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Don Pullen
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Don Pullen developed an extended technique for the piano and a strikingly individual style, post-bop and modern, but retaining a strong feeling for the blues. He produced acknowledged masterworks of jazz in a range of formats and styles, crossing and mixing genres long before this became almost commonplace. By chance, unfortunately for his future commercial success if not for his musical development, his first contact on arriving on the New York scene was with the free players of the 1960s, with whom he recorded. It was some years later before his abilities in more straight ahead jazz playing, as well as free, were revealed to a larger audience
Meeting Mr. Bonandrini. L'epopea di Black Saint e Soul Note
by Neri Pollastri
Giovanni Bonandrini è uno dei grandi artefici del jazz “dietro le quinte," nel nostro paese e non solo. Produttore discografico, ha dato vita e lustro dalla seconda metà degli anni Settanta fino ai Duemila all'etichetta indipendente Black Saint, rilevata da Giacomo Pellicciotti nel 1977, e l'ha affiancata alla Soul Note, dedicata al jazz più tradizionale, laddove ...
Carlos Nathaniel Ward: libertà, spiritualità e rigore
by Gaetano Fiore
“Arte e Jazz? Non facile e acritica gestualità ma concentrato di analitica ponderatezza". In occasione di un mio omaggio pittorico espositivo a Bill Dixon a San Vincenzo (LI) nel 2010, Libero Farnè scrive la suddetta frase che ben fa riflettere su quanto sia importante procedere con “lentezza" per tradurre i concetti di libertà, spiritualità ...
New & Older Post Bop, Free Jazz and Avant Garde from Europe, NYC, and Montreal
by Jon Greenbaum
Lots of new and some older music from Italy, Germany, Finland, Montreal, NYC, England, Estonia, and Sweden.Playlist Kaja Draksler Octet “Skylark" from Bare, Unfolding (Clean Feed Records) 00:00 Joe Morris “Slipshod" from Racket Club (About Time Records) 07:05 Federico Calcagno & The Dolphians “Children of Gaza" from Face The Music (Da Vinci Jazz Records) ...
Don Pullen: Forgotten genius of the piano
by Larry Slater
The pianist Don Pullen had a percussive, inside-outside piano technique that sounds like no other pianist now or then. This combination of freedom and rhythm gave him his own unique musical personality.After a stint with Charles Mingus in the mid '70s, he spent a decade co-leading The George Adams / Don Pullen Quartet, one ...
Band on Fire: The George Adams Don Pullen Quartet
by Larry Slater
The '70s and '80s were a strange time in the jazz world. Jazz-rock or fusion, was the dominant genre with electric bands like Weather Report and Return to Forever in the forefront. There were a few musicians and groups that continued to play acoustic jazz. Charles Mingus, one of the most important composers and ...
¡Viva la resistencia! Cafe Central, Madrid
by Leo Sidran
A story of Madrid's Cafe Central, going out of business after over 40 years as the beating heart of jazz in the Spanish capital. The old saying “wherever you go, there you are" is one of those deceptively simple adages that never lets you down. And yet, the longer I've lived with it, the ...
A Farewell to Madrid's Café Central
by Artur Moral
It happened to Chicago with The London House and The Velvet Lounge; it happened to San Francisco with the Black Hawk Club and the Keystone Corner; and, of course, it happened to New York City with Cafe Society, Sweet Basil, Village Gate and Jazz Standard. It has also happened in many other places and cities around ...
Josh Rosen: Beneath the Radar
by Steve Plever
They say that a college teaching gig has become the new record contract. Pianist Josh Rosen's 30+ years on the Berklee College of Music faculty have indeed made a career in music possible, but the downside is that without record label promotion, few outside of Boston have heard of him. Perhaps this review of two of ...
Aruán Ortiz: Créole Renaissance
by Jack Kenny
Cuban Cubism is central to Aruán Ortiz's musical identity--but in this album, his vision extends far beyond. While the 1930s Negritude movement was a literary endeavor, Ortiz seeks to embody that movement not through words but through music. His compositions channel their spirit with abstraction, tension, and a deep sense of diasporic reflection. Ortiz, ...
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