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217

Article: Profile

Manfred Eicher: Through the Lens

Read "Manfred Eicher: Through the Lens" reviewed by John Kelman


It begins in silence, always silence. Since the 1990s, all ECM recordings begin with five seconds of silence, and so, too, do directors Norbert Wiedmer and Peter Guyer open their feature film on the heralded German record label and its enigmatic founder, Sounds and Silence: Travels with Manfred Eicher. As longtime ECM recording artist Keith Jarrett's ...

112

Article: Album Review

Dino Saluzzi / Anja Lechner / Felix Saluzzi: Navidad de los Andes

Read "Navidad de los Andes" reviewed by John Kelman


Most musicians work with a wide range of other collaborators over time, but only a precious few become so empathically close as to engender ongoing relationships. It's no surprise that Argentinean bandoneonist Dino Saluzzi has continued to work with his brother, saxophonist/clarinetist Felix, their genetic bond clearly apparent on Dino Saluzzi Group recordings like Juan Condori ...

123

News: Performance / Tour

András Schiff "Perspectives: In The Steps Of Bartók" At Carnegie Hall And Other Us Concerts 2011/2012

András Schiff "Perspectives:  In The Steps Of Bartók"  At  Carnegie Hall And Other Us Concerts  2011/2012

András Schiff “Perspectives: In The Steps Of Bartók" 2011/2012 U.S. Tour Schedule 2011 October 26 Washington, DC Kennedy Center October 28 New York, NY Carnegie Hall—Stern Auditorium October 29 New York, NY Carnegie Hall—Stern Auditorium October 31 New York, NY Carnegie Hall—Stern Auditorium 2012 February 22 NewYork, NY Carnegie's Zankel Hall February 25 New ...

Article: Album Review

Marilyn Mazur: Celestial Circle

Read "Celestial Circle" reviewed by AAJ Italy Staff


Quello firmato dalla percussionista Marilyn Mazur è il classico album ECM, curatissimo nel dettaglio timbrico, pieno di sfumature e sottintesi, carico di leggerezza espressiva d'irresistibile appeal. In primo piano la voce eterea, dolce e cristallina, di Josefine Cronholm, un tratto di profonda femminilità che determina l'atmosfera generale di Celestial Circle, lavoro composto da quattordici tracce capaci ...

187

Article: Album Review

Charles Lloyd / Maria Farantouri: Athens Concert

Read "Athens Concert" reviewed by Ian Patterson


What might on the surface appear as a meeting of disparate minds--jazz with Byzantine airs--ignores the fact that multi-reed/woodwind player Charles Lloyd has been embracing the music of the world for half a century with singular conviction and grace. Greek classical singer Maria Farantouri is herself a musical adventurer and risk taker; over the course of ...

272

Article: Album Review

Chick Corea / Stefano Bollani: Orvieto

Read "Orvieto" reviewed by John Kelman


If the combination of two chordal instruments--guitar with piano, or vibraphone with guitar, say--can prove a significant challenge in improvised music, then surely the piano duo is the most demanding of all. No other instrument has a seven-and-a-quarter octave range, played with eight fingers and two thumbs, creating far greater risk of harmonic, melodic and rhythmic ...

Article: Album Review

Stefano Battaglia Trio: The River of Anyder

Read "The River of Anyder" reviewed by AAJ Italy Staff


Il lungo viaggio musicale di Battaglia, nel suo nuovo capitolo per l'etichetta di Manfred Eicher, s'ispira ai luoghi fantasticati che scrittori, filosofi o mistici hanno evocato nel corso dei secoli. I titoli dei brani spaziano dalla città-fortezza descritta da Tolkien ne Il Signore degli Anelli (Minas Tirith) ad Anagoor di Dino Buzzati, dalla Bensalem di Francis ...

164

Article: Album Review

Ricardo Villalobos / Max Loderbauer: Re: ECM

Read "Re: ECM" reviewed by David McLean


Over the past decade or so, the ECM label has been flirting with elements of electronic music in varying degrees. Evan Parker's Towards The Margins (1997) introduced electronic manipulation in the live processing of sound as a new improvisational tool, embellishing the saxophonist's already avant-garde collection of instrumentation. Since then, subtle machinations have crept into other ...

206

Article: Extended Analysis

Charles Lloyd / Maria Farantouri: Athens Concert

Read "Charles Lloyd / Maria Farantouri: Athens Concert" reviewed by John Kelman


When ECM enticed him back into action in 1989, who knew that reed/woodwind multi-instrumentalist Charles Lloyd's career wouldn't just kick-start, it would signal a period of ascendancy that's moved from one creative height to another ever since? Two decades later, his stable quartet of young Americans rivals the stellar group responsible for Atlantic megahits including 1966's ...

227

Article: Album Review

Wolfert Brederode Quartet: Post Scriptum

Read "Post Scriptum" reviewed by Dan McClenaghan


ECM Records has a way of offering up music from various artists that seems as if it has existed forever--in nature, in the air--and that they, the label and the artists involved--be it pianists Tord Gustavsen or Bobo Stenson, or saxophonist Jan Garbarek--are simply conduits for grabbing those sounds and bringing them to the listening/CD-buying public. ...


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