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Musician

Ed Blackwell

Born:

Edward Blackwell and his drumming skills were a prime influence on New Orleans drummers in the 1950s. He was a member of the original American Jazz Quintet, which also included Alvin Battiste, and Ellis Marsalis. Blackwell toured extensively with Ornette Coleman, Sonny Rollins, John Coltrane, Randy Weston and other jazz luminaries. Ed Blackwell was one of the greatest pioneers of free drumming whose main body of work remains within the group context in Ornette Coleman's Quartet and Don Cherry's units. Born in New Orleans, his drum concept fitted perfectly the needs of the new collective music-indeed, traditional New Orleans march rhythms combined with an African and Afro-Cuban influence in his work

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Article: Album Review

Freedom Art Quartet: First Dance

Read "First Dance" reviewed by Carl Medsker


Raucous, brash and freewheeling, First Dance by The Freedom Art Quartet is rooted in the past yet fresh and contemporary. The album should sound familiar to those who have ventured outside the mainstream and spent time with Ornette Coleman and the Art Ensemble Of Chicago. Those forces are strong in the band, but labeling them retro ...

Article: Album Review

Tom Teasley, Dave Ballou: Lunch Break

Read "Lunch Break" reviewed by Alberto Bazzurro


Il batterista e polipercussionista (nonché qua e là cantante scat, come in questo album accade per esempio in “Riqq Talk") Tom Teasley e il trombettista Dave Ballou si misurano in un tête-à-tête di poco meno di quaranta minuti che rivela un solido interplay, il piacere di suonare assieme facendo evolvere (sgorgare) la musica in maniera assolutamente ...

Album

Free Jazz to Ornette! Revisited

Label: Ezz-thetics
Released: 2024
Track listing: Free Jazz; W.R.U.; T. & T.: C. & D.: R.P.D.D.

Album

The Carnegie Hall Concert

Label: Impulse! Records
Released: 2024
Track listing: Journey in Satchidananda; Shiva-Loka; Africa; Leo.

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Article: Album Review

Kalaparusha Maurice McIntyre: Live From Studio Rivbea

Read "Live From Studio Rivbea" reviewed by John Sharpe


Kalaparusha Maurice McIntyre is in some ways the forgotten man of Chicago's pioneering Association for the Advancement of Creative Musicians (AACM). He appears on two of the first albums to come out of the collective: Roscoe Mitchell's Sound (Delmark, 1966) and Muhal Richard Abrams' Levels And Degrees Of Light (Delmark, 1968); and was the leader of ...

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Article: Album Review

Ornette Coleman: Free Jazz To Ornette! Revisited

Read "Free Jazz To Ornette! Revisited" reviewed by John Eyles


For ezz-thetics' revisited series' fourth Ornette Coleman album, the label has ventured back further than any of its previous Coleman albums, to New York City in December 1960 and January 1961. Recorded at A&R Studios on Wednesday December 21st 1960 from 8pm to 12.30am, the Free Jazz session produced two pieces, the thirty-seven minute “Free Jazz" ...

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Article: Album Review

Alice Coltrane: The Carnegie Hall Concert

Read "The Carnegie Hall Concert" reviewed by Mike Jurkovic


The most perfect of time machines, with no errant destinations and no abrupt landings, The Carnegie Hall Concert transports one to a time when artists took their art seriously, when it was sacrosanct. Alice Coltrane's harp comes on like the siren lure of angels, like a missionary, calling all to stop their labor. It seems to ...

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Article: Interview

Albert "Tootie" Heath: Class Personified

Read "Albert "Tootie" Heath: Class Personified" reviewed by R.J. DeLuke


This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...

2

Article: Interview

Interview with Joe Lovano

Read "Interview with Joe Lovano" reviewed by Mark Felton


This interview was first published at All About Jazz in 1996. All About Jazz: The author of the liner notes of your latest release Quartets suggests that the current trend in jazz is towards a dialogue between the avant-garde and the tradition. How do you interpret that? Joe Lovano: Well, I don't ...


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