Results for "Ed Blackwell"
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Ed Blackwell
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Edward Blackwell and his drumming skills were a prime influence on New Orleans drummers in the 1950s. He was a member of the original American Jazz Quintet, which also included Alvin Battiste, and Ellis Marsalis. Blackwell toured extensively with Ornette Coleman, Sonny Rollins, John Coltrane, Randy Weston and other jazz luminaries. Ed Blackwell was one of the greatest pioneers of free drumming whose main body of work remains within the group context in Ornette Coleman's Quartet and Don Cherry's units. Born in New Orleans, his drum concept fitted perfectly the needs of the new collective music-indeed, traditional New Orleans march rhythms combined with an African and Afro-Cuban influence in his work
Matthew Shipp & Mark Helias: The New Syntax
by John Sharpe
Pianist Matthew Shipp particularly favors the duo format. Among a discography of more than 300 entries are winning combinations with partners as varied as trumpeter Nate Wooley, violist Mat Maneri, and saxophonists Darius Jones, Rob Brown and Evan Parker. But he retains a special fondness for the bass/piano twosome, accounting for multiple meetings with longtime comrade ...
Cherry, Redman, Haden and Blackwell: Opening The Doors Of Perception
by Chris May
ECM's audiophile vinyl reissue series Luminessence has a simple mission statement: it is to showcase albums that have “changed perceptions of creative music making." The series kicked off in April 2023 with Kenny Wheeler's Gnu High (1976) and Nana Vasconcelos' Saudade (1979). These are to be followed towards the end of June 2023 with Old And ...
Karl Berger: Heart Is A Melody
by Dave Linn
Karl Berger, one of the more unsung and underrated jazz musicians of our time, passed away on April 9, 2023. He had just turned 88 years old. Berger released several dozen albums as a leader and scores more as a sideman. His discography reads like a Who's Who of modern jazz. He recorded with people such ...
Alex Sadnik: Flight
by Jeff Schwartz
What is new to say through Charlie Parker's music? On Flight Alex Sadnik looks for answers with two different bands. On the first side of the LP, his alto fronts a quintet with violin, pedal steel guitar, bass,and drums, but this is not a Bob Wills or Bill Frisell pastiche. The opening track, ...
Kenny Wheeler: Gnu High
by Chris May
Trumpeter, flugelhornist and composer Kenny Wheeler's exalted Gnu High, first released in 1976, is one of two albums with which ECM launches its audiophile vinyl reissue series, Luminessence, on April 28, 2023. The Luminessence mission statement is to showcase albums that have “changed perceptions of creative music making." And few would dispute this ...
Mark Lockett: Swings & Roundabouts
by Jack Bowers
The “free jazz" movement has come a long way since its introduction mid-20th century by pathfinders like Tadd Dameron, Ornette Coleman, Cecil Taylor, Eric Dolphy, Archie Shepp, Don Cherry, Ed Blackwell, Muhal Richard Abrams, Andrew Cyrille, Lester Bowie and their kin. The music, which favors free expression in lieu of customary chordal, rhythmic and harmonic precepts, ...
Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record
by Chris May
In July 2019, Gard Nilssen will be Artist-in-Residence at the prestigious, future-facing Molde Jazz Festival. It will be a busy week for the Norwegian drummer, composer and sonic adventurer. As well as guest appearances, he will perform with several of his bands--SpaceMonkey, an electronica/dance music mash-up he co-founded five years ago; Bushman's Revenge, which may be ...
Introducing Jazz History And Literature, Reconceived
by Phillip A. Haynes
When I was invited to offer jazz coursework in 2007, as Bucknell University's first Kushell Jazz Artist-in-Residence, my Chair asked what single subject I thought was most important to teach. I responded, “an integrated jazz history & literature sequence, including a semester of classic jazz and one of modern jazz." To which he replied, “Fine, just ...
Leonard E. Jones: Taking Control Of Destiny
by Barbara Ina Frenz
Bassist and photographer Leonard E. Jones laid the foundation of his musical and artistic ideas as an original member of the Association for the Advancement of Creative Musicians. The AACM ranks as the most well-known and influential organization of the 1960s under African American leadership that created American experimental music through challenging “racialized limitations on venues ...
