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23

Article: Meet the Staff

Meet John Kelman

Read "Meet John Kelman" reviewed by AAJ Staff


I currently live in: Ottawa, Canada I joined All About Jazz in: 2004 What made you decide to contribute to All About Jazz? After deciding to start writing about music in about 2001, and starting at smaller websites, I was approached by All About Jazz in late 2003, with the question: “We've ...

13

Article: Interview

Erik Honore: Small Sonic Postcards

Read "Erik Honore: Small Sonic Postcards" reviewed by Nenad Georgievski


Compared to the rest of Europe, Norway's thriving music scene--be it jazz, pop, electronic or in-between genres--seems to be the most varied. Since1996/97, with the release of a number of seminal recordings including trumpeter Nils Petter Molvær's Khmer (ECM, 1997), keyboardist Bugge Wesseltoft's New Conception of Jazz (Jazzland, 1996) and noise improv quartet Supersilent's triple-disc debut, ...

8

Article: Album Review

1982 + BJ Cole: 1982 + BJ Cole

Read "1982 + BJ Cole" reviewed by John Kelman


With musical cross-pollination the norm, it's not just about pan-cultural blending; it's just as much about finding ways to blend the contemporary and the antiquated. Since inception, 1982 has combined instruments from across the centuries--harmonium, hardanger fiddle and drum set--wonderfully blending Norwegian traditionalism, millennium-spanning classicism and modernistic free improvisation on its self-titled, 2010 NORCD debut. If ...

8

Article: Live Review

Sidsel Endresen @ 60: Oslo, Norway, November 8-9, 2012

Read "Sidsel Endresen @ 60: Oslo, Norway, November 8-9, 2012" reviewed by John Kelman


Sidsel Endresen @ 60: A Special Birthday CelebrationNasjonal Jazzscene VictoriaOslo, NorwayNovember 8-9, 2012Turning 60 can mean different things to different people: for some, it's a time to think about slowing down, and for others, it's a time to kick into higher gear. In the case of jazz and improvising musicians, age ...

3

Article: Album Review

1982 + BJ Cole: 1982 + BJ Cole

Read "1982 + BJ Cole" reviewed by John Eyles


For its third album, following 1982 (NORCD, 2009) and Pintura (Hubro, 2011), the trio now known as 1982 decided, after much discussion, to invite a guest musician to join the recording. A few years earlier, the group had met pedal steel guitarist B.J. Cole at a BBC radio program, and so decided to enlist him, even ...

6

Article: Album Review

Erik Honore and Greta Aagre: Year of the Bullet

Read "Year of the Bullet" reviewed by Nenad Georgievski


Impressive in its reach and warmth, the music of keyboardist/sampler/lyricist Erik Honoré and vocalist Greta Aagre on Year of the Bullet feels like a perfect brushstroke of sound calligraphy, full of cinematic passages that are designed to evoke a broad emotional spectrum. This is the duo's third release and first signed under their names--previously, they were ...

5

Article: Live Review

Punkt 2012: Kristiansand, Norway, September 6-8, 2012

Read "Punkt 2012: Kristiansand, Norway, September 6-8, 2012" reviewed by John Kelman


Punkt Festival Kilden Performing Arts Centre Kristiansand, Norway September 6-8, 2012Another year, another Punkt. If that sounds flippant or dismissive, that's not the intention; instead, it's a reflection that a year simply isn't complete without visiting Kristiansand, Norway, for the Live Remix festival that continues to expand its network and garner attention ...

14

Article: Extended Analysis

Jan Bang / Erik Honore: Uncommon Deities

Read "Jan Bang / Erik Honore: Uncommon Deities" reviewed by John Kelman


Jan Bang / Erik Honoré Uncommon Deities SamadhiSound 2012 As the 2012 Punkt Festival debuts its eighth annual edition at its home base of Kristiansand, Norway--but this time, in the brand new, state of the art Kilden Performing Arts Centre--it has gradually evolved into something more than just a festival. The ...

1,680

Article: Interview

Eivind Aarset: Guitar Anti-Hero

Read "Eivind Aarset: Guitar Anti-Hero" reviewed by John Kelman


In a time when the interactive video game Guitar Hero is selling in the millions, Eivind Aarset is, in many ways, the Guitar Anti-Hero. Despite making music that could easily lend itself to the kind of guitar pyrotechnics that are so often the litmus test of a good player, Aarset's emphasis is on texture, on melody, ...


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