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Mark Feldman's Level 5: The Sybil EP
by Doug Collette
Jazz-rock fusion may have peaked in popularity back in the 1970s, but it has remained an integral sub-set of jazz ever since. That said, those traits that undermined its force back then--fake funk and over-emphasis on technique--have remained so pervasive within the hybrid that truly distinctive entries in the genre are few and far between. The ...
Julian Lage: Love Hurts
by Doug Collette
By the release of Modern Lore (Mack Avenue, 2018), Julian Lage had fully established his very own style of modern jazz, one arising directly from his approach to the electric guitar. Justifiably proud of what he's accomplished to date, yet not content to rest on his laurels, Lage stretches himself on Love Hurts, simultaneously freshening the ...
The Long Ryders: Psychedelic Country Soul
by Doug Collette
The Long Ryders remained on the periphery of the so-called Paisley Underground of the '80s, resting virtually alone in the “cowpunk" niche until Uncle Tupelo appeared in the next decade under the aegis of “alternative country." Shepherded by Coal Porters member and Million Dollar Bash author Sid Griffin, The Long Ryders have periodically regrouped for brief ...
Colin Linden & Luther Dickinson: Amour
by Doug Collette
On Amour, Colin Linden (of Blackie & The Rodeo Kings) and Luther Dickinson (from North Mississippi Allstars) offer a collaborative paean to romantic love that is not entirely sentimental. Even on such an otherwise earnest effort, there is an inherent danger that might come across as campy, but the two guitarists/vocalists demonstrate an abiding loyalty to ...
Jamie Saft: You Don't Know The Life
by Doug Collette
We should all be as comfortable in our own skin as Jamie Saft. Zen-like tranquility emanates from his music no matter the form of his projects: the ambient ensemble Plymouth, solo piano, vocals by Iggy Pop on Loneliness Road (RareNoise, 2017), or a small combo like his quartet. This multi- instrumentalist/composer is so secure in his ...
Big Star: Live-r Than They Ever Were
by Doug Collette
In recent years, the cult of personality surrounding power-pop pioneers Big Star has reached near-obsessive levels. Between band reissues large and small, tribute concerts and archiving of the solo work of its principals, Alex Chilton and the late Chris Bell, the devotion of the fan base has isn't likely to subside anytime soon either, so it's ...
Allison Miller: Modern Jazz Icon in the Making
by Doug Collette
Every professional musician knows how crucial it is to work regularly. Not only does it pay the bills--a pragmatic aspect of the necessarily busy lifestyle we laypeople may overlook--but it also allows for networking to enhance the musician's internal and public profile. Perhaps most importantly of all, consistent activity on stage and in the studio can ...
Winter 2019
by Doug Collette
Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Samuel Blaser Early in the Mornin' OutNote Records 2018 Samuel Blaser's engagement with ...
Marianne Faithfull: Come And Stay With Me: The UK 45's 1964-1969
by Doug Collette
If Come And Stay With Me proves anything, it is that Marianne Faithfull was hardly the mere waif she appeared to be during her initial rise to fame. This collection of her earliest work, comprised of the A and B-sides of UK Decca singles plus the Go Away From My World EP, suggest a resilience borne ...
Rolling Stones: Beggars Banquet 50th Anniversary Edition
by Doug Collette
With the exception of the expanded versions of Exile On Main Street (UME, 2010), Sticky Fingers (UME, 2011) and Some Girls (UME, 2015), the arguable essentials of their discography, the Rolling Stones have confined the archiving of their vault to unreleased concert material on audio and video rather than plumbing the depths for unreleased outtakes, demos ...
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