? The question is not as far-fetched as it sounds: NASA's lunar program is about to celebrate All About Jazz's 35th anniversary with the start of construction of a permanent lunar base (2030), laying the foundations for AAJ's 50th anniversary with its completion. Jazz will win: once the planet's taxpayers' money has ...

Article: Live Review

Moldejazz 2026

by Daniel Mège
August 4, 2026

Located at 62°7 North, Moldejazz (the Molde International Jazz Festival) is the ideal place for a festival in week 29, in early summer. A floral scent drifts through The Town of Roses, a ribbon less than a kilometer wide wedged into a peninsula between fjord and mountains. Even once it has set, the sun is never far ...

Article: Profile

Carlos Nathaniel Ward: libertà, spiritualità e rigore

by Gaetano Fiore
April 28, 2026

“Arte e Jazz? Non facile e acritica gestualità ma concentrato di analitica ponderatezza". In occasione di un mio omaggio pittorico espositivo a Bill Dixon a San Vincenzo (LI) nel 2010, Libero Farnè scrive la suddetta frase che ben fa riflettere su quanto sia importante procedere con “lentezza" per tradurre i concetti di libertà, spiritualità ...

Article: Live Review

Chad Taylor Quartet at Solar Myth

by Carl Medsker
March 14, 2026

Chad Taylor Quartet Solar Myth Philadelphia, PA February 27, 2026 Don Cherry's and John Coltrane's trajectories intersected in the summer of 1960, an inflection point for both artists, yielding the historic The Avant-Garde (Atlantic, 1966). It was the only time they would record together. Cherry was the brass voice in Ornette ...

Article: Building a Jazz Library

Mal Waldron: His Journey Across 12 Albums

by Carl Medsker
February 20, 2026

Mal Waldron's life story is compelling, and to mark his 2025 centenary, this article aims to introduce his work to those less familiar with it by tracing his journey across 12 distinctive recordings. Max Roach once singled him out, along with Thelonious Monk, Herbie Nichols, Hasaan Ibn Ali and Randy Weston, as uniquely original ...

Article: Album Review

Freedom Art Quartet: First Dance

Read "First Dance" reviewed by Carl Medsker

by Carl Medsker
July 12, 2025

Raucous, brash and freewheeling, First Dance by The Freedom Art Quartet is rooted in the past yet fresh and contemporary. The album should sound familiar to those who have ventured outside the mainstream and spent time with Ornette Coleman and the Art Ensemble Of Chicago. Those forces are strong in the band, but labeling them retro ...

Article: Album Review

Tom Teasley, Dave Ballou: Lunch Break

Read "Lunch Break" reviewed by Alberto Bazzurro

by Alberto Bazzurro
June 27, 2025

Il batterista e polipercussionista (nonché qua e là cantante scat, come in questo album accade per esempio in “Riqq Talk") Tom Teasley e il trombettista Dave Ballou si misurano in un tête-à-tête di poco meno di quaranta minuti che rivela un solido interplay, il piacere di suonare assieme facendo evolvere (sgorgare) la musica in maniera assolutamente ...

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