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The 21st Century Guide to King Crimson: Volume One 1969-1974
By King Crimson
Label: DGM Live
Released: 2004
Track listing: CD1 (In the Studio: 1969-1971): 21st Century Schixoid Man; I Talk to the Wind;
Epitaph; Moonchild; The Court of the Crimson King; Peace: A Theme; Cat Food; Groon; Cadence
and Cascade; In the Wake of Poseidon (instrumental edit); Ladies of the Road; Sailor's Tale
(abridged); Islands (instrumental edit); Tuning Up; Bolero.
CD2 ( Live: 1969-1972): The Court of the Crimson King; A Man, A City;
21st Century Schizoid Man; Get Thy Bearings; Mars; Pictures of a City; The Letters; A Sailor's
Tale; Groon; 21st Century Schizoid Man (instrumental edit).
CD3 ( In the Studio: 1972-1974): Larks' Tongues in Aspic Part I
(abridged); Book of Saturday; Easy Money; Larks' Tongues in Aspic Part II; The Night Watch; The
Great Deceiver; Fracture; Starless (abridged); Red; Fallen Angel; One More Red Nightmare.
CD4 (Live: 1973-1974): Asbury Park; The Talking Drum; Larks' Tongues
in Aspic Part II; Lament; We'll Let You Know; Improv: Augsburg; Exiles (abridged); Easy Money;
Providence; Starless and Bible Black; 21st Century Schizoid Man; Trio.
The Equatorial Stars
By Robert Fripp
Label: DGM Live
Released: 2004
Track listing: Meissa; Lyra; Tarazed; Lupus; Ankaa; Altair; Terebellum
The 21st Century Guide to King Crimson: Volume One 1969-1974
by John Kelman
Of all the groups to emerge from the late '60s-early '70s heyday of British Progressive Rock (capitals fully intended), no group has reinvented itself more frequently and, perhaps, more rapidly than King Crimson. As time has gone on the group's ostensible leader Robert Fripp has refashioned the group through periods of high melodrama to nuevo metal ...
Fripp & Eno: The Equatorial Stars
by John Kelman
While the technology was, in retrospect, remarkably simple, guitarist Robert Fripp, best known for his work with the perennial King Crimson, and synthesist/producer Brian Eno literally invented a new musical form when they hooked up two Revox reel-to-reel tape recorders in '73, allowing Fripp to layer an almost infinite number of loops to create a groundbreaking ...
