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It Takes Two to Jazz: Part II
by Ludovico Granvassu
Second part of this week's exploration of the duo format with a special emphasis on duos featuring saxophonists as well as drummers. For the first part of this show click here PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Vincent Peirani, Emile Parisien “Egyptian Fantasy" Belle Époque ...
The DIVA Jazz Orchestra: DIVA + The Boys
by Dan Bilawsky
The all-female DIVA Jazz Orchesta has a boy-meets-girls story threaded into its origin, as drummer Stanley Kay served as the impetus behind the group's formation. Therefore, it's only fitting that the ladies have a few gentleman over to join them for some high times in the music every now and then. This eight-song set, ...
Camilla George: Warrior Charge
by Chris May
In 2017, alto saxophonist and composer Camilla George's band was the support act for a Dee Dee Bridgewater gig at the London Jazz Festival. After George had finished her set, Bridgewater, who had been listening in the wings, came onstage, took the mike, and announced: “The world is safe because we have Camilla." Others in Cadogan ...
Results for pages tagged "Dizzy Gillespie"...
Dizzy Gillespie
Born:
John Birks "Dizzy" Gillespie, along with Charlie Parker, ushered in the era of Be-Bop in the American jazz tradition. He was born Cheraw, South Carolina, and was the youngest of nine children. He began playing piano at the age of four and received a music scholarship to the Laurinburg Institute in North Carolina. Most noted for his trademark "swollen cheeks", Gillespie admitted to copying the style of trumpeter Roy Eldridge early in his career.
He replaced Eldridge in the 'Teddy Hill' Band after Eldridge's departure. He eventually began experimenting and creating his own style which would eventually come to the attention of Mario Bauza, the Godfather of Afro-Cuban jazz who was then a member of the Cap Calloway Orchestra, joining Calloway in 1939, Gillespie was fired after two years when he cut a portion of the Calloway's buttocks with a knife after Calloway accused him of throwing spitballs (the two men later became lifelong friends and often retold this story with great relish until both of their deaths).
Elis Regina and Antonio Carlos Jobim: A Musical Love Story and a Timeless Recording
by Victor L. Schermer
One of my all-time favorite albums and desert island picks is Elis and Tom (Phillips, 1974), featuring duets by the legendary Antonio Carlos “Tom" Jobim and Elis Regina, an iconic Brazilian singer lesser known in the U.S. who a few years later died of a drug overdose at the age of 36. I'm writing about it ...
Vintage Dolphy
by Duncan Heining
Vintage Dolphy appeared originally in 1986/7 on both vinyl and CD. Featuring recordings from three separate live performances from Eric Dolphy, two at Carnegie Hall, both with his own quartet and in two 'third stream' settings devised by Gunther Schuller, the album provided intriguing insights into Dolphy's improvisational skills and approach. Were this not enough, the ...
Emmet Cohen: Master Legacy Series Volume 3 Featuring Benny Golson & Albert "Tootie" Heath
by Mike Jurkovic
Set aside for the moment that the combined age of the elders here is 174 years. Emmet Cohen's Masters Legacy Series Volume 3 Featuring Benny Golson & Albert “Tootie" Heath is not only a mouthful of a title, but also irascibly and irrepressibly old school. It's as if Cohen, in his youthful (29) zeal and zest ...
Audrey Ochoa: Frankenhorn
by Dan McClenaghan
Trombonist Audrey Ochoa's Frankenhorn has a big, bold sound. The set was originally planned as a feature for duets with pianist Chris Andrew, with remixes by electronica DJ Battery Poacher. But things got out of hand, in the best sense of things. A rhythm section and strings and keyboard seasonings were brought into the mix, resulting ...
Vic Juris & Dizzy Reece
by Joe Dimino
We keep our traction here in 2020 as we begin the 629th Episode of Neon Jazz with talented modern day drummer Tyshawn Sorey. We talked about his roots and influneces in jazz and he noted Duke Ellington, John Coltrane and Dizzy Gillespie. From there, we get into new tunes for the new year with Canadian cat ...
Adam Rudolph: Ragmala and Prototypical Music
by Franz A. Matzner
Adam Rudolph has been seeking to push the boundaries of musical creativity for decades, developing a unique concept of composition, ensemble interaction, and conducting. As many writers have commented, his music resists critical commentary due to its prototypical nature. Said another way, Rudolph's music doesn't sound like anything else, and its antecedents are so varied that ...
