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Eberhard Weber: Once Upon A Time - Live in Avignon

by Karl Ackermann
Once Upon A Time-Live in Avignon is the fourth release of ECM-sourced material from the celebrated German bassist Eberhard Weber whose 2007 stroke left him unable to play. Résumé (2012) consisted of bass solos extracted and re-engineered from Weber's work with Jan Garbarek. Encore (2015) followed a similar formula with seventeen years of bass solos mixed ...
Marc Johnson: Overpass

by Mario Calvitti
I dischi di solo contrabbasso non sono così frequenti come quelli di altri strumenti che maggiormente si prestano a essere suonati senza accompagnamento, ma nel catalogo ECM ne sono presenti diversi fin dai primi anni di vita dell'etichetta, dovuti soprattutto a Barre Phillips e Dave Holland (presenti anche con un duo), oltre che a Eberhard Weber, ...
Marc Johnson: Overpass

by Karl Ackermann
The virtuoso bassist Marc Johnson has kept a relatively low profile as a leader. A graduate of the prestigious North Texas State University jazz program, Johnson made his mark as a member of Bill Evans' trio from 1978 until the pianist's final album the following year. His ECM debut came as a member of John Abercrombie's ...
Linda Fredriksson, Steve Coleman, Lyle Mays, Chris Speed & More New Releases

by Ludovico Granvassu
We are back on the new releases trail with an exceptionally packed playlist featuring a posthumous release by Lyle Mays in celebration of Eberhard Weber, the many sides of Chris Speed, exciting upcoming releases by Makaya McCraven, Irreversible Entanglements, Common, Linda Fredriksson, Steve Coleman, and exciting recent albums by Marc Johnson, Andrew Cyrille, and Douglas J. ...
Lyle Mays: Eberhard

by John Kelman
When pianist, keyboardist, synthesist and composer Lyle Mays passed away at the far too young age of 66 following a long battle with a recurring (but, to this day, undisclosed) illness in February 2020, it was a major loss for his fans. It was an especially deep body blow to those who'd followed his decades-long work ...
Bassrageous!

by Patrick Burnette
Mike thinks basserageous" is the stupidest title for the podcast yet, but is it, really? There's a lot of competition. Anyway, this fortnight's gem looks at ECM albums where the bass is large and in charge, which provides opportunities to talk about ECM's aesthetics, how technological changes in the seventies allowed bass players new prominence, and ...
Solo Recordings for Non-Traditionalists

by Karl Ackermann
On January 24, 1975, a Bösendorfer 290 Imperial concert grand piano was to be wheeled onto the stage of the Cologne Opera House. Instead, a rehearsal piano, smaller, beaten-up, and out of tune, was the only instrument available to then twenty-nine-year-old piano prodigy Keith Jarrett. The pianist was not in much better shape than the piano. ...
Jazz from Europe on ECM (1972 - 1976)

by Russell Perry
Previously in this series we have surveyed record labels as representative of the jazz trends in their timesfor example bebop on Dial in the 40s, mainstream jazz on Verve in the 50s, and hard bop on Blue Note in the 60s. The German label ECM can be seen as representative of a major trend of the ...
Bill Frisell: 40 Years Of Friendship, Music And Mischief With Hal Willner

by Ludovico Granvassu
Kindred spirits and artistic co-conspirators, Hal Willner and Bill Frisell have both devoured an inordinate amount of music with childlike abandon and glee, and then metabolized it into something utterly unique. Delving into their discographies is like getting lost in a treasure hunt where, at every corner, you unearth sonic gems that sound familiar while they ...
Farnell Newton, Nuphar Fey and a tribute to Jon Christensen

by Bob Osborne
Two featured new albums from Farnell Newton and Nuphar Fey and a comprehensive tribute to Norwegian drummer Jon Christensen who passed away on 18th February Farnell Newton gets up on the good foot and heads off full speed ahead on his second leader album for Posi-Tone. This action packed session features the high powered ...