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Greg Osby: Channel Three
by Jim Santella
The freedom that saxophonist Greg Osby exhibits on Channel Three allows him to create openly without clutter. The harmony comes through overlapping tones, as saxophone and bass converse and drummer Jeff Watts echoes with various textures. You can even feel the pitches coming from his drum set. Working without a pianist, the trio opens ...
Greg Osby: Channel Three
by John Kelman
At some point in their careers, most saxophonists decide to tackle the trio format and do away with chordal instruments, or pick up another linear front line player to provide either the implicit or explicit harmonies inherent in larger groupings. Greg Osby has waited longer than most to tackle the challenging context, but with Channel Three, ...
August 2005
by Doug Collette
McCoy Tyner Counterpoints: Live in Tokyo Milestone 2004 Recorded in Japan in 1978 at the Live Under the Sky Festival, this title could quite conceivably go directly into the must-hear category of the great pianist's discography just by dint of his collaborators: bassist Ron Carter and the late ...
Madredeus: Faluas Do Tejo
by Franz A. Matzner
There is a unique pleasure in listening to music in an unfamiliar language. While much meaning is lost, there are nuances in the sounds that would be forsaken if one could translate every word. For those unfamiliar with Portuguese, listening to Faluas Do Tejo provides an acute example of this contradictory experience. This ...
Erik Truffaz: Saloua
by Mark F. Turner
A disciple of Miles Davis' fusion/electric years, trumpeter Erik Truffaz has provided his own sounds of fusion for many years and quite impressively by cultivating many influences into this “not so new wave of jazz that younger artists are now discovering. His new release, Saloua, finds him back with a signature style that uses everything from ...
Miles Davis: Year-Long Celebration of Five Decades and Many Miles
by Chris M. Slawecki
On October 27, 1955, Miles Davis signed with Columbia Records, where the mercurial trumpeter, composer, bandleader and conceptualist remained through most of his career. After 1955, Davis recorded and released nearly all of his greatest music through Columbia. Now part of Sony / Legacy, the label has embarked on a year-long celebration of the 50th anniversary ...
The Great Jazz Trio: 'S Wonderful
by Jim Santella
Generations keep things rolling, passing on information, and intangible qualities are soon absorbed. Hank Jones will turn 87 on July 31. Jack DeJohnette is 62. John Patitucci is 46. Each has a different frame of reference from which to draw upon when interpreting standards, such as those appearing here on 'S Wonderful. The swing and sway ...
Billy Bang: Vietnam: Reflections
by Jim Santella
From jazz's modern edge comes Billy Bang's second reflection on the impact of the Vietnam war experience. Along with fellow Vietnam veterans Ron Brown, Butch Morris, Michael Carvin, and Ted Daniel, the creative violinist interprets a program of originals and traditional folk songs (from Vietnam) to remember the people whose lives were changed. On both sides. ...
Stefano di Battista: Parker's Mood
by Jim Santella
Recreating a bit of jazz history, Stefano di Battista displays the kind of blazing-fast technical wizardry that brought Charlie Parker to our attention when bebop was just a youngster. Alternately, he adds tender ballads with his heart on his shirtsleeve to demonstrate that side of Bird which appealed to the lover within each of us. His ...
Bill Charlap: Plays George Gershwin: The American Soul
by Jim Santella
With a crisp attack and seamless, lyrical phrasing, pianist Bill Charlap interprets this collection of ten Gershwin songs with authority. His septet allows plenty of room for each artist to speak his piece throughout, each soloing along individual lines. Frank Wess is featured on “How Long Has This Been Going On?," which exhibits his ...
