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Borneo Jazz 2012
by Ian Patterson
Borneo Jazz Festival 2012Miri, Sarawak, BorneoMay 10-12, 2012Borneo Jazz--held in Miri, Sarawak semi-autonomous state, Malaysia--has grown steadily since its inaugural edition in 2005, going from 3,000 spectators seven years ago to over eight thousand today. This growth is a reflection of the successful planning and promotion by the festival organizers and an indication ...
Vangthanousone Bouaphanh: Lao Jazznova
by Ian Patterson
Cradling his Epiphone Emperor Regent as he stands against the backdrop of a Buddhist temple, guitarist Vangthanousone Bouaphanh cuts a dashing figure. Vangthanousone comes from the Land of a Million Elephants," better known these days as Laos--a small, Buddhist/animist country sandwiched between Vietnam, China, Burma, Thailand and Cambodia. Vangthanousone may look like a star, but he's ...
Herbie Mann: An Amalgamation of Everything
by Bob Kenselaar
[Flauist Herbie Mann was often ahead of the trend with his wide explorations into sounds from everywhere. When I asked him in this 1978 interview where music in general was heading, he talked about a broad mix--"an amalgamation of everything"--which might be a good way to describe Mann's overall career, except that it doesn't account for ...
Luis Perdomo: Walking Towards the Light
by R.J. DeLuke
Pianist Luis Perdomo's fingers dart across the keys, eloquently telling the stories that traverse his mind in that instant; doing so in a manner that enraptures an audience. He moves people, and does so in a manner that appears, on the surface, easy. Like great athletes. Like other great musicians. This is one of the finer ...
Shirley: From a Bright Clearing
by Florence Wetzel
It's hard to pinpoint the exact moment when fusion" became a dirty word in jazz, but it definitely occurred sometime in the 1980s. Although fusion had been embraced by many musicians and fans, there was suddenly an overriding philosophy that real" jazz did not incorporate electric instruments or electronics. This idea has lost currency over the ...
Jazz Punks: Jazz Punks: Smashups
by Glenn Astarita
A homogenous and playfully bastardized take on modern jazz, the Los Angeles-based Jazz Punks offers a rather chic, and youthful blend of jazz, punk-rock and rock on its debut outing. It's an undulating approach and at times, pleasantly schizophrenic by design. Here, electric guitarist Sal Polcino looms as the bridge between the rock and jazz element ...
Vince Guaraldi at the Piano
by Derrick Bang
This article appears in the prologue of Vince Guaraldi at the Piano by Derrick Bang (McFarland Books, 2012).Prologue: The Sound of Surprise" Saturday, October 4, 1958: shortly after midnight, at the first-ever Monterey Jazz Festival.It had been a busy day; indeed, it was already a long three-day weekend. Headliner Louis ...
Bob Lark Alumni Band / Bob Curnow / JazzMN Big Band
by Jack Bowers
Bob Lark and His Alumni Big BandReunionJazzed Media2012 As director for more than two decades of DePaul University's superb Jazz Ensemble, trumpeter Bob Lark has seen an endless parade of outstanding musicians pass through the ranks, which makes the first-ever Reunion of his Alumni Big Band a ...
Adam Cruz: Making Some Room
by R.J. DeLuke
Playing drums with some of the finest musicians around, touring the globe with them, and teaching music can be a lot on the plate of a person fortunate enough--and talented enough--to find themselves in that situation. In fact, that's a solid career.But for Adam Cruz--a much sought-after drummer on the New York City scene ...
Curtis Fuller: Down Home
by Florence Wetzel
The jazz world of the fifties and sixties was undeniably a golden age, and legendary trombonist Curtis Fuller was one of the era's key voices. Throughout his sixty-year career, Fuller has worked with some of jazz's foundational players: he appears on saxophonist John Coltrane's Blue Train (Blue Note, 1957), he was part of drummer Art Blakey's ...





