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Matthias Spillmann Trio: Live at the Bird’s Eye Jazz Club
by Don Phipps
Matthias Spillmann's Live at the Bird's Eye Jazz Club is a trumpet trio tour de force. Recorded live in Basel, Switzerland, Spillmann, bassist Andreas Lang and drummer Moritz Baumgärtner add a fascinating spin to five classics and one original number. The trio's simple format gives Spillmann plenty of room to energize the music, and his tone ...
Mark Alban Lotz: The Wroclaw Sessions
by Don Phipps
Mark Alban Lotz has infused his album The Wroclaw Sessions with a collection of standards, classics and four originals (three of which he co-wrote) that explore a wide range of musical styles. Aided by bassist Grzegorz Piasecki and drummer Wojciech Buliński, Lotz easily makes transitions over a diverse musical terrain, which includes numbers such as Sam ...
Thom Yorke: ANIMA
by Don Phipps
Radiohead's Thom Yorke has done it again—made another album that perfectly captures the alienation, hostility and isolation of this space in time. As the music on Yorke's ANIMA makes clear, the ability to stay optimistic about the future of any number of things—the human race, civilization, institutions, personal relationships—is likely a lost art. Instead, what remains ...
Gabriel Ferrandini: Volúpias
by Don Phipps
Portuguese American drummer Gabriel Ferrandini's album Volúpias offers fascinating, impressionistic sound-portraits of the streets and avenues of Lisbon. Yet, unlike what one might expect from an ode to the urban experience, Ferrandini's portraits are often sedate and abstract, more a stroll than a view from a passing vehicle window. These impressions are given form ...
Jose Dias: After Silence, Vol. 1
by Don Phipps
To take a single instrument--in this case, the guitar--and compose an album's worth of material that will both entertain and fascinate, is a tall order. But Jose Dias has done just that. Dias' album After Silence, Vol. 1 sports a cover showing a deep-sea diver emerging from a body of water, surrounded by sea gulls and ...
Ilia Belorukov, Gabriel Ferrandini: Disquiet
by Don Phipps
"Energetic" may not be a strong enough word to describe this fascinating collaboration between Russian saxophonist Ilia Belorukov and American drummer Gabriel Ferrandini. Like the near-infinite splatter-patterns of a Pollack painting, the two drip, drop, slam, stutter and explode across the musical canvas of their album Disquiet, with a sense of urgency that brings to mind ...
The Fictive Five: Anything Is Possible
by Don Phipps
The music of Larry Ochs's The Fictive Five's Anything Is Possible reminds one of a Rubik's cube, with every twist and turn encouraging more twists and turns, promising a resolution that seems just beyond reach. Ochs and his bandmates use an incredible diversity of sound ranges, rhythms, tones, and electronic effects to fashion their abstractions. At ...
Chris Mondak: Eternal Youth
by Don Phipps
New England Conservatory of Music student Chris Mondak's Eternal Youth harkens back to early and hard-bop eras. Mondak, who has studied with Dave Holland and Cecil McBee, composed all of the songs (with the sole exception of “Be Honest with Yourself," which was co-written with his grandfather, Art Mondak). The music has a West Coast—Pacific Jazz ...
Brandon Goldberg: Let's Play
by Don Phipps
Can a 12-year old pianist offer up the emotional depth necessary to handle tunes like Duke Ellington's “In a Sentimental Mood," Matt Dennis's “Angel Eyes," or Thelonious Monk's “Well You Needn't?" The answer appears to be yes, and then some. Brandon Goldberg's exciting album, Let's Play, reveals that a young man can not only convey emotional ...
Charlie Apicella: Groove Machine
by Don Phipps
On Groove Machine, Charlie Apicalla & Iron City serves up a gumbo of styles that run from New Orleans blues and Chicago funk to Motown and New York bop. The combination makes for a “groovy" listening experience—road music that will keep the head nodding and the mind trucking. Apicella penned five of the eight numbers on ...
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