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Arve Henriksen: The Trumpet is My Pen
by Nenad Georgievski
Norwegian trumpeter Arve Henriksen is one of a handful of creative upstarts, like trumpeters Nils Petter Molvær or Erik Truffaz, who are embracing electronics and the improvisational side of jazz in their music. Henriksen's music is an otherworldly amalgamation of different and sometimes opposing elements, with imaginative soundscapes built on the tradition that trumpeter Miles Davis ...
Various Artists: Rework_ Philip Glass Remixes
by Nenad Georgievski
In these modern times, remixing is seen as merely another way of reinterpreting someone's work. Just like jazz or rock artists reworking old standards or classics in their own way, so, too, do remixers apply a modern method of interpreting people's songs, compositions--or, their entire oeuvre.According to Wikipedia “the remix is an alternative version ...
Soft Machine Legacy: Burden of Proof
by Dave Wayne
Over the course of three albums released between 1968 and 1970, the British band Soft Machine transformed from one of the trippiest and mind-bendingly inventive rock bands of the psychedelic era into a raging musical torrent of free jazz, thunderous prog rock, and high- concept minimalist-inspired avant-garde stylings. With the dizzying changes in musical direction came ...
Chris Bigg: I Always See Music in Colors
by Nenad Georgievski
Long considered to be one of the most innovative areas of graphic design, record sleeve art has a history of introducing complex imagery to the mass market. Popular music s, as it is known, is a form of youth culture closely connected to visual culture. Record sleeves have never been only a packaging. In a way, ...
Meet John Kelman
by AAJ Staff
I currently live in: Ottawa, Canada I joined All About Jazz in: 2004 What made you decide to contribute to All About Jazz? After deciding to start writing about music in about 2001, and starting at smaller websites, I was approached by All About Jazz in late 2003, with the question: “We've ...
Erik Honore: Small Sonic Postcards
by Nenad Georgievski
Compared to the rest of Europe, Norway's thriving music scene--be it jazz, pop, electronic or in-between genres--seems to be the most varied. Since1996/97, with the release of a number of seminal recordings including trumpeter Nils Petter Molvær's Khmer (ECM, 1997), keyboardist Bugge Wesseltoft's New Conception of Jazz (Jazzland, 1996) and noise improv quartet Supersilent's triple-disc debut, ...
1982 + BJ Cole: 1982 + BJ Cole
by John Kelman
With musical cross-pollination the norm, it's not just about pan-cultural blending; it's just as much about finding ways to blend the contemporary and the antiquated. Since inception, 1982 has combined instruments from across the centuries--harmonium, hardanger fiddle and drum set--wonderfully blending Norwegian traditionalism, millennium-spanning classicism and modernistic free improvisation on its self-titled, 2010 NORCD debut. If ...
Sidsel Endresen @ 60: Oslo, Norway, November 8-9, 2012
by John Kelman
Sidsel Endresen @ 60: A Special Birthday CelebrationNasjonal Jazzscene VictoriaOslo, NorwayNovember 8-9, 2012Turning 60 can mean different things to different people: for some, it's a time to think about slowing down, and for others, it's a time to kick into higher gear. In the case of jazz and improvising musicians, age ...
1982 + BJ Cole: 1982 + BJ Cole
by John Eyles
For its third album, following 1982 (NORCD, 2009) and Pintura (Hubro, 2011), the trio now known as 1982 decided, after much discussion, to invite a guest musician to join the recording. A few years earlier, the group had met pedal steel guitarist B.J. Cole at a BBC radio program, and so decided to enlist him, even ...
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