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17

Article: Live Review

Kuala Lumpur International Jazz Festival: 19-20 May, 2012

Read "Kuala Lumpur International Jazz Festival: 19-20 May, 2012" reviewed by Ian Patterson


KL International Jazz Festival Kuala Lumpur Convention CenterKuala Lumpur, MalaysiaMay 19-20, 2012The 19th and 20th of May, 2012 will long be remembered by jazz lovers in Kuala Lumpur as the day jazz came to town. The 13 acts that performed on the stage of the KL Convention Center made history by ...

20

Article: Album Review

Eyal Vilner Big Band: Introducing The Eyal Vilner Big Band

Read "Introducing The Eyal Vilner Big Band" reviewed by Hrayr Attarian


Most contemporary big band music is either of the heavily arranged, progressive jazz variety or the light-swing, Glenn Miller orchestral type played mainly for the benefit of nostalgic dancers. It is therefore refreshing to hear an ensemble that embraces the exuberance of mid-20th Century large groups and simultaneously delivers a bop-ish and elaborate sound.

12

News: Award / Grant

Kenny Barron and Ron Carter Awarded for Lifetime Contributions to Jazz

The DC Jazz Festival (DCJF) will present its annual Lifetime Achievement Award to two of the world’s most renowned jazz artists, Kenny Barron and Ron Carter, at its 8th annual Festival, held June 1-10. Each year the DCJF honors jazz greats for their indelible lifetime contributions to jazz and humanity. Past awardees include Jimmy Heath, Eddie ...

38

Article: Extended Analysis

Ahmad Jamal: Blue Moon

Read "Ahmad Jamal: Blue Moon" reviewed by Ian Patterson


Ahmad Jamal—senior statesman of jazz piano—first recorded 60 years ago. That he's still producing records of great energy, imagination and flair every couple of years is a remarkable testament to his singular talent. Blue Moon broadly follows the formula of It's Magic (Dreyfus Records, 2008) and A Quiet Time (Dreyfus, 2010); a few Jamal originals, a ...

73

Article: Live Review

Borneo Jazz 2012

Read "Borneo Jazz 2012" reviewed by Ian Patterson


Borneo Jazz Festival 2012Miri, Sarawak, BorneoMay 10-12, 2012Borneo Jazz--held in Miri, Sarawak semi-autonomous state, Malaysia--has grown steadily since its inaugural edition in 2005, going from 3,000 spectators seven years ago to over eight thousand today. This growth is a reflection of the successful planning and promotion by the festival organizers and an indication ...

47

Article: Interview

Vangthanousone Bouaphanh: Lao Jazznova

Read "Vangthanousone Bouaphanh: Lao Jazznova" reviewed by Ian Patterson


Cradling his Epiphone Emperor Regent as he stands against the backdrop of a Buddhist temple, guitarist Vangthanousone Bouaphanh cuts a dashing figure. Vangthanousone comes from the “Land of a Million Elephants," better known these days as Laos--a small, Buddhist/animist country sandwiched between Vietnam, China, Burma, Thailand and Cambodia. Vangthanousone may look like a star, but he's ...

57

Article: Jazz in the Aquarian Age

Herbie Mann: An Amalgamation of Everything

Read "Herbie Mann:  An Amalgamation of Everything" reviewed by Bob Kenselaar


[Flauist Herbie Mann was often ahead of the trend with his wide explorations into sounds from everywhere. When I asked him in this 1978 interview where music in general was heading, he talked about a broad mix--"an amalgamation of everything"--which might be a good way to describe Mann's overall career, except that it doesn't account for ...

76

Article: Interview

Luis Perdomo: Walking Towards the Light

Read "Luis Perdomo: Walking Towards the Light" reviewed by R.J. DeLuke


Pianist Luis Perdomo's fingers dart across the keys, eloquently telling the stories that traverse his mind in that instant; doing so in a manner that enraptures an audience. He moves people, and does so in a manner that appears, on the surface, easy. Like great athletes. Like other great musicians. This is one of the finer ...

54

Article: Album Review

Shirley: From a Bright Clearing

Read "From a Bright Clearing" reviewed by Florence Wetzel


It's hard to pinpoint the exact moment when “fusion" became a dirty word in jazz, but it definitely occurred sometime in the 1980s. Although fusion had been embraced by many musicians and fans, there was suddenly an overriding philosophy that “real" jazz did not incorporate electric instruments or electronics. This idea has lost currency over the ...

56

Article: Album Review

Jazz Punks: Jazz Punks: Smashups

Read "Jazz Punks: Smashups" reviewed by Glenn Astarita


A homogenous and playfully bastardized take on modern jazz, the Los Angeles-based Jazz Punks offers a rather chic, and youthful blend of jazz, punk-rock and rock on its debut outing. It's an undulating approach and at times, pleasantly schizophrenic by design. Here, electric guitarist Sal Polcino looms as the bridge between the rock and jazz element ...


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