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Son Volt: Okemah And The Melody Of Riot - Deluxe Edition
by Doug Collette
Jay Farrar has hardly shown himself to be a self-promoter during the course of his career. Dating back to the alternative country band Uncle Tupelo through his ongoing solo efforts and intermittently leading the similarly-styled Son Volt, this taciturn man has preferred to make his statements almost solely through his music. An exception to his low ...
John Scofield: Combo 66
by Doug Collette
The dignified portraits of John Scofield on the front and back covers of Combo 66 are at once in keeping with the reference to his age in the album's name and at odds with the youthful vigor he and his bandmates exhibit in playing the music inside this subtly eye-catching package of all new material.
John Hiatt: The Eclipse Sessions
by Doug Collette
Since John Hiatt hit his artistic and commercial stride with Bring The Family (A&M, 1987), the most listenable and durable albums of his have been those recorded with a band like the one appearing there (eventually known as Little Village: Ry Cooder, Nick Lowe and Jim Keltner). Offering comparably uniform musicianship in proportionate support of this ...
Tom Petty: An American Treasure
by Doug Collette
In a direct, no nonsense gesture the subject of this anthology would no doubt appreciate, the earliest inclusions on the 4-CD anthology An American Treasure illustrate how Tom Petty and the Heartbreakers forged their own style of songwriting and playing from Bob Dylan, the Byrds and the Rolling Stones. Surrender," Listen To Her Heart," and" You're ...
The Doors: Waiting For The Sun 50th Anniversary Deluxe Edition
by Doug Collette
Even though it was just a year after their resounding debut, The Doors (Elektra, 1967) and a followup of sizable, if slightly lesser magnitude, Strange Days (Elektra, 1967)--arguably the stronger of the first two records out only months apart the same year--the bloom was off the rose for the Doors by the time 1968 rolled around, ...
Up From The Roots: Cary Morin, Colin James, Joanne Shaw Taylor & Chris Youlden
by Doug Collette
Blues musicians invariably cover traditional genre material because it connects them with the wellspring of emotion at the heart of this music and illustrates the major influences on their personal style. Sometimes these gestures are more obvious than others, but as are those of Cary Morin's on his latest album, they can bespeak bold courage as ...
Particle: Accelerator
by Doug Collette
Contrary to prevailing popular opinion, electr(on)ic keyboards are not just for noodling in ever-so-cheesy, toy-like tones. In the hands of the titular leader of Particle, keyboardist/vocalist Steve Molitz, for instance, those instruments are lethal weapons with which, on the group's first album in fourteen years, he sets out to destroy preconceptions about what righteous creations can ...
Doyle Bramhall II: Shades
by Doug Collette
The title of Doyle Bramhall II's Shades intimates a fitting level of nuance comparable to that of his previous album, Rich Man (Concord, 2016), where he married the most profound spiritual themes of his original material to lush production and arrangement. Here, in contrast, he emphasizes his blues and R&B roots so that, as a direct ...
Stefon Harris & Joe Locke: Vibes Away!
by Doug Collette
Within the realm of modern jazz, the vibraphone has long enticed unusually imaginative musicians to explore the possibilities of the instrument. Milt Jackson, Bobby Hutcherson and Gary Burton have essentially reinvented the vibes for successive generations, while Warren Wolf and Yuhan Su, among others, continue to reconfigure its appeal to entice contemporary audiences. Respective studio works ...
Fall 2018
by Doug Collette
Blues Deluxe is a regular column comprised of pithy takes on recent blues and roots-music releases of note. It spotlights titles in those genres that might otherwise go unnoticed under the cultural radar. Introductory text goes here. Shemekia Copeland America's Child Alligator Records 2018 Notwithstanding its topical undercurrent, ...


