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503

Article: From Far and Wide

August 2010

Read "August 2010" reviewed by Fradley Garner

by Fradley Garner

Two East Coast Big Bands specialize in music of the 1920s and '30s. Vince Giordano and His Nighthawks share the pre-Swing era with Long Island trombonist Ray Osnato and his South Shore Syncopators, a 10-piece band with five singers whose performances mimic a 1930s radio show, complete with honey-tongued announcer. Like Giordano, Osnato started young, collecting ...

347

News: Performance / Tour

Lorraine Feather: On the Road (Less Traveled)

Lorraine Feather: On the Road (Less Traveled)

Lorraine Feather's live performances are legendary. Her skills as a lyricist, well known to fans of her recordings of Fats Waller and Duke Ellington material and recent work like her new CD Ages (Jazzed Media, 2010), bloom wildly under the stage lights. Where some performers like to glance sideways with short anecdotes between songs, Feather prefers ...

2,088

Article: Interview

Lorraine Feather: The Girl With the Lazy Eye

Read "Lorraine Feather: The Girl With the Lazy Eye" reviewed by Carl L. Hager

by Carl L. Hager

While writing the tune “Scrabble" for her recently released CD Ages (Jazzed Media, 2010), lyricist and singer Lorraine Feather's songwriting partner, Dick Hyman, had an unusual request that bordered on a dare: could she work the name of the venerable pianist/composer's family friend Dushka into the lyrics? After all, the middle section of his stride composition ...

440

Article: Extended Analysis

Dick Hyman: Century of Jazz Piano

Read "Dick Hyman: Century of Jazz Piano" reviewed by Graham L. Flanagan

by Graham L. Flanagan

Dick Hyman Century of Jazz Piano Arbors Records 2010 This intimidating, six-disc set (five CDs and a DVD) succeeds on two key levels. Rarely do we find a release that is equally effective in terms of its value as both an educational tool and a source of entertainment. ...

262

Article: Album Review

Dick Hyman: In Concert at the Old Mill Inn

Read "In Concert at the Old Mill Inn" reviewed by Ken Dryden

by Ken Dryden

During his lengthy professional career, pianist Dick Hyman has been a first-call studio player for many kinds of music, in addition to being able to play any style in the history of jazz. As well as being a sideman with Benny Goodman, Hyman worked in a duo with the late cornetist Ruby Braff, played pipe, Hammond ...

225

Article: Album Review

Lorraine Feather: Ages

Read "Ages" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

It is immediately evident listening to the work of lyricist-vocalist Lorraine Feather that she is a gracious, respectful lover of words. As a brilliant writer and performer, she revels in the power, dynamic intricacies, kooky parallels, and yin-yangs of words and funhouse-mirror entendres. And when she adds to that love a sensitive vocal style that is ...

322

Article: Album Review

Lorraine Feather: Ages

Read "Ages" reviewed by Dr. Judith Schlesinger

by Dr. Judith Schlesinger

Lorraine Feather, daughter of famous jazz critic Leonard Feather, is a seven-time Emmy nominee who once sang backup for Petula Clark and Grand Funk Railroad and has released eight well-received recordings of her own, including Language, (Jazzed Media, 2008). It does not diminish her musicality, charm, or wit to say that, more often than not, Ages ...

468

Article: Album Review

Lorraine Feather: Ages

Read "Ages" reviewed by AAJ Staff

by AAJ Staff

As the daughter of respected jazz critic, Leonard Feather, Lorraine Feather comes to her jazz pedigree honestly, but more from natural talent than dogged filial loyalty. In possession of a pure, rich voice, she tried acting--along with some discouraging stints in the food industry--before finding her multi-colored niche in singing and composing. Ages, about the epochs ...

212

News: Interview

Interview: Dick Hyman (Part 3)

Interview: Dick Hyman (Part 3)

Pianist Dick Hyman is as precise with his words as he is with his notes. During our conversation, Dick often stopped mid-sentence momentarily when answering a question, as if rolling his choice of words around in his palm before selecting them. His pauses weren't abrupt or disconcerting. They were lyrical, like his playing, coming almost like ...

158

News: Interview

Interview: Dick Hyman (Part 2)

Interview: Dick Hyman (Part 2)

Dick Hyman can play anything and sound like anyone. Too often this has been unfairly characterized as impersonation. As anyone who has listened carefully to Dick knows, his ability to play fluently in the style of, say, James P. Johnson or Erroll Garner isn't an attempt to pass himself off as someone he's not. Rather, Dick ...


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