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Jazz em Agosto 2017
by Mike Chamberlain
Jazz em Agosto Lisbon, Portugal July 28-August 6, 2017 Where to start with my description of the Jazz em Agosto experience? The gorgeous setting of the amphitheater in the garden of the Calouste Gulbenkian Foundation (Fundacão Calouste Gulbenkian) in central Lisbon? The musical highlights of the fourteen concerts over ten ...
Craig Taborn and his multiple motion
by Giuseppe Segala
Craig Taborn is among the most creative musicians on today's scene. His music is shaped by a deep intellectual curiosity towards a wide range of artistic forms and sources of knowledge. His technical, stylistic, emotional and mental versatility have allowed him to collaborate with a large range of recognized masters in diverse styles of contemporary jazz. ...
Il moto multiplo di Craig Taborn
by Giuseppe Segala
Prima di leggerne le parole precise ed esaurienti nell'intervista, è il caso di ricordare alcune cose di Craig Taborn, pianista quarantasettenne che si colloca ai massimi livelli della scena contemporanea. In primo luogo la sua profonda curiosità intellettuale, che lo porta a un intreccio di interessi nei confronti di forme diverse dell'espressione artistica e della ...
Garana Jazz Festival 2017
by Nenad Georgievski
Garana Jazz Festival Garana, Romania July 6-9, 2017 Running from the 6-9th of July, the 21st edition of the Garana Jazz Festival saw the jazz world descend on its location near the Garana village, high in the Semenic Mountains of Romania. Obviously, the artistic credibility and the creative energy were ...
Wingfield Reuter Stavi Sirkis: The Stone House
by John Kelman
At a 2009 ECM @ 40 celebration in Mannheim, Germany that was part of the ongoing Enjoy Jazz Festival, Italian trumpeter Enrico Rava spoke, in a public interview, about how free jazz, back in the day, wasn't really free. There were rules: no time and/or no changes, for example; with memorable melodies not impossible, but not ...
Tim Bowness: Ghost Lights and Life Sentences
by John Kelman
As much as it's something most would prefer to avoid, when a pair of musicians share a lengthy musical history together it's difficult not to compare and contrast the work they do when apart. Beyond contributing added clarity to their individual work, it helps to articulate what each of them bring to the table when they're ...
Tim Bowness: Lost in the Ghostlight
by John Kelman
It's a somewhat hidden truth that a sizeable percentage of any musician's fan base believes that the music their favorite artists make is a direct reflection of their tastes. While an artist's music ought, indeed, be a reflection of what moves them, it's another truth that, more often than not, their listening habits run much farther ...
Matt Mitchell: Forage
by Dan McClenaghan
Alto saxophonist Tim Berne could have been called, at the dawn of the new millennium, the American artist least likely to join the ECM Records roster. The thought here was that Berne's relentless momentum and frequent agitation and flat out wild man brazenness wouldn't fit in well enough with the European impressionism/Nordic cool approach (a definite ...
Five Classic ECM Titles in High Res
by John Kelman
If ever there were a label that deserved to have its catalog released in a high resolution format, it's Munich's ECM Records. Since its inception in 1969, the multiple award-winning record label headed by producer Manfred Eicher has truly redefined how, initially, jazz and improvised music recordings could--and, at least for some, perhaps should--sound. Attention to ...
Wingfield Reuter Stavi Sirkis: The Stone House
by Mark Sullivan
Electrifying collective improvisation from four progressive masters. The combination of electric guitar, touch guitar, electric bass and drums recalls the classic David Torn album Cloud About Mercury (ECM, 1987), as well as the various improvisational King Crimson spinoffs called ProjeKcts. U.K. guitarist Mark Wingfield (Jane Chapman, solo artist, and one half of the long-running ...
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