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Dena DeRose and Elizabeth Shepherd: Singin' Piano Players
by C. Michael Bailey
Pianists/vocalists Dena DeRose and Elizabeth Shepherd illustrate different sides of the same coin with Travelin' Light--Live in Antwerp, Belgium and Rewind. The former is a sturdy statement of standards presented solo live in the cozy and organic confines of a European venue. The latter is a studio marvel by an inventive risk-taker walking on a jazz ...
Sony Classical Announces Re-Launch of Okeh Label as Primary Jazz Imprint
SONY CLASSICAL ANNOUNCES RE-LAUNCH OF OKeh LABEL AS PRIMARY JAZZ IMPRINT Label to Put Focus on New and Established Artists Embodying “Global Expressions in Jazz” Upcoming Releases by Bill Frisell, David Sanborn and Bob James, John Medeski, and Dhafer Youssef, Among Others Sony Classical is proud to announce the re-launch of the historic OKeh label. With ...
Naked Truth: Ouroboros
by Jeff Dayton-Johnson
With apologies to the late guitarist Pete Cosey (who led a band by the name), the members of Naked Truth are bona fide “children of Agharta." That is, the group--led by bassist-guitarist Lorenzo Feliciati--has absorbed and adapted the lessons of trumpeter Miles Davis's exhausting, tectonic live recording Agharta (Columbia, 1975) so well that Davis' disc can ...
Donny McCaslin: Casting For Gravity
by Glenn Astarita
Incorporating electronic instrumentation into his palette, tenor saxophonist Donny McCaslin dishes out a thrusting program that could, to some extent, be nestled within the jazz-fusion genre, but not in the traditional sense. The hard-hitting saxophonist and his band integrate fusion mechanics and spacey treatments to underscore many of the popping grooves, thundering pulses, knotty time signatures ...
The Clayton Brothers: The Gathering
by Dan Bilawsky
The Clayton Brothers' prior ArtistShare albums were high quality, thematically driven outings that highlighted their respect for notable jazz siblings on Brother To Brother (ArtistShare, 2008), and honored the relationship between the art forms of dance and jazz with The New Song And Dance (ArtistShare, 2010). For the group's third effort on this fan-funded imprint, The ...
Donny McCaslin: Casting For Gravity
by Jeff Dayton-Johnson
Tenor saxophonist Donny McCaslin has bravely developed a uniquely personal sound that proudly claims its heritage in the long mainstream of jazz, yet sounds freshly innovative. He has released eleven albums under his leadership, among which Recommended Tools (Greenleaf, 2008), with its punishing, revealing trio format, was a high-water mark. McCaslin deploys sheets-of-sound density inherited from ...
Metallic Taste of Blood: Metallic Taste of Blood
by Glenn Astarita
The album title could automatically allude to an outing by a hardcore death-metal band, yet Metallic Taste of Blood's diverse lineup touches on this quotient of loudly intense fare to coincide with other voluminous, enterprising factors. Here, guitarist/producer Eraldo Bernocchi teams with Porcupine Tree bassist Colin Edwin, keyboardist Jamie Saft (John Zorn, Bad Brains, Black Shabbis) ...
Animation: Transparent Heart
by Jeff Dayton-Johnson
Bob Belden is a sort of jazz renaissance man. He's worn many hats in his long career: producer, arranger, composer and reeds player, a combination of roles for which there are few parallels in the business.Transparent Heart highlights Belden the bandleader, the third release by his group, Animation. This is an all-new lineup for ...
Brandi Disterheft: Gratitude
by Dan Bilawsky
Canada has had its fair share of fine female jazz exports over the past few decades: piano-vocal crossover star Diana Krall; trumpeter Ingrid Jensen and her equally fabulous saxophone playing sister, Christine Jensen; and pianist Renee Rosnes have all made their mark below the 49th parallel. With the release of Gratitude, bassist Brandi Disterheft is poised ...
Animation: Transparent Heart
by Glenn Astarita
With his second release for this UK-based progressive record label, award-winning saxophonist/composer/bandleader Bob Belden nurtures and perhaps challenges a youthful cast of musicians who are graduates from his alma mater, the University of North Texas. Moving further east, however, the premise for the production, resides within Belden's impressionistic sensibilities of Manhattan. Belden's jazz-fusion applications ...
