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436

Article: Opinion

The Creative Music Studio Goes To College!

Read "The Creative Music Studio Goes To College!" reviewed by Karl Berger


This article was originally published in 2005. In 1972 I founded the Creative Music Studio (CMS) with Ingrid Sertso and Ornette Coleman. Many luminaries were among the initial advisors: John Cage, Gil Evans, Gunther Schuller, Alan Ginsberg, George Russell, Don Cherry, Lennie Tristano, Lee Konitz, Dave Holland, Frederic Rzewski, Anthony Braxton and Jack DeJohnette, ...

1

Article: Take Five With...

Mads La Cour e il Questionario di Proust

Read "Mads La Cour e il Questionario di Proust" reviewed by AAJ Staff


All About Jazz: Il tratto principale della mia musica. Mads La Cour: Onestà e sincerità. AAJ: La qualità che desidero nei musicisti che suonano con me. M.L.C.: La capacità di creare uno spazio libero all'interno di una forma rigida. AAJ: Come musicista, il momento in cui ...

10

Article: Album Review

All Included: Satan In Plain Clothes

Read "Satan In Plain Clothes" reviewed by John Sharpe


Cooperative five piece All Included goes from strength to strength on Satan In Plain Clothes, building on the already considerable charms of their debut Reincarnation Of A Free Bird (Stone Floor, 2012). Connections abound in the unchanged line up which reflects the burgeoning, almost incestuous, Scandinavian scene. Check out the overlaps in personnel among groups such ...

24

Article: Profile

James Clay: Texas Tenor, Second Generation

Read "James Clay: Texas Tenor, Second Generation" reviewed by David Perrine


The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...

Article: Live Review

Clusone Jazz 2015 - 35a Edizione

Read "Clusone Jazz 2015 - 35a Edizione" reviewed by Paolo Peviani


25.07-02.08.2015 Trentacinque anni, e non sentirli. Il tempo passa, i direttori artistici cambiano, i budget si riducono drammaticamente, ma lo spirito di Clusone Jazz, quello, resta intatto. Per il musicista, l'addetto ai lavori, il semplice appassionato, Clusone Jazz continua ad essere un festival in cui c'è voglia di buona musica, ...

1

Article: Take Five With...

James Brandon Lewis e il Questionario di Proust

Read "James Brandon Lewis e il Questionario di Proust" reviewed by AAJ Staff


All About Jazz: Il tratto principale della mia musica. James Brandon Lewis: Le emozioni e il suono la fanno da padrone! Le melodie, sia predeterminate che spontanee. Musica angolare, onesta, vulnerabile, rischiosa, urgente, con groove, funky e libera, che viene dal cuore. AAJ: La qualità che desidero nei musicisti che suonano ...

Article: Live Review

Udin&Jazz 2015 - Argento Vivo

Read "Udin&Jazz 2015 - Argento Vivo" reviewed by Neri Pollastri


Udin&Jazz Corte Morpurgo e Castello Udine 29.06-03.07.2015 Udin&Jazz ha tagliato quest'anno il ragguardevole traguardo del quarto di secolo con un programma, come negli anni più recenti, spalmato su circa un mese e sapientemente composto di artisti internazionali di primissimo piano (da Kurt Rosenwinkel a Chick Corea, da Ron Carter al ...

13

Article: Live Review

Nutshell 2015

Read "Nutshell 2015" reviewed by Ian Patterson


Nutshell 2015 Bergen, Norway May 27-30, 2015 For a decade now, Nutshell has been an important engine in promoting Norwegian jazz talent abroad. This year, Nutshell's four-day program presented nine acts of quite diverse stripes to an audience of festival directors, radio programmers, booking agents and journalists from fifteen European countries.

1

News: Obituary

Ornette Coleman, 1930-2015

Ornette Coleman, 1930-2015

Ornette Coleman, whose forthrightness and conviction helped change the course of jazz, died today in New York. He was 85. To many, the alto saxophonist, composer and bandleader seemed to have come from nowhere, or outer space, when his first albums appeared in the late 1950s. In fact, his style—inevitably called ”iconoclastic” by his early critics, ...

6

Article: Live Review

Moers Festival 2015

Read "Moers Festival 2015" reviewed by Henning Bolte


Moers Festival Moers, Germany May 22-25, 2015 After the great changes and new beginnings of last year's edition, this year the festival entered the phase of refinement and consolidation. The special vibe is still flourishing. The festival got an important award, the prize of the Europe Jazz Network (EJN) for Adventurous Programming. ...


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