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Jeff Ballard Trio: Time's Tales
by Dan Bilawsky
Drummer Jeff Ballard sure knows how to pick his playmates. In drafting one-of-a-kind guitarist Lionel Loueke and the focused-yet-irrepressible Miguel Zenon on saxophone, Ballard managed to create the most exciting trio to emerge in recent memory. While this album is Ballard's long-awaited leader debut, it's more tempting to dub it a leaderless or ...
James Brandon Lewis: Divine Travels
by Mark Corroto
An auspicious major label debut for a young saxophonist, Divine Travels eschews flamboyance for a deferential, mostly unpretentious bluesy free jazz recording. Lewis, a thirty-something tenor saxophone phenom chose to record here in trio without the safety net of a pianist or accompanying horn. He chose wisely though, enlisting two superstars musicians, bassist William ...
Mosaic Records: Making Jazz History
by Bob Kenselaar
No one is more astonished by the longevity of Mosaic Records than Michael Cuscuna, the veteran record producer and one-time disc jockey who founded the label together with Charlie Lourie, a former clarinetist who worked in both jazz and classical contexts before becoming an executive at CBS records, Blue Note, and elsewhere. Arguably the premier reissue ...
Dave Bennett: Don't Be That Way
by Dan Bilawsky
Clarinetist Dave Bennett's Don't Be That Way is a throwback album, but it's not a carbon copy of what's come before. Bennett certainly finds inspiration in the work of past masters, driving down the highways and byways that have been paved by Benny Goodman, Artie Shaw, Woody Herman and others, but he's willing to look at ...
Harold Lopez-Nussa: New Day
by C. Michael Bailey
Havana-native pianist/composer Harold López-Nussa is not an unknown entity. He has released five recordings previous to the present New Day and all before 30 years of age. His is a an assertive Latin Jazz infused with the essence of Western Europe. His training includes the Manuel Saumell and Amadeo Roldán Conservatories, graduating with a specialty in ...
Gretchen Parlato: Live in NYC
by Dr. Judith Schlesinger
In the ever-growing crowd of jazz vocalists, Gretchen Parlato increasingly stands out for her unique sound and musicality. She has been criticized by those who think she should sing “bigger," move around more, and open her eyes when she performs. But she has held to her own meditative style, which includes encouraging her bands to have ...
Gretchen Parlato: Live in NYC
by C. Michael Bailey
Live in NYC is vocalist Gretchen Parlato's eagerly awaited live recording and follow-up to 2011's excellent The Lost And Found (Obliqsound). Gretchen Parlato (Obliqsound, 2006) and 2011's In A Dream (Obliqsound) round out her catalog as a leader. That said, Parlato has been much more busy than would be indicated by her four recordings in eight ...
Perelman - Shipp - Dickey - Cleaver: Enigma
by Glenn Astarita
Even though Brazilian tenor saxophonist Ivo Perelman is a renowned powerhouse amid his gusty and highly energized mode of attack, he's an expert when it comes to reconfiguring melodic content and refreshing previously stated themes on-the-fly. Nonetheless, the principal basis for his craft is ingrained within the art of improvisation as he usually works within small ...
Halie Loren: Simply Love
by Dan Bilawsky
Vocalist Halie Loren has never avoided love songs. Her spectacularly engaging Heart First (Justin Time, 2012) is actually full of them, but this program one-ups that album in the love department. Loren mixes and matches popular songs from a variety of sources and eras, throws in a few originals for good measure, and lets her warm ...
Dave Holland: Prism
by John Kelman
Two instruments that bassist Dave Holland has rarely incorporated into his projects have been piano and guitar, his only guitar-centric album coming sixteen years after his first release as a leader, Conference of the Birds (ECM, 1973), when he recruited Kevin Eubanks for a particularly powerful set on Extensions (ECM, 1989). It took Holland even longer--nearly ...
