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Bassrageous!
by Patrick Burnette
Mike thinks “basserageous" is the stupidest title for the podcast yet, but is it, really? There's a lot of competition. Anyway, this fortnight's gem looks at ECM albums where the bass is large and in charge, which provides opportunities to talk about ECM's aesthetics, how technological changes in the seventies allowed bass players new prominence, and ...
Solo Recordings for Non-Traditionalists
by Karl Ackermann
On January 24, 1975, a Bösendorfer 290 Imperial concert grand piano was to be wheeled onto the stage of the Cologne Opera House. Instead, a rehearsal piano, smaller, beaten-up, and out of tune, was the only instrument available to then twenty-nine-year-old piano prodigy Keith Jarrett. The pianist was not in much better shape than the piano. ...
Jazz from Europe on ECM (1972 - 1976)
by Russell Perry
Previously in this series we have surveyed record labels as representative of the jazz trends in their times—for example bebop on Dial in the 40s, mainstream jazz on Verve in the 50s, and hard bop on Blue Note in the 60s. The German label ECM can be seen as representative of a major trend of the ...
Bill Frisell: 40 Years Of Friendship, Music And Mischief With Hal Willner
by Ludovico Granvassu
Kindred spirits and artistic co-conspirators, Hal Willner and Bill Frisell have both devoured an inordinate amount of music with childlike abandon and glee, and then metabolized it into something utterly unique. Delving into their discographies is like getting lost in a treasure hunt where, at every corner, you unearth sonic gems that sound familiar while they ...
Farnell Newton, Nuphar Fey and a tribute to Jon Christensen
by Bob Osborne
Two featured new albums from Farnell Newton and Nuphar Fey and a comprehensive tribute to Norwegian drummer Jon Christensen who passed away on 18th February Farnell Newton gets up on the good foot and heads off full speed ahead on his second leader album for Posi-Tone. This action packed session features the high powered ...
Results for pages tagged "Eberhard Weber"...
Eberhard Weber
Born:
He began recording in the early 1960s, and released his first record, Colours of Chloë (ECM 1042), under his own name in 1973. In addition to his career as a musician, he also worked for many years as a television and theater director. He has designed an electric-acoustic bass featuring an extra C-string. His music, often in a melancholic tone, follows simple ground patterns (frequently ostinatos), yet is highly organized in its colouring and attention to dramatic detail. Weber was a notable early proponent of the solid-body electric double bass, which he has played regularly since the beginning of the 1970s. From the early 1960s to the early 1970s, his closest musical association was with pianist Wolfgang Dauner
BIG January Birthday Salutes!
by Marc Cohn
BIG, I mean BIG January birthday salutes on Gifts & Messages this week: 120th birth anniversary for trombonists Juan Tizol and Wilbur De Paris; 110th for Django Reinhardt; 100th for vocalist Betty Roché and saxophonist Jimmy Forrest; 90th for saxophonist Jack Nimitz, trumpeter Kenny Wheeler and pianist/vibraphonist Buddy Montgomery. And special birthday greetings to bassist Eberhard ...
Mal Waldron: Free At Last
by Karl Ackermann
The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...
Trio Treats
by Maurice Hogue
This episode is dominated by trios, perhaps the most popular format in jazz today. Steve Lehman's new The People I Love debuts (with the addition of the formidable pianist Craig Taborn), definitely a must-hear for 2019. Golden Valley Is Now reunites Taborn with Dave King and Reid Anderson (they all grew up together), while another threesome ...
Adam Berenson / Scott Barnum: Stringent and Sempiternal
by Karl Ackermann
Pianist and composer Adam Berenson and bassist Scott Barnum have been working as a duo for more than a decade. Two years ago, on Introverted Cultures (Dream Play Records, 2017), they were joined by guitarist Eric Hofbauer on a double-CD set of improvised pieces. Back as a duo formation on Stringent and Sempiternal, the pair offer ...
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