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5

Article: Album Review

New York Contemporary Five: Consequences Revisited

Read "Consequences Revisited" reviewed by Mark Corroto


This 2020 reissue of the New York Contemporary Five recordings from 1963-64 can't help but draw one's attention to the social unrest occurring in America in 2020. In 1964 the riots in Harlem and Philadelphia over police brutality were followed by similar riots a few years later in Watts, Newark, Detroit, etc. In the growing civil ...

13

Article: Multiple Reviews

We Jazz Live: Jazz From Finland

Read "We Jazz Live: Jazz From Finland" reviewed by Friedrich Kunzmann


Documenting the Finnish label We Jazz Records' ongoing live activities, the “We Jazz Live Plates" volumes present a fairly complete overview of the label's roster of talent in a live environment. Volumes 2 and 3 of this project have been released together and present recordings of various projects' performances at the Ateneum Art Museum in Helsinki ...

5

Article: Album Review

Paul Flaherty / Randall Colbourne / James Chumley Hunt / Mike Roberson: Borrowed From Children

Read "Borrowed From Children" reviewed by Mark Corroto


Let's misquote a Rolling Stones' lyric here, with the music of Paul Flaherty “you can always get what you want," and maybe to a greater extent, “you get what you need." For more decades than he might want to count, the saxophonist has been making his self-described 'hated music.' We're talking hate as in a bugaboo, ...

59

Article: Building a Jazz Library

Jazz & Film: An Alternative Top 20 Soundtrack Albums

Read "Jazz & Film: An Alternative Top 20 Soundtrack Albums" reviewed by Chris May


Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...

2

Article: Album Review

Adam Rudolph / Ralph M. Jones / Hamid Drake: Imaginary Archipelago

Read "Imaginary Archipelago" reviewed by Mark Corroto


Often the music of Adam Rudolph can be a bit intimidating. An authority in Afro-Cuban, Indian, West Africa musics and jazz, Rudolph's performances remind budding ethnomusicologists and jazz critics their knowledge inhabits a very provincial realm. Luckily that intimidation is reserved to academics and writers. The remaining listening audience is free to enjoy these sounds associated ...

3

Article: Radio & Podcasts

Sir Stevie: Jammin' on Stevie Wonder - Part 1

Read "Sir Stevie: Jammin' on Stevie Wonder - Part 1" reviewed by Ludovico Granvassu


Stevie Wonder has more entries in the Real Book than any other pop musician, The Beatles included. It is not surprising therefore that his Songbook has been mined by hundreds of jazz musicians, including the likes of Sonny Rollins, Dizzy Gillespie, Ella Fitzgerald, Dexter Gordon or Herbie Hancock. To mark the 70th birthday of ...

35

Article: Interview

Matthew Shipp: Poetic Connection

Read "Matthew Shipp: Poetic Connection" reviewed by Seton Hawkins


It is difficult to describe the impact of pianist and composer Matthew Shipp without descending into hyperbole. A core figure in the now-legendary David S. Ware Quartet, a bandleader with a staggering recording output, a groundbreaking curator for the influential Blues Series of Thirsty Ear Records, Matthew Shipp has also more recently broken new ...

21

Article: Extended Analysis

Trout Mask Replica

Read "Trout Mask Replica" reviewed by Eric Gudas


“No Instruction Sheet": Trout Mask Replica's Unfathomable Origin Story If you were a teenager who liked freaky stuff, on a June day in 1969 you could bicycle down to your local record store and buy a brand-new, shrink-wrapped album with a man covering his entire face with an actual fish head on the cover. A double-LP ...

27

Article: Building a Jazz Library

Strata-East: Seizing the Time

Read "Strata-East: Seizing the Time" reviewed by Chris May


Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...

14

Article: Album Review

Don Cherry: Cherry Jam

Read "Cherry Jam" reviewed by Karl Ackermann


In the same year that composer/multi-instrumentalist Don Cherry recorded his milestone Complete Communion (Blue Note, 1966) he took his cornet to the studio of Danish National Radio. Cherry had established himself by the early 1960s, playing with Steve Lacy, Ornette Coleman, Paul Bley, John Coltrane, Charlie Haden, Archie Shepp, Albert Ayler and Ed Blackwell. Copenhagen began ...


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